i messed up my theme

nobody loves you? that’s a blatant lie. scott mccall loves you

#scott mccall would march into battle for you #scott mccall would pick you first in gym class #scott mccall would lend you his homework to copy because you had a bad night and couldn’t finish yours #scott mccall would lend you lunch money #scott mccall would pull you out of a burning building #scott mccall would sit with you through the season finale of that show you love that he doesn’t really care for #scott mccall would actually do his share on the partner project #scott mccall would save your life even if you hurt someone he cared about #scott mccall would remember your favorite flavor of ice cream #scott mccall would set a personalized ringtone for you #scott mccall: saving lives and stealing hearts since 2011 (via loup-ado)

I love this song, I don’t know why.

Haiku (via timedoesnotexisthere)

imagine someone offering to make a romantic dinner for you and when you get to their place it’s immaculately clean and there are candles and flowers on the table and everything is beautifully ambient 

and then they emerge from the kitchen holding two lunchables

writers always fall back on “we will definitely add a queer romance if/when it’s right for the story" like they’re protecting the integrity of the narrative’s structure by avoiding unnecessary romance, as if their first priority is good writing.

while conveniently ignoring that many, many stories

many of the very same stories written by the very same people who say they’ll add queer characters “when it’s right"

are written around the love lives of straight characters.

plots that could’ve feasibly arisen without romance are propelled by romance. characters are derailed by sloppy romantic subplots all the time. people express interest in other people, fall in love with other people, and the plot works itself around it. sometimes it makes for good storytelling and sometimes it doesn’t— but it’s never a question of whether or not it’s “right for the plot" because it’s not even consciously done. you write straight love stories on autopilot. 

which is why when writers say “if the opportunity arises to introduce it organically" all i hear is “that requires thinking of queer romances as something inherently organic, which i don’t really know how to do."

rarepairs 

when dudes say they’ve been friendzoned i like to imagine rod serling waiting impatiently to escort their entitled manchildren butts into the alternate dimension they’ve created for themselves— a dimension not only of sound, but of mind. a journey into the land...

i found these in my folder why

what’s this for

what’s the point

who drew it

4 months later i remember why i drew it

that wasn’t something i enjoyed by any measure i’m really upset and want to commit burger

i love brock he’s my favorite character from any anime ever. my love for him eclipses my love for scott mccall and joan watson and bucky barnes combined. he is the reason i wake up in the morning, the man i dream of at night. i didn’t tell you this but i bought a high-quality brock body pillow at anime boston and i cuddle and kiss it gently at night. brock is my dream boy, my foreverhunk

One time Sera was ranting about urinals and forgot what boys were called and called them “little runt men” instead and I just stared at her

her face turned so red

Aha oh man she’s online on the other computer oh man oh gosh oh man the pressure is on

Ahaha Sera forgot to log out! I’m the boss now

It’s me it’s Ched

upsides to hannibal’s growing fandom:

downsides: