spooky tree outside my parents house 

Day 4

Memento mori

this is my new art tumblr, its still fresh but give it a look why dont ya!

snakes frogs and spiders <3

powerful female characters… ah yeah 

This is my art tumblr!

My name’s Diego H Black, I’m a student and artist trying to master my craft. I have a lot of love in me, and I like to channel that love into my art. Lately I’ve really enjoyed drawing nature, girls, abstractions and dark fantasy. I’m very experimental in my styles, because there’s not one particular thing I want to be best at! I’m halfway through inktober right now, so I’ll gradually post some of the things I’ve drawn that I like most. I have an instagram where you can see it all, too (@diegohbart). I’m very open minded and understanding, nerdy as all hell, weird kid for life and a certified goofball, very much looking forward to meeting all the cool people the internet has to offer.

Go follow my art blog if you know what’s good for ya!!!!

(a late) inktober day 13: @sanictheheghog as a pokétrainer !

TUTORIAL: how to avoid a flat drawing

DISCLAIMER: i don’t consider myself incredibly qualified to answer this- so please keep in mind that this is by no means a complete answer, and you can definitely go a lot more in depth with it! i’ll answer to the best of my abilities :>

you’re creating the illusion of depth, so first you need to understand the mechanics of how it works. otherwise you’re just guessing/copying what you see other people do (which isn’t something that doesn’t WORK but you’ll be infinitely better once you understand the fundamentals)

to start off, we need to acknowledge that there are lots of curves and dips to a human face. (take a moment to slowly run your hands over different parts of your face. it sounds stupid but it really helps to take a moment to examine smth closely) to help visualize the curves a drawing would have, i’ll use a grid

(hahaHA using lance as an example, what a surprise)

an important part (the most important part??) of creating a convincing drawing is understanding and using shadows. if you’re inexperienced, this is something you’re going to have to look up (or create your own) reference for and study. applying some shadow, you can see that they follow the grid i made

[IMPORTANT: if you’re applying shadows, don’t forget about the source of light!! inconsistent lighting leads to messed up drawings]

small details are what’ll really pull your drawing together. consider shadows on things like the teeth/tongue, eyebags, eyelids, EYES, lips, etc

but you don’t always need to add shadows/colour to a drawing it make it look believable! a lot of the time i’ll add a drop shadow beneath the face because it’s quick, i like how it looks, and it’s already a step towards giving a line drawing a little depth.

also consider using varying angles when you draw a character. front-facing and profile views get very boring very quickly, and are probably easier to go flat with. turning a character to ¾, 5/6, whatever fraction u want, that’ll convey a sense of dimension, with or without shadows to help

more examples (u can see that the top two drawings don’t feel very flat):

WOW i’m glad i caught this ask like.. while making this tutorial LOL thank u anon, for coincidentally asking smth that falls perfectly in line with the nature of this tutorial- i’ll continue my answer under the cut

Keep reading

Samurai (by Madras91)

Unfortunately, Sinfini, the site where my animated Mozart illustrations were featured, is, as of a few months ago, no more. It’s a real shame. They produced so much amazing material - including animations and comics - to get people to interested in and engaging with classical music. Thanks to being an (editorially independent) branch of Universal Music, they were actually able to fund the creators too, which for projects as open-ended and creatively-driven as these was a genuine luxury. They will be greatly missed!

This project started as an animated short about the early life and efforts of Wolfgang Amadeus Mozart, but ended up becoming more of an animated comic, making use of looping gif animations and text to tell its story. I posted some gifs from it earlier in this post, but as the Sinfini site is now gone I thought I’d repost the animations here in their entirety, along with some annotations. Hope you enjoy! (And sorry for the super long post - if it’s annoying, please message me and I’ll edit it to have a page break in there)

Mozart was born in Salzburg in 1756, the second child of a music teacher.

Mozart’s precociousness is well-known; less so that he was inspired to learn music by his older sister, Nannerl, who was, by many accounts, equally as gifted.

Nannerl later recounted that when he was just four years old he took great pleasure in picking out thirds on the keyboard and playing simple tunes.

Mozart’s father, Leopold, seeking to hone his childrens’ talents  (and probably to make a little money) began having them play for family and friends, many of whom were courtiers and aristocrats. As well as regular performances, the pair would perform tricks - Mozart would play blind with the keys covered by a handkerchief, for instance. 

Word of the Mozarts’ popularity spread quickly, and in 1762 they were invited to perform before the Empress Maria Theresa - an aunt of Marie Antoinette.

The Empress, famously stoic, was visibly delighted at the childrens’ playing. A popular story from the visit describes how Mozart leapt into her arms and kissed her on the cheek!

With the reputation from their performances spreading far beyond Austria, Leopold decided they would capitalise on it by organising a “grand musical tour” of Europe.

The family travelled to more than six countries in just three years, sometimes performing several times daily and paying their way with the fees.

This trip is often credited as the source of Mozart’s great talent for composing (which, aged seven, he was just beginning to experiment with). He was introduced to many different musical styles and studied under many famous teachers, leading to a highly eclectic style.

Mozart wrote his first symphony in 1764 while staying in London - partially to make a quick buck, as his father had fallen ill, putting a stop to perfomances. (You can listen to it in full here!)

Mozart’s writing continued prolifically for many years, and although he remained a skilled performer he became more known for his tunes. His tour of Europe had given him a love for many different kinds of music, and he reflected them all in his writing - from his bawdy, comedic operas to his religious music, often grandiose and serious. 

Hardly surprising that now, almost 300 years later, the little keyboard-playing kid from Salzburg is and remains one of the most popular composers of all time.

—

It’s sad to note that while Mozart’s star grew brighter, Nannerl’s did not. A few years after the end of the tour, her parents’ conservative views led to her all but giving up music entirely and settling into what was then the norm for marriageable women. She and Mozart remained close friends throughout their lives, however, and much of of their correspondence (in the form of letters) has been documented. A lot of it is quite sweet, and you can actually read most of it online here at Project Gutenberg.

Thanks again to all who were involved in this - including Emma Bharj and Nick Martin from Sinfini who were incredibly kind and helpful to me in getting this made!

I have a  bunch of early designs and rough work from this on my computer, so I’ll probably make a post with some of that soon if people are interested. Anyway, thanks for reading/watching.

more sketchbook junk

more doodles