Miss Peregrine’s Home for Peculiar Children (2016)
You don’t have to make us feel safe… because you’ve made us feel brave.
It takes us a while to get any traction, I’ll give you that one.
kylokyber-deactivated20190809
Can I keep you? CASPER (1995) dir. Brad Silberling
The wonder on everyone’s faces when Plavalaguna appears was real. That was the first time they’d heard it and seen the actress in full make-up.
Someone said to me, ‘Would you like to play a Bond girl one day?’ I was like, ‘Hell no. I’d rather play Bond.’ So, when someone said, ‘Do you want to be the Doctor’s companion?’ I was like, ‘No, I want to be the Doctor.’
ingridbergman-deactivated202001
You jump, I jump. Right?
Titanic (1997) dir. James Cameron
“Some motherfuckers are always trying to ice skate uphill.”
I almost lost you there. For a moment there, you did. Would you like to know what heaven looks like? Later.
sonsyejin-deactivated20210429
Is he here? Where’s your grandpa right now? In the trunk of our car.
Little Miss Sunsine (2006, dir. Valerie Faris, Jonathan Dayton)
When David [Gordon Green] and I sat down, I said to him, ‘What do you think happened to Laurie [Strode], November 1, 1978?’ I think she went to school the next day. I think she was told, ‘Baby, you’re okay, you have a cut on your arm, [here’s] a bandage.’ And she went from being Laurie Strode, dreaming, idealized human being with her future in front of her — she would’ve gone to Brown, maybe majored in philosophy, gotten her doctorate — to a freak, which is what trauma and shame attaches to. When she walked down the hall of that school, all that happened were people going, ‘Oh my God, there’s Laurie Strode!’ Revenge of Jamie Lee Curtis | photographed by Robert Trachtenberg for New York Magazine
Negativity is like darkness. You turn on the light, and darkness goes. We’re like light bulbs. If bliss starts growing inside you, it’s like a light. You enjoy that light inside and if you ramp it up brighter and brighter, you enjoy more and more of it, and that light will extend out farther and farther.
David Lynch in ‘Curtains Up’ by Tête-à-Tête
Anne Hathaway in Ocean’s 8 (2018) Dir. Gary Ross
“I used to make long speeches to you after you left. I used to talk to you all the time, even though I was alone. I walked around for months talking to you. Now I don’t know what to say. It was easier when I just imagined you.”
Paris, Texas (1984) dir. Wim Wenders
