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.:Helpful Inks:.

@helpful-inks / helpful-inks.tumblr.com

No, kids should not have unsupervised acess to the internet.   Yes, I got that and it was the best thing that ever happened to me.    Its a paradox.

It’s not a paradox – it’s a different net.

When we were kids, the internet was a sandbox-style open world – full of dangerous things, yes, but also nearly unlimited potential – and we learned to be careful, and we learned fast, and we learned fairly well.

Now, the internet is a series of black box silos built by corporations to maximize engagement at the expense of everything else.

I may have seen Two Girls One Cup by accident and at the tender age of ten, but I never had to deal with companies using gambling-addiction-creating strategies pioneered in literal casinos to try and make me hand over hundreds of real dollars at the same age. I may have been exposed to vicious bigotry in anonymous and pseudanonymous messages boards, but I never had algorithms spoonfeeding me explicitly far right radicalizing content. The blithely unfettered access people of our generation had is just genuinely not the same as what kids with unsupervised access are getting today.

Please fucking lie to your employer. Like they don’t need to know your mental health issues or what drugs you do. Ffs

its not lying if its to employers or cops

and look up ur rights on what they can and cannot ask u many places ban asking about ur record and transportation status and things like that resources will also tell u how they reword sketchy questions so ur prepared

here's a quick guide for Americans with very common interview questions I've been asked:

  • 🚫 illegal: how old are you?
  • ⚠️ dicey: what year did you graduate?
  • ✅ legal: are you 18 or older?
  • 🚫 illegal: do you have kids?
  • ⚠️ dicey: what responsibilities do you have at home?
  • ✅ legal: can you adhere to this schedule?
  • 🚫 illegal: do you have a disability or are you mentally ill?
  • ⚠️ dicey: is there anything we should know about you that would interfere with your job?
  • ✅ legal: can you perform these specific (named and described) duties?
  • 🚫 illegal: have you ever been arrested?
  • ⚠️ dicey: would you like to tell us about any problems you've had with the law?
  • legal in 37 states: have you ever been convicted of a crime?

I recently filled out an application that asked me what kinds of medication I was on. Naturally, I said I wasn’t on any because. That’s so illegal.

Lie on your job applications.

It's not lying if it's to landlords either

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A little different from what I usually make, and I had a lot of fun! Seven stock-retro brushes and three pre-made backgrounds. You can customize the gradient, manipulate the particle gap & size, and even toggle the glow on and off.

Free forever, have fun, Clip Studio only, etc, you can throw me tips for snacks & my electricity bill if you want.

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some of you may've heard about that fancy "bionic reading" typefont thats supposed to be easier for neurodivergent people to read (if you're unfamiliar, it bolds the first few letters of each word to make it easier to follow)

well guess what, its locked behind a $500 a month API to write in because fuck you!

introducing, Not Bionic Reading! it is literally just the bionic reading typefont but for free. god bless neocities

anyone who can, pls reblog!

Whenever I take a long car ride I end up exhausted afterwards, and I'm always like "why am I so tired? I was just sitting around doing nothing all day."

But the answer, it turns out, is I was doing something. Riding in a car jars your body in many directions and requires constant microadjustments of your muscles just to stay in place and hold your normal posture. Because you're inside the car, inside the situation, it's easy not to notice all the extra work you're doing just to maintain the status quo.

There's all sorts of work that we think of as "free" that require spending energy: concentrating, making decisions, managing anxiety, maintaining hypervigilance in an unfriendly environment, dealing with stereotype threat, processing a lot of sensory input, repairing skin cells damaged by sun exposure, trying to stay warm in a cold room.

The next time you think you're tired from "nothing", consider instead that you're probably in situation where you're doing a lot of unnoticed extra work just to stay in place.

fountainfinity

things people do in real world dialogue:

• laugh at their own jokes

• don’t finish/say complete sentences

• interrupt a line of thought with a sudden new one

• say ‘uh’ between words when unsure

• accidentally blend multiple words together, and may start the sentence over again

• repeat filler words such as ‘like’ ‘literally’ ‘really’ ‘anyways’ and ‘i think’

• begin and/or end sentences with phrases such as ‘eh’ and ‘you know’, and may make those phrases into question form to get another’s input

• repeat words/phrases when in an excited state

• words fizzle out upon realizing no one is listening

• repeat themselves when others don’t understand what they’re saying, as well as to get their point across

• reply nonverbally such as hand gestures, facial expressions, random noises, movement, and even silence

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deborahthejudge5777

Excellent sticky note for dialogue writing in fiction. 

All of this. I get a lot of compliments on my dialogue and this list pretty much covers what I do (but some of it, I didn’t even realize I did, lol). I highly recommend reading your dialogue aloud (or imagining it in realtime like a movie scene) to see if it feels natural, which is what I do when editing.

First, let me put on my transcriptionist hat and say you’re damned right they do all of that (and it’s annoying as fuck when you’re trying to transcribe an interview). 

Second, let me put on my editor hat and say that this kind of thing should be used very carefully in writing. A little for characterization is good. But dialogue in a book (or TV show, or whatever) is not at its best when it’s 100% naturalistic exactly as it happens in real life, if for no other reason than that 90% of conversations in real life are, frankly, pretty boring. 

ABSOLUTELY read your dialogue out loud to hear if it sounds natural. Absolutely listen to how people really talk and try duplicate that in practice pieces. Then dial it back at least a few steps when you’re doing writing that you actually want people to read, because a lot of ums and uhs and repeated words or phrases are totally realistic, but also super annoying to dig through while you’re reading dialogue in a book. Use it for effect, not just to be realistic.

batmanisagatewaydrug-deactivate

I think we’re kind of starting to get away from this but have y’all noticed how in the vast majority of popular media, sex scenes don’t actually tend to involve a lot of talking/fumbling/awkwardness unless it’s for humor or to indicate that the people having sex are a.) probably Wrong for each other somehow or b.) inexperienced, possibly having sex for the first time?

but “good” sex, between people who are experienced and In Love etc, is almost always effortlessly athletic and steamy and they somehow telepathically know exactly what to do. I’m not talking about knowing what their lover enjoys, that’s entirely feasible, but they never even have to coordinate what they’re doing. there’s no “do you want me on top?” or “do you want to do [x]?” or accidentally getting in each other’s way.

the overwhelming message that I’ve always gotten from pop culture is that Good Sex happens without communication and, more dangerously, that needing to communicate is a sign that you’re somehow bad at sex, when in reality that’s almost definitely a sign that you’re, you know, a considerate partner who actually gives a shit about people being comfortable when they have sex with you.  

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why doesn’t this have more notes

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batmanisagatewaydrug

because I posted it less than 12 hours ago; give it time, friend

Not only that but like, overwhelmingly sex in media is portrayed as this steamy, well-oiled, SERIOUS machine. Like… where’s the fun? Pop culture seems to be so obsessed with this communication-less pantomime of actual intimacy rather than the reality of intimacy going hand in hand with not only consideration but humour and mutual vulnerability.

Sex is by nature so awkward and odd and it NEVER works the way you see in films or on tv. It’s never seamless and perfect and that is not a BAD THING. 

You’re not “doing it wrong” if you’re having problems getting a good rhythm and keep messin’ each other up by trying to help.

You’re not doing it wrong if you’re laughing and talking and not taking it seriously.

And additionally, and now this is a complete tangent from the original point here, but you’re not doing it wrong if you don’t manage to get off or get your partner off.

Sometimes sex is just the action and not the climax and that’s COMPLETELY FINE. My partner and I struggled a LOT with this when we first started having sex because we both had terrible guilt when we couldn’t reach climax or couldn’t get the other off because we felt like that was what the whole point of sex was.

Media puts a lot of PRESSURE on sex and what it looks like that shouldn’t be there and it’s AWFUL.

The focus is just so … wrong. 

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batmanisagatewaydrug

hey @thepixiepaige no big but this is the best commentary anyone has ever added to one of my posts

You are all absolutely wonderful.❤️

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You are all absolutely wonderful.❤️

You are all absolutely wonderful.❤️

You are all absolutely wonderful.❤️

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millie-the-magical

You are all absolutely wonderful.❤️

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iliketrains565

You are all absolutely wonderful. ❤️

You are all absolutely wonderful. ❤️

You are all absolutely wonderful ❤

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You are all absolutely wonderful. ❤️

Don’t….. fuckin power wash your roof. Don’t let anyone power wash your roof.

Friend, from the tone of your words, I feel like you’ve just learnt a hard lesson here…

Fortunately no, it was an easy lesson I learned when I was seven when my dad was power washing the driveway and I asked if he was going to power wash the roof next and he explained to me that it would damage the roof because it was meant to handle rain and snow, which is never going to be as hard as a power washer.

Lots of people are learning this the hard way this year though. It’s a new scam. Someone knocks on your door and offers to wash your roof for two hundred bucks. “Damn, that’s a pretty good price,” you think, knowing that roofs require a huge chunk of change. The guy power washes the roof and leaves. It was a cash transaction, and he didn’t leave contact information, so when your roof starts leaking during the first rain, you have no one to contact to sue for damages and you’re stuck on the hook for replacing the roof yourself, which you either do yourself (cost of materials and many hours of your time) or you hire someone to do for you (which runs into the tens of thousands of dollars, an amount people normally can’t just drop).

Lots of new homeowners don’t know this stuff, and it would definitely behoove them to research it, but until they have the time to do that, I’m here to say: Don’t power wash your roof.

things english speakers know, but don’t know we know.

WOAH WHAT?

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ice-light-red

That is profound. I noticed this by accident when asked about adjectives by a Japanese student. She translated something from Japanese like “Brown big cat” and I corrected her. When she asked me why, I bluescreened.

What the fuck, English isn’t even my first language and yet I picked up on that. How the fuck. What the fuck.

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Reasoning: It Just Sounds Right

Oooh, don’t like that. Nope, I do not even like that a little bit.  That’s parting the veil and looking at some forbidden fucking knowledge there.

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bookavid

How did I even learn this language wtf

I had to read “brown big cat” like three times before my brain stopped interpreting it as “big brown cat”

I’m kinda reading “brown big cat” as “brown (big cat)”, that is, a “big cat” - like a tiger or lion or other felid of similar size - that happens to be brown. “Big brown cat”, on the other hand, sounds more like a brown cat that’s just a bit bigger than a regular housecat - like a bobcat or a maine coon cat or something like that.

yeah, a brown big cat is almost certainly a puma. a big brown cat is probably a maine coon.

yeah, if you put the adjectives out of order you wind up implying a compound noun, which is presumably why we have this rule; we stripped out so much inflection over the centuries word order now dictates a huge amount of our grammar

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artekka

Just looked up why we do this and one of the first lines in this article is, “Adjectives are where the elves of language both cheat and illumine reality.” so I know it’s a good article.

Things this article has taught me:

  • This same order of adjectives more or less applies to languages around the world “It’s possible that these elements of universal grammar clarify our thought in some way,” says Barbara Partee, a professor emeritus of linguistics and philosophy at the University of Massachusetts-Amherst. Yet when the human race tacitly decided that shape words go before color words go before origin words, it left no record of its rationale.
  • One theory is that the more specific term always falls closer to the noun. But that doesn’t explain everything in adjective order.
  • Another theory is that as you get closer to the noun, you encounter adjectives that denote more innate properties. In general, nouns pick out the type of thing we’re talking about, and adjectives describe it,” Partee told me. She observes that the modifiers most likely to sit right next to nouns are the ones most inclined to serve as nouns in different contexts: Rubber duck. Stone wall.
  • Rules are made to be broken. Switching up the order of adjectives allows you to redistribute emphasis. (If you wish to buy the black small purse, not the gray one, for instance, you can communicate your priorities by placing color before size).  Scrambling the order of adjectives also helps authors achieve a sense of spontaneity, of improvising as they go. Wolfe discovers such a rhythm, a feeling-his-way quality, when he discusses his childhood recollection of “brown tired autumn earth” and a “flat moist plug of apple tobacco.”
  • Brain scans have discovered that your brain has to work harder to read adjectives in the “wrong” order.

TL;DR: No one knows why we do this adjective thing but it’s pretty hardwired in.

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As a fellow hands-on, craft-loving dice goblin, I've admittedly been thinking about learning how to resin cast and make dice etc! I was just curious what your process/set up is, for your sets that you make?

I've heard you don't necessarily need a pressure pot, but that it's best for getting out any bubbles. Is this a piece of equipment you use, and if so, what brand do you recommend? Or where do you find your pigments for the resin?

Sorry for bombarding you with questions, I just think your crafts and skills are neat! ♥️

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Ayy no worries! PRESSURE POT: I DO use a pressure pot. It was a huge investment for me for sure (the one I ended up getting was $330ish. Oof.) BUT! I didn't start off with one! The result was decent dice with lots of little bubbles on the surface of one side. Still workable as gifts for friends, though!

I'd recommend letting your resin sit for a couple minutes after you mix it so the bubbles come to the top. Then scrape them off or avoid them with your dropper or whatever!

MOLDS: The first set I bought were those cheap little ones from Etsy that were a ripoff of the Dispel Dice set (though I didn't realize it at the time.) They are a pain in the ass to work with, so if you can, I'd just jump straight to nicer molds. Sprue molds were a huge step up, but I hate sanding/polishing. Now, knowing what I know now, I probably would've jumped straight to slab molds, but sprue molds did me good for awhile. Good slab molds require a LOT less finishing. I'd recommend Werpy Dice (haven't tried their slab mold yet, but they have great stuff) And Druid Dice Shop. Both have done great sprue molds, but both recently released slab molds. I've used DDS's slab mold and it's my new favorite. I think it would probably be very useable without a pressure pot if you wanted! They're also great for inserts/additives and dirty pours!

PIGMENTS/INK: I can't recommend T-Rex ink enough. Decently priced with a great range, tbh. I've got a couple other random inks from different brands as well. I also have a small collection of glitter and mica powder that I've picked up from Michael's or etsy over time! It's kind of a slap-dash accumulation of additives. I already had gold and silver foil from art projects, so I've had a lot of fun with that! RESIN: I like Clearcast 7050 a LOT. HOWEVER! It turns purples and some pinks/reds into a muddy brownish color which is REALLY annoying and I ruined a LOT of dice that way. SO! I have a special supply of Art N Glow JUST for purple/pink dice. Just a heads up! I haven't tried many others though, so you may find something that works better! IN CONCLUSION: I've done a LOT of experimenting with products and molds, etc. I wish I'd known what I know now when I first started. It'd have saved me a lot of time and money. D: So I hope that this helps streamline that process for you!

Hope this helped!

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Honestly fuck this storytelling style. 

Fuck this style of storytelling that puts authorial masturbation over a satisfying conclusion to a story. Fuck this obsession with “swerves” and “subverting expectations.” 

Fuck this mentality that you have to outsmart the audience in order to make a good product. 

Fuck the idea that “predictable” is automatically boring. Fuck the idea that people who have been paying attention to long-running story arcs should be punished for giving a shit and expecting a cohesive conclusion to a long running story. 

Fuck this idea that disappointing endings are okay if they’re “unexpected.” Fuck this auteur mentality where writers have to prove that they’re the cleverest boys in the whole wide world. 

Tell a goddamned story; nobody tunes in for twists. 

Also, check out what George R.R. Martin himself said:

“The fans use to come up with theories; lots of them are just speculative but some of them are in the right way. Before the Internet, one reader could guess the ending you wanna do for your novel, but the other 10.000 wouldn’t know anything and they would be surprised. However, now, those 10.000 people use the Internet and read the right theories. They say: “Oh God, the butler did it!”, to use an example of a mystery novel. Then, you think: “I have to change the ending! The maiden would be the criminal!” To my mind that way is a disaster because if you are doing well you work, the books are full of clues that point to the butler doing it and help you to figure up the butler did it, but if you change the ending to point the maiden, the clues make no sense anymore; they are wrong or are lies, and I am not a liar.”

*drops mic*

There’s a difference between surprising people and pulling the rug out from under their feet .

The latter results in someone getting hurt and not trusting you any more.

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You can boil it down even further, too;

People who write in search of being totally unpredictable and ‘edgy’ are forgetting that humans are literally wired to enjoy successfully decoding story beats. We’re born pattern-seekers. It’s one of our most successful evolutionary survival strategies (for good and ill). There’s a reason TVTropes is a large and successful website based entirely on being a repository of the patterns we’ve established and go back to in storytelling. That site gets traffic because we go and read about all the times someone did That One Thing in media, and we love it!

Yes, we also enjoy novelty. The thing is, a truly great story is a careful mix of both of these factors. Grimdark ‘unpredictable’ (AS IF there was such a thing when nothing is new under the sun) is just… profoundly unsatisfying. That’s it.

Anyone who thinks we don’t want predictable stories has clearly never heard of most fanfiction tropes.

Also, why the fuck would you avoid giving your audience what they want? Isn’t that WHY they’re your audience? Because they want what you’re providing? If you refuse to continue to provide it, newsflash, you won’t have an audience anymore.

^^^^^ all this

pizzaback-deactivated20201011

sorry if i’m being a party pooper but because rabies is apparently the new joke on here ??? please remember that rabies has an almost 100% fatality rate after symptoms develop so if you’re bitten or scratched by an animal that you aren’t 100% sure is vaccinated then GO TO A DOCTOR. it’s not a joke. really. 

You’re being kind when you say “almost 100% fatality”. What people need to hear is: if you get to develop rabies symptoms, you’re dead. If you get heavy treatment after developping symptoms, you still need a miracle. Like, a real miracle, you should enter some religion if you escape that.

ALSO, I don’t want people feeling confident about petting stray/wild animals because there’s a vaccine available, either. I’ll explain why from my own experience (I’m not a doctor).

I got bitten by a wild tamarin once, on the pulp of my index finger. It drew blood, there are many wild animals in the area (tamarins, possums, bats, foxes) and it isn’t that uncommon to hear about 1 or 2 rabies cases every now and again (a puppy we gave to a friend got it, for instance), so I went to an ambulatory immediately.

Because I was bitten in an ultrasensitive area, I needed fast treatment. But it was also a small area, so the usual thing they do - inject the vaccine in the place - wasn’t a choice. They told me they’d divide the shot in 5 small ones, and inject me all over my body, so the antidote would get to my entire system fast.

Please stop for a moment and think that the disease is so worrysome that they’d rather needle me all over than to give me one shot and wait until it spread through my system.

Then they said that, okay, but there was a catch first. I needed to take an antiallergic shot. “Why?” “Because the virus is devastating, and as the vaccine is made from it, but weakened (like almost every vaccine) it will still create a reaction, and it’s a strong one, and it’s veru common for people to have strong allergic reactions to it.” YOU HAVE TO TAKE AN ANTIALLERGIC SHOT IN ORDER TO TAKE THE VACCINE COZ THE VACCINE COULD POTENTIALLY MAKE YOU REALLY SICK

ALSO IT WASN’T JUST “A LITTLE ANTIALLERGIC SHOT”

image

IT WAS ONE OF THESE FUCKERS HERE.

It was OBVIOUSLY dripped in my body and not injected because HAHAHAHA. Truth be told I was an adult already and I’m tall so I have a lot of mass but STILL.

So after I had taken the antiallegic and was starting to feel drowsy (as a side effect of it) the doctor came with the 5 shots.

- One in each buttock

- One in each thigh

- One in my left arm

They all stung like a bitch and I usually don’t care about shots.

“Okay so can I go home now?”

“No, we have to keep you under observation for 2h so we’re SURE the vaccine won’t give you any reaction.”

BINCH I WAS GIVEN A BUTTLOAD OF MEDICINE BUT THERE WAS STILL A RISK.

I slept through the two hours and then was liberated to go home. My legs, butt, and left arm hurt all over, like I had been punched there, for a few days. I also had a fever (not feverish, a fever)

BUT DID YOU THINK IT WAS OVER?

WRONG!!!

I had to take four reinforcement shots in the next month, one a week, so I could be positively be considered immunized. Every time I took a shot, my arm would swell and hurt like it’d been hit, and when night came I’d have a fever. Because that’s how fucking strong the vaccine is, BECAUSE THAT’S HOW VICIOUS THE VIRUS IS.

So yeah. DO NOT PUT YOURSELF IN RISK, GODDAMNIT. Rabies is a rare condition all over, THANK GOD, and 1 confirmed case can be already considered a surge and a reason for mass campaigning, AND FOR A REASON.

If you like messing with stray/wild animals, don’t go picking them up and be extra careful. Or just, like, DON’T - call a vet or an authority that can handle them safely.

I must add that I live in a country with universal healthcare, so I didn’t pay a single penny for my treatment. Is this your reality? If not, ONE MORE REASON TO NOT FUCKING PLAY WITH THIS SHIT.

Rabies is 100% lethal. Period. If you are scratched or bitten by an animal you’re not positive is vaccinated, you need to find treatment NOW. And probably go through all that shit I’ve been through (also if you are immunosupressed? I DON’T KNOW WHAT’D HAPPEN)

Stay safe and don’t be stupid ffs

Guys, I know this isn’t art nor anything like that, but I’ve been hearing about this rabies thing and ???? Look I trust none of you would risk yourselves like this, but maybe you can educate someone through my experience and stuff.

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euryale-dreams

Also rabies does not necessarily cause frothing-at-the-mouth aggression in animals. Docility is also a very common symptom so any wild animal that is ‘friendly’ or ‘likes to be pet’ is suspect. Literally any wild animal is a vector.

Finally, you don’t need to be bitten. All you need is to come into contact with an infected animal’s bodily fluids through a cut that maybe you didn’t notice when you were handling it when it drooled on you.

Never touch a wild animal.

Infection with the rabies virus progresses through three distinct stages.

Prodromal: Stage One. Marked by altered behavioral patterns. “Docility” and “likes to be pet” are very common in the prodromal stage. Usually lasts 1-3 days. An animal in this stage carries virus bodies in its saliva and is infectious.

Excitative: Stage Two. Also called “furious” rabies. This is what everyone thinks rabies is–hyperreacting to stimuli and biting everything. Excessive salivation occurs. Animals in this stage also exhibit hydrophobia or the fear of water; they cannot drink (swallowing causes painful spasms of the throat muscles), and will panic if shown water. Usually lasts 3-4 days before rapidly progressing into the next stage.

Paralytic: Stage Three. Also called “dumb” rabies. As the infection runs its course, the virus starts degrading the nervous system. Limbs begin to fail; animals in this stage will often limp or drag their haunches behind them. If the animal has survived all this way, death will usually come through respiratory arrest: Their diaphragm becomes paralyzed and they stop breathing.

And to add onto the above, saliva isn’t the only infectious fluid. Brain matter is, too. If, somehow, you find yourself in possession of a firearm and faced with a rabid animal, do not go for a head shot. If you do, you will aerosolize the brain matter and effectively create a cloud of infectious material. Breathe it in, and you’ll give yourself an infection.

When I worked in wildlife rehabilitation, I actually did see a rabid animal in person, and it remains one of the most terrifying experiences of my life, because I was literally looking death in the eyes.

A pair of well-intentioned women brought us a raccoon that they thought had been hit by a car. They had found it on the side of the road, dragging its hind legs. They managed–somehow–to get it into a cat carrier and brought it to us. 

As they brought it in, I remember how eerily silent it was. Normal raccoons chatter almost constantly. They fidget. They bump around. They purr and mumble and make little grabby-hands at everything. Even when they’re in pain, and especially when they’re stressed. But this one wasn’t moving around inside the carrier, and it wasn’t making a sound.

The clinic director also noticed this, and he asked in a calm but urgent voice for the women to hand the carrier to him. He took it to the exam room and set it on the table while they filled out some forms in the next room. I took a step towards the carrier, to look at our new patient, and without turning around, he told me, “Go to the other side of the room, and stay there.”

He took a small penlight out of the drawer and shone it briefly into the carrier, then sighed. “Bear, if you want to come look at this, you can put on a mask,” he said. “It’s really pretty neat, but I know you’re not vaccinated and I don’t want to take any chances.” 

And at that point, I knew exactly what we were dealing with, and I knew that this would be the closest I had ever been to certain death. So I grabbed a respirator from the table and put it on, and held my breath for good measure as I approached the table. The clinic director pointed where I should stand, well back from the carrier door. He shone the light inside again, and I saw two brilliant flashes of emerald green–the most vivid, unnatural eyeshine I had ever seen. 

“I don’t know why it does it,” the director murmured, “but it turns their eyes green.”

“What does?” one of the women asked, with uncanny, unintentionally dramatic timing, as she poked her head around the corner.

“Rabies,” the director said. “The raccoon is rabid. Did it bite either of you, or even lick you?” They told us no, said they had even used leather garden gloves when they herded it into the carrier. He told them to throw away the gloves as soon as possible, and steam-clean the upholstery in their car. They asked how they should clean the cat carrier; they wanted it back and couldn’t be convinced otherwise, so he told them to soak it in just barely diluted bleach.

But before we could give them the carrier back, we had to remove the raccoon. The rabid raccoon.

The clinic director readied a syringe with tranquilizers and attached it to the end of a short pole. I don’t remember how it was rigged exactly–whether he had a way to push down the plunger or if the needle would inject with pressure–but all he would have to do was stick the animal to inject it. And so, after sending me and the women back to the other side of the room, he made his fist jab.

He missed the raccoon.

The sound that that animal made on being brushed by the pole can only be described as a roar. It was throaty and ragged and ungodly loud. It was not a sound that a raccoon should ever make. I’m convinced it was a sound that a raccoon physically could not make

It thrashed inside the carrier, sending it tipping from side to side. Its claws clattered against the walls. It bellowed that throaty, rasping sound again. It was absolutely frenzied, and I was genuinely scared that it would break loose from inside those plastic walls. 

Somehow, the clinic director kept his calm, and as the raccoon jolted around inside the cat carrier, he moved in with the syringe again, and this time, he hit it. He emptied the syringe into its body and withdrew the pole.

And then we waited.

We waited for those awful screams, that horrible thrashing, to die down. As we did, the director loaded up another syringe with even more tranquilizer, and as the raccoon dropped off into unconsciousness, he stuck it a second time with the heavier dose. Even then, it growled at him and flailed a paw against the wall.

More waiting, this time to make sure the animal was truly down for the count.

Then, while wearing welder’s gloves, the director opened the door of the carrier and removed the raccoon. She was limp, bedraggled, and utterly emaciated, but she was still alive. We bagged up the cat carrier and gave it to the women again, advising them that now was a good time to leave. They heeded our warning.

I asked if I could come closer to see, and the clinic director pointed where I could stand. I pushed the mask up against my face and tried to breathe as little as possible.

He and his co-director–who I think he was grooming to be his successor, but the clinic actually went under later that year–examined the raccoon together. Donning a pair of nitrile gloves, he reached down and pulled up a handful, a literal fistful, of the raccoon’s skin and released it. It stayed pulled up.

Severe dehydration causes a phenomenon called “skin tenting”. The skin loses its elasticity somewhat, and will be slow to return to its “normal” shape when manipulated. The clinic director estimated that it had been at least four or five days since the raccoon had had anything to eat or drink. 

She was already on death’s doorstep, but her rabies infection had driven her exhausted body to scream and lunge and bite. 

Because, the scariest thing about rabies (if you ask me) is the way that it alters the behavior of those it infects to increase chances of spreading. 

The prodromal stage? Nocturnal animals become diurnal–allowing them to potentially infect most hosts than if they remained nocturnal. 

The excitative stage? The infected animal bites at the slightest provocation. Swallowing causes painful spasms, so they drool, coating their bodies in infectious matter. A drink could wash away the virus-charged saliva from their mouth and bodies, so the virus drives them to panic at the sight of water.

(The paralytic stage? By that point, the animal has probably spread its infection to new hosts, so the virus has no need for it any longer.)

Rabies is deadly. Rabies is dangerous. In all of recorded history, one person survived an infection after she became symptomatic, and so far we haven’t been able to replicate that success. The Milwaukee Protocol hasn’t saved anyone else. Just one person. And even then, she still had to struggle to gain back control of her body after all that nerve damage.

Please, please, take rabies seriously.

This has been a warning from your old pal Bear.

I knew how bad it was, but I had never read anything like the raccoon story.

I am not exaggerating when I say that is literally terrifying.

Y'all please read this. That is absolutely hideous. That’s literally like something from a horror movie.

Do not fuck around with wildlife. Or weird strays.

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the road toward confidence as a writer becomes a LOT smoother when you recognize that self doubt is a normal part of the process. when doubt slips into the room and you can go, ‘oh, hey man, how’s it going’ rather than holding it at gunpoint and freaking out over it, you’ll find that it’s a lot easier to push forward on a project you might have otherwise given up on.

if you LOVE writing and you think you secretly suck at it, don’t worry. keep writing. it’s a skill that can be polished just like anything else and it is both normal and healthy to doubt yourself as you go.

oh man i needed to hear this today. thank you.