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Le Petit Frimeur

@gfanz4ever / gfanz4ever.tumblr.com

22/gender-questioning (they+them)/attracted to women. This blog is anti-hate--if you hold ANYONE in contempt for their religion, for the colour of their skin or the country they come from, for the clothes they wear or the languages they speak, for who they love or who they present as...if you are against any human being for being human, you can literally fuck right off.

Can I just say I absolutely adore how they handled Mikey's huggy nature?

He's always the first to hug the nearest sibling whenever something startling happens, and no one shoves him away! No one acts all "Ew gross, grow up Mikey!", they reciprocate!

(Really loved how April just smiled and patted his head when he was scared of the Gumbus, that was super sweet)

Even Donnie, Mr. "Don't Touch Me I Fear Togetherness", will hug Mikey back or at least offer a head pat instead of getting mad about it. The only time it was an issue was was when they were literally tied up mid-battle, and even then it wasn't overly aggressive, just "Oh, please not now, Mikey!"

Really refreshing to see :)

Yunno, I see a lot of people calling Mikey and Leo "really old" in the future, and I even saw one post that said they were "in their twilight years", like. Y'all.

This is just over twenty years into the future. All of the teen characters? Would be barely forty if they survived to this point.

They're not "old", they're stressed from constantly fighting for their lives also Splinter's DNA ages like milk

So you're telling me Colin Robinson just...happened to have a secret, walled-off room full of his stuff and what looks like years of journals, ready to go? Despite, supposedly, having no idea what happens to an energy vampire after they turn 100? If it was just his spare closet, why wall it up? Why hide it so carefully with the only clue embedded in a wall Colin was smashing anyway?

And if it was Lazslo who closed it off after Colin Robinson died the first time, why give him hidden clues to dig it up again? Not his style at all, and no motive--Laz hated the old, boring Colin Robinson all throughout boy!Colin's life, he wouldn't want to put him back the way he was before. No one else cared as much about Colin Robinson as Lazslo, so the other three and the Guide are out.

Something just don't add up here.

Okay okay okay, hear me out u'all.

Aurelio Voltaire--godfather of goth--is from New York City. Schedule permitting, I'd love to see him make a cameo as himself.

Maybe as a guest in Nadja's, maybe as a blink-and-you'll-miss-it part of Simon the Devious' crew ("He's not actually a vampire, but we keep him around because...well look at him!"), or heck maybe he's on the Vampiric Council a lá Wesley Snipes.

Idk why I didn't give Primal a chance before now. It's a really beautiful show, gore notwithstanding (and episode seven...good lord episode seven, do not watch if you've got any sort of sickness-related phobias).

The "no dialogue" thing was a really great choice that matches Genndy's style perfectly--lots of quiet, non-battle moments interpersed with really intense action. If you can stomach a lot of blood and killing (I mean at least one dinosaur or other creature dies multiple times an episode), def check it out.

reverseharem-deactivated2020021

is it time for frank cho and milo manara to die or what

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aawb

That’s basically a naked woman I’m YELLING

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houroftheanarchistwolf

What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that?

It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot. 

image

It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for. 

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brithwyr

I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..?

And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters. 

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brithwyr

Come on, let’s not pretend this is a male exclusive thing.

We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine. 

What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do.

This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks: 

Also: 

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feminism-is-radical

He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence.

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schnerp

You can see her butthole for chrissakes

I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers.

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Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity.

Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs.

Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock.

Men want objects. Women want PEOPLE.

This is the first time I have EVER seen this false equivalence articulated so well. Thank you.

Sometimes family is a pair of bisexual goths in an open marriage, an ancient baron who fucks them both, a soldier from the Ottoman Empire, one of his 37 reanimated wives who’s been mind controlled, the ghost of one of the goths possessing a doll, a familiar-turned-vampire-killer in a homoerotic relationship with the soldier who kinda wants to murder them all, an unnamed guide who’s fallen in love with everyone, and a musical theatre nerd child that burst out the chest cavity of their old dead roommate. And I think that’s beautiful

HOLY SHIT I DIDNT EVEN REALIZE THERE WAS A SONG ATTACHED TO THIS MEME N I WAS LIKE “lol ok it can’t b that bad. It’s prob just some generic sounding pop and people were mad about it being generic…” *Song starts playing after loading for 5 seconds*

HOOOOLLLLYYYY FUCK

Went thru the tags here are some faves:

This is literally the most bomb-ass D&D story I’ve ever read in my life oh my god.

Holy shit ._.

Some RP sessions have better stories than actual fiction. I mean, goddamn.

For those having trouble reading the text:

We had a campaign in D&D where we assembled a steampunk-ish time machine. After many sessions travelling through time, uncovering mysteries and learning harsh lessons about changing history, we had to stop a time-travelling cult from destroying the gods, and therefore the world. We failed.

Our machine crashed, we were stranded earlier than we had ever been able to travel. We found the Gods, but only a few of them were present - it was as if some had never existed. Then we realised - we had to become those Gods. Our party was entirely divine (Cleric, Paladin, Avenger, Invoker), and each of us was a worshipper of a god who had been unmade - and we were the only people in existence with enough knowledge of the forgotten deities to assume their roles.

But two of the players were worshippers of Io (in his twin forms of Tiamat and Bahamut, who would of course form later after Io’s ‘death’), and only one could become Io. The other would have to be the un-created Asmodeus.

So the most just, honourable and dedicated Lawful Good paladin I’ve ever seen roleplayed became the god of tyranny and evil. If he hadn’t, the gods would never have defeated the primordials, and the world would never have been completed.

In our setting, Asmodeus is every bit the epitome of evil you would expect him to be. Nobody but the gods who abide his presence know him as otherwise. He adheres to his role because he knows he has to - and that in doing so, the world can exist. He can never tell anyone his duty, and no-one who knows can ever discuss it.

In the farthest recesses of the Nine Hells, in a chamber sealed tighter than any other in existence is a pocketwatch of finest gnome craft with a photo of his family in it - his wife, son, and little baby girl.

They were killed by an orc army marching under the orders and banner of Asmodeus. Their deaths are what drove him to become an adventurer.

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the-regeneratin-degenerate

Goddamn