REPRESENTATION MATTERS [X]
Examples of Stockholm Syndrome in Disney
Frollo and Quasimodo
Mother Gothel and Rapunzel
Frollo and Mother Gothel convince Quasimodo and Rapunzel that their lives are dependent on them. The two villains claim the outside world is a terrible place even though they know this is not true. They also constantly emotionally abuse their victims by implying their worthlessness and destroying their self-esteems. Quasimodo and Rapunzel sympathize with their captors and even believe their captors are protecting them and treating them with kindness. However, both captors are merely using and manipulating their victims for their own selfish purposes.
NOT:
Belle does not sympathize with the Beast when she is treated poorly. She becomes angry and leaves the castle, only returning by her own wish so that the Beast (who saves her) does not freeze to death. She does not respond nicely towards the Beast until he treats her with respect. In this situation, Belle has control and is not manipulated into feeling for the Beast, nor does the Beast treat her disrespectfully after the first night. While the Beast does have an underlying motive as to keeping Belle in his castle, he abandons this idea and sets her free to make her happy. If anything, this story is a case of Lima Syndrome where the captor starts to sympathize with the victim.
Check out this post which refocuses the purpose of Beauty and the Beast from merely (and wrongly) being about Stockholm Syndrome to it’s original purpose.
FUCKING FINALLY
I don’t usually reblog stuff like this, but Beauty and the Beast is my favorite movie and I’d like to have this on my page!
this is actually a very good analysis. I take back all the times I’ve called Beauty and the Beast a ‘stockholm syndrome’ romance.
Being good to each other is so important, guys.
that went in an unexpected direction
always reblog
that….didnt go the way i thought it would
If you're fucked because you did no work over break, clap your hands!
Lundy Bancroft, Why Does He Do That? Inside the Minds of Angry and Controlling Men (via qalbeenaar)
Med school
I made a comic about every comment thread under any content involving a fat person existing. Ever. This counts as my inktober #1 because I spent way more time on it than I should have.
SNAP. #LifeCostsMoney
(via andthenitsperfect)
REBUMPING THIS SHIT UNTIL THE DAY I DIE
(via andthenitsperfect)
Could not possibly be more true.
(via flange5)
2 years ago today, on November 22, 2014, Tamir Rice was shot by the police for playing with a toy gun sitting on the swing in a city park in Cleveland, Ohio.
Police officer Timothy Loehmann fired two shots, one of the shots hit Tamir in his torse which resulted in him dying the following day.
Tamir would have turned 14 years old earlier this year - on June 25. But he was killed by a cop who was never held accountable for the murder.
We will never forget you #TamirRice. Rest in peace, sweet angel.
#BlackLivesMatter
Last Christmas, I...
Last Christmas, I gave you my heart. And the very next day, the transplant got rejected. This year, to save all those tears, I’ll give it to someone MHC-II compatible.
CHRISTMAS IS COMING
I lose followers every time I say “trans women are women”
so I’m gonna keep saying it until I weed out all ya
immediately lost two followers
I’d rather see my follower count drop than have anyone following who can’t handle the notion that TRANS WOMEN ARE WOMEN.
Very very true.
Maybe it’s a magic spell of “ass be gone”
Trans women are women. True fact.
TRANS WOMEN ARE WOMEN.
TRANS MEN ARE MEN.
I honestly lose followers every time I make this affirmation. Like what the hell?
I need to say it AGAIN? Trans women are women. Trans men are men. Come on, people.
I guess you could say that’s a….. racist pig
oh so it aint even a subtle thing.
This movie went over so many heads
This movie covers racism very gracefully and it’s really amazing
Scrubs, teaching white people life lessons
Just a little reminder…
I Held a Swastika.
Part of my hospital chaplaincy duties is to write a reflection on how it’s going. Identities may be altered for privacy. All the writings are here.
—
The nurse told me that the patient, Willard, had taken a bite out of another nurse. He had swung at one of the doctors and thrown urine at a surgeon. Willard had multiple organ failure and he couldn’t walk; he kept demanding to go home. “Get me a wheelchair, I’ll flop in and ride over you people.” The staff kept trying to get him to stay, to get treated, despite his violent non-compliance: because nurses and doctors have the guts to look past that stuff.
They called for a chaplain to ask about Willard’s family members, to see if anyone could pick him up when he was discharged. I was the lucky chaplain who took the order.
When I walked in, I immediately noticed the patient had a tattoo of a heart on his hand, near the inner-fold of his thumb, with a swastika in the middle of the heart. The cognitive dissonance was startling. Not “I love mom” or his wife’s name, I thought, with a bit of snark. But hate in your heart. Very subtle.
“He’s one of those, you know, angry old fogeys,” the nurse had whispered right before I walked in. The nurse was a Middle Eastern man, about my age, and I couldn’t imagine the awful things he had to go through with this patient the last few days.
My eyes locked on the swastika first. The symbol held a terrible place in my memory: when I was a kid, someone had spraypainted a red swastika next to the front door of my dad’s business. Though my dad had tried to paint over it, I could still see it on hot summer days, a scar on the wall and a scar in my head, a mad throbbing declaration of all the world’s ugliness dripping in crimson. I still dream about it sometimes, and in the dream I’ll peer down at my wrists, which are engraved with the same red marks down to the veins.
The patient, Willard, saw me and said, “Thank God, a chaplain, finally someone who can hear me.”
But I don’t want to hear you, I thought. And a sick part of me also thought, You deserve this. I hope you never leave. Then you can’t hurt anyone out there.
He said, “Look, I see your face, I’m not trying to hurt anybody. You get it? I just want to go home. Fetch me a f__ing wheelchair, would you?.”
Willard got louder. He clenched his fists and waved them around. It was rather sad to see someone so animated and aggressive while pinned down to a bed, like the blanket had eaten his lower half and he was trying to crawl out. “Come on, I told you people that I wouldn’t hurt nobody. I got a dozen things wrong with me, I’m not a danger to you, I want to go home and to die in peace. You hear me? I’m ready to go home and die.”
He went on like this for over a minute. That’s a long time to stand there and let someone monologue with escalating hysteria. He dropped more f-bombs and jabbed a finger at me and tried to point at the whole hospital. His voice got so loud that I was worried about the patients nearby, and that maybe the nurse would call security, or that Willard himself would keel over. At several points it looked like he wanted to hop out of the bed and punch my ankles. The strange swastika-heart tattoo flashed before me like a flag on fire.
I had half a mind to leave. I didn’t have to stay. I didn’t want to stay. I kept looking at that swastika. I kept thinking he deserved to be here, to be sick and sorry and helpless.
When Willard stopped talking for a moment, I said the only thing I could think of.
“I’m sorry, Mr. Willard. It sounds like you have a lot going on and it’s been really hard for you.”
He said, “Yes, yes it’s been hard. I swear, I’m not a bad person.” And he burst into tears.
Just like that, his face flipped from anger to grief, and his entire body melted into the bed. Just a broken down old man, crying.
Then he motioned so I could hold his hand. He needed me to hold that hand.
For a second, I stood there, confused and bewildered and infuriated. This is not okay, I thought. You’re everything I hate about the world. Why would you think this is okay?
I pictured two of me, one turning about face and never looking back and absolutely unable to endorse what this guy stood for, and the other me stepping forward in an ostensible betrayal of my deepest values, of my father, of that little child who had to ask why someone would paint such a dirty symbol of hatred over us. I remembered going with my dad to buy new paint, his face set and smiling and determined to be better than this, to make it in a harsh, lonely country that never fully welcomed him, but that he welcomed anyway, because he dared to believe in bigger dreams than the ones that had been painted for him. And I wondered if we were ever going to make it like this, that if we walked away from each other that we would ever heal, and if maybe the very same hands that could carve such scars could also build a life through those wounds, too.
Dad, you showed me something better. You dreamed bigger. You built the dream in me.
So I stepped forward anyway.
I held that man’s hand. I held his swastika, that ugly little tattoo with the heart tattooed around it.
Willard sobbed, loudly. I asked if he believed in prayer, and he did. I prayed. When I finished, I tried to pull my hand back, but he wasn’t having it. The nurse walked in, a little alarmed, giving me that look: This guy is a real human being who cries, huh?
The nurse prepared a syringe and gave Willard a few shots. My hand was nearly crushed. Willard kept sobbing; I must’ve held his hand for fifteen minutes while he wept and wept. I was silent. No words would work here. And at some point, our hands together, I didn’t want to leave anymore. This all made sense somehow, some kind of crazy giddy exuberant kind of sense, like God or the universe or fate had aligned and unlocked and we were exactly as we were meant to be. I still wasn’t entirely comfortable, and I wasn’t okay with all this man represented: but I pictured a river breaking through, breaking up our old walls and taking down the guard-posts and making the roads new. I wish I could describe the lightness in my being right then, a kind of diffused outwardness from my elbow to my fingertips, like my arm was stretching with a pulse. We were painting something different, maybe for our first time. I didn’t think this made the “bigger person,” because I had every instinct to leave, and there were plenty of times I had failed at this before. I only knew that I had to choose against myself, and choices like this matter, maybe more than the ones we want right now.
When we parted, Willard looked up at me with eyes brimming red.
He didn’t say anything. He only nodded. And inexplicably, we both laughed, just once. I don’t know why we laughed, but it was good.
Later, I told my fellow chaplain, “I have to tell you the craziest story.”
And my friend, at the end, laughed at the obvious symbolism.
“I guess you were the heart around that guy’s swastika.”
I could only nod. I was my father, painting over old scars.
— J.S.
Oof. Good stuff.
Remember what I said in a recent answer about horrible people being people? This is it.
This is basically what it’s like to be an adult.
Hey look it’s me at work
Same.




