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the one that leads them is a she-wolf

@bitchfromtheseventhhell / bitchfromtheseventhhell.tumblr.com

there's this great pack, hundreds of them, mankillers. (semi-hiatus)

i’ve sort of been half-assing being here for a little while, but i think i’m less half-assing being on tumblr more and more these days so:

  • hi—if you’re newish, i’m celia and this is a sideblog;
  • i probably don’t have the spoons to do any active adminning on the sideblogs i used to run, so they’ll likely remain dormant;
  • reblogs will similarly likely be less frequent than Days of Yore;
  • requests:
  • fic - tentatively open, but i can’t promise anything. it’ll really depend on mood/inspiration. (i’ve been in more of an original fiction mood lately; you can get some fun updates on that over on substack.)
  • gifsets/graphics - very open! i’ve missed making things :D
  • meta - ... idk at this stage are there really new things to be said until twow comes out?
  • if you want me on different platforms, you can check out my linktree.

I know I ain’t been around here much lately, but wanted to share: on Friday, I signed with a literary agent for my scifi horror book and I’m literally trembling with joy, anticipation, and fear as we prepare to take it to publishing houses to see if anyone is interested in it.  

If you have any desire to follow along on my original fiction journey, this is a link to my substack (where I promise only important updates).

<3

celia

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jhogo should've been dany's endgame. all the potential was there but like grrm just didn't bother bc he lacks my vision. it's the knight/lord trope, it's the forbidden romance in GoT bc she's his khal's wife and he's basically her bodyguard, it's growing up together and coming of age together, it's seeing each other at their lowest (end of GoT) and then at their highest. really, could've been so good

Anonymous asked:

can you pls talk about rhaenys bc her conversation with alicent in ep9 INFURIATES me

Oop get ready for an unpopular opinion. I actually love that whole conversation and everything it illuminates about both Alicent and Rhaenys. It's such an effective and devastating commentary on the different reactions women have to the patriarchy. And I don't think it has to be read as Rhaenys antagonizing or looking down upon Alicent, in which case she definitely does come across as a hypocrite, given that she never once even attempts to disobey her husband no matter how strongly she disagrees with him.

But is that the only way to read Rhaenys's words here? No. And I'm not convinced she's trying to accuse Alicent of wrongdoing here, especially in light of the conversation Rhaenys had with Rhaenyra in episode 2. In that conversation, Rhaenyra very much seems to be reveling in the fact that she is an exception while Rhaenys is not. Rhaenys fails to rise to the bait, because she understands what Rhaenyra does not: There is no exception to misogyny, not even if you are the rightful heir to the throne. So it seems odd for Rhaenys to see right through Rhaenyra there, and yet to turn around and do the exact same thing to Alicent.

So I think that in episode 9 Rhaenys is commiserating with Alicent. Consider the actual words she says. Never once does she insult Alicent, or imply that she is evil for the things she's had to do. She simply says, "you toil still in service to men. Your father, your husband, your son." This doesn't have to be a judgment, since Rhaenys has spent her entire life doing the exact same thing. Remember, in this scene Rhaenys is trying to convince Alicent to free her. It's not unthinkable that she's trying to build common ground and incite Alicent's sympathy in order to get herself released. It's not unthinkable that she says this knowing the exact same thing applies to her, too, that she says this precisely because of it.

And consider the line "have you never imagined yourself on the Iron Throne" and how incredibly telling it is. Rhaenys isn't necessarily marveling at the fact that Alicent works within the limits of the patriarchy, because for all the above reasons Rhaenys herself very much does the same thing; she's marveling at the fact that Alicent is so brainwashed she doesn't even allow herself to privately dream of freedom. That she "desire[s] not to be free, but to make a window within the wall of [her] prison."

Because Rhaenys cannot stop imagining it, imagining herself on the Iron Throne. The indignity and cruelty and injustice of being denied her birthright haunts her every waking moment. Now, this anger does not give her the power to challenge what has been done to her. She conforms, and she submits, just like Alicent. But it makes her fucking furious, while Alicent will not even allow herself that. Rhaenys cannot be content with just a window, and she knows that deep down Alicent cannot be, either, but that doesn't mean Rhaenys thinks she's any less trapped within that prison. Rhaenys wants more than a window, and yet she knows that both her and Alicent will never be able to have anything more.

Rhaenys isn't marveling in how brainwashed Alicent is. She's sympathizing with it. Yes, she's frustrated and angry, but she displays enough awareness throughout the series to indicate that she'd understand Alicent isn't the target of her ire. She's venting, y'all, to the only other person who might understand her unique torment as a high-born woman whose power is still not enough to save her.

I know fandom loves to pit women against each other, especially in this case given the whole team divide within the HotD fandom. But in my mind, this is simply an excruciatingly honest and vulnerable conversation between two women who have spent their entire lives being trampled by the patriarchy, allowing it to happen because they have no other choice. They are the same in every way, and they are the same in their helplessness in the face of institutional misogyny. Alicent and Rhaenys are the same, save for how they privately feel about their circumstances: Whether they feel resignation, or rage.

And these negative feelings are levied not towards each other, because they both understand (unlike baby Rhaenyra in episode 2) that other women are not and have never been the enemy. Instead, these feelings are directed towards the men, towards the patriarchy, towards the system that has actually done this to them. Rhaenys is furious in this scene, but I think it's so much more interesting if you recognize that she is only ever furious at what the patriarchy has done to her, and that the only things she feels towards Alicent are camaraderie and pity.

HotD is a fascinating exploration of all of the different ways in which women try to respond or cope with the patriarchy. Alicent, a noble but relatively unpowerful girl, spends her entire life submitting to the more powerful men around her, telling herself she's alright with how things are. Rhaenys, one of the most powerful women alive, the rightful heir to the Throne and a dragonrider to boot, spends her entire life submitting to her more powerful, male family members, raging internally the whole way. Rhaenyra, arguably the most powerful woman alive, the rightful heir to the Throne and a dragonrider with the backing of all of the men in her family, fights and refuses to accept that things have to be this way. And yet all of them still suffer.

All of them still lose.

GRRM shows that no matter how much a woman conforms, and no matter how much a woman rebels, and no matter how much power a woman has within the system, the system will always win. No single person will ever best a centuries-instilled institution of oppression. This is also the reason why Daenerys succeeds, where these equally intelligent and talented women fail: Because she dismantles the system of power entirely. Because she breaks the wheel.

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Chapters: 1/1 Fandom: House of the Dragon (TV), A Song of Ice and Fire & Related Fandoms Rating: Mature Warnings: Major Character Death Relationships: Harwin Strong/Rhaenyra Targaryen, Daemon Targaryen/Rhaenyra Targaryen, Laena Velaryon & Laenor Velaryon, Rhaenyra Targaryen & Laenor Velaryon Characters: Rhaenyra Targaryen, Laenor Velaryon, Daemon Targaryen, Laena Velaryon (Daughter of Corlys), Grand Maester Gerardys (A Song of Ice and Fire) Additional Tags: Incest (canonical), Grief/Mourning, sibling relationship (not incestuous), Found Families, love takes many forms, including self-love Summary:

How Rhaenyra Targaryen arrived at her sister-in-law’s funeral with one husband and left with another.

For @bitchfromtheseventhhell. Happy Valentine’s Day! <3

I thought you would appreciate that even tho grrm made up the name Lyanna, it could feasibly be a Hebrew name from the prefix Li (to me, for me) + Anna/Channah (favor or grace). So it would be a name asking for grace unto a child.

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you are right, i love this.

“ “That couldn’t … she wouldn’t … of course he’s hers. Gilly would never have left the Wall without her son. She loves him.”

“She nursed them both and loved them both,” said Aemon, “but not alike. No mother loves all her children the same, not even the Mother Above. Gilly did not leave the child willingly, I am certain. What threats the Lord Commander made, what promises, I can only guess … but threats and promises there surely were.”

“No. No, that’s wrong. Jon would never …”

Jon would never. Lord Snow did. Sometimes there is no happy choice, Sam, only one less grievous than the others.“  ’’

A Feast for Crows - Samwell II

"Gilly, he called me. For the gillyflower."  gillyflower is the name given to a variety of fragrant flowers and more particulary the carnation who is most associated with a mother’s  love

TARGARYEN WEEK DAY ONE  — FAVOURITE TARGARYEN

Only in one respect did the plan go awry. As Tom Tangletongue and his ruffians smashed down the door of Lady Baela’s bedchamber to take her prisoner, the girl slipped out her window, scrambling across rooftops and down walls until she reached the yard. The king’s men had taken care to send guards to secure the stable where the castle dragons had been kept, but Baela had grown up in Dragonstone, and knew ways in and out that they did not. By the time her pursuers caught up with her, she had already loosed Moondancer’s chains and strapped a saddle onto her.

if anyone cares, i haven’t forgotten about the prince and the queen. it’s on my to-do list, i’ve just been head’s down on a novel draft that’s nearly done.  once that’s in query mode, i hope very much to return to tpatq and finish it up. 

ELAENA TARGARYEN

Elaena said, in her later years, that it wasn't his intelligence that made her love Ser Manwoody, but his love of music. He was known to play the harp for her, and when he died, Elaena commanded that his effigy be carved holding a harp, and not the sword and spurs of knighthood as is common.