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But you’re still standing here

@beevean / beevean.tumblr.com

I reblog from various fandoms and vent about anything that comes to mind. 27 years old, Italian. Occasional translator from Japanese.

Masterpost of my stuff

last update: June 20th 2023

Sonic Music of the Day (October 31st 2018 - February 28th 2021)

Music of the Day (March 7th 2021 -)

Shadow the Hedgehog (game)

Analyses:

Miscellaneous:

Sonic Advance 3

Long posts:

Videos:

Miscellaneous:

Castlevania (spec. Curse of Darkness/Prelude to Revenge)

Analyses:

Re-translations:

Extra: 

Ace Attorney

Translations of @latin-dr-robotnik‘s articles

https://youtu.be/R2cMu_LrE9M

Y'know tbf after taking down a whole kingdom with the powers of a lawyer I think that saving the world from a secret Illuminati style organization bent on ending the world would be the logical next step for Phoenix.

(The idea of putting Rei of all people into Maya's role is so perfectly out there that I would pay to see more of it. Can you imagine her having an internal existential monologue over whether what she's seeing is a ladder or stepladder?)

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"Mom, I want AA7!"

"We already have AA7 at home"

The AA7 at home: actually better than the official AA7 could end up being

(no joke Rei as the Maya is brilliant. She's literally the opposite of the genki girl often shoved into that role. I want that. After the tsundere princess and the super competent, almost professional assisant, I want the one who barely speaks except when it comes to roasting people)

Anonymous asked:

the Comics aren't Canon because it would acknowledge the absolute disaster that was MV and I Refuse to believe that happened

It really was just utterly embarrassing edgy 13 year old fanfiction trash.

The suggestion that a robot zombie plague almost wiped out all life in the Sonic world inbetween games really is the biggest thing that ensures the comic can never really be considered part of the mainline continuity of the Sonic games. Like you really expect us to believe that inbetween the final scene of Sonic Forces and the first scene of Sonic Frontiers, this shit happened

but literally nobody even mentions or acknowledges it? At all?

they fucked themselves. They buried the lead. The Metal Virus was TOO cataclysmic. Every other story line has plausible deniability. If you cut out the Metal Virus arc entirely, every other storyline in the comic can reasonably speaking fit into the continuity of the games if you're willing to ignore the OOC writing of all the characters and obscene amount of spotlight focus on donut steels. If you wanted to suggest Sonic brushed off his final fight against Surge and Kit and then they got on the Tornado to go to Starfall Islands, that wouldn't be too hard of a pill to swallow. But the world ALMOST ENDED due to a ZOMBIE APOCALYPSE, and you'd never fucking know it just from playing the games? They don't even bring it up once in Sonic Frontiers, a game that's a fucking smorgasbord of continuity references?

I don't buy it, I don't care how often they keep trying to sell it. If the comics are canon then why weren't they mentioned in Sonic Frontiers aside from a completely missable Tangle namedrop? They're referencing Dark Gaia and the Eclipse Canon and Chaos wiping out the Echidnas and having flashbacks to meeting knuckles on Angel Island and Tails saving Station Square from Eggman and to fighting the Deadly Six. But they don't have a single line of dialog that even ALLUDES to the ZOMBIE APOCALYPSE THAT RAVAGED THE ENTIRE PLANET? Yeah, sure it's canon. Keep sucking that copium.

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So who's had it worse: Steven or Shinji? :P

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I have no idea

But now I wish we had seen Shinji going to a doctor, talking about "childhood adverse experiences", and Shinji having flashbacks of all the traumatic shit that has happened in the first six episodes only, which would be already enough to scare that poor doctor

but GOD. this last entry. Yeah; I wasn’t expecting things to get any better for jonathan, but dracula telling him he’s free to go? and then threatening to send the wolves after him if he leaves? forcing jonathan to say he wants to to stay in the castle??

it’s a frighteningly realistic portrayal of an abusive relationship. jonathan can leave if he wants; the door is unlocked. but the second he sets foot outside the door, dracula warns there will be consequences, because he controls the wolves. and so jonathan chooses to stay, despite the fact he knows dracula is slowly killing him. and just like everything else dracula has done so far, he shifts the blame of jonathan’s own suffering to jonathan himself- because jonathan entered the castle of his own free will. and now, he says he wants to stay.

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One little detail that sends Jonathan reeling but is easy to overlook is how Dracula opens the front door without a key. Jonathan’s been taking potentially fatal risks to try to get through those locked doors, and it’s the only thing keeping him from just fleeing into the forest and taking his chances there.

Then lo and behold! All he has to do is ask, and the door was never locked at all! Why would I need to lock you in, friend Jonathan? I’d never dream of keeping you here against your will, you could have left at any time!

Of course, Jonathan had examined the doors before and knew they were locked. It’s a massive gutpunch of gaslighting that seems to hit harder than all of Dracula’s other manipulations. Meanwhile, I’m pretty sure that Dracula just unlocked the door at a touch, just so he could twist the knife deeper.

I drew a great couch out of its place near the corner, so that as I lay, I could look at the lovely view to east and south, and unthinking of and uncaring for the dust, composed myself for sleep. I suppose I must have fallen asleep; I hope so, but I fear, for all that followed was startlingly real—so real that now sitting here in the broad, full sunlight of the morning, I cannot in the least believe that it was all sleep. I was not alone.

May 16

When, an hour or two after, the Count came quietly into the room, his coming awakened me, for I had gone to sleep on the sofa.

May 28

I came back to the library, and read there till I fell asleep. I was awakened by the Count, who looked at me as grimly as a man can look as he said:—

June 29

.

I just noticed this little detail today. Every time Jonathan falls asleep somewhere in the castle other than his room, he's awakened by vampires. He never wakes naturally, every time it's at the approach of a predator. And while Dracula at least certainly doesn't stay out of his bedroom, as far as I remember Jonathan never is woken by him there. Every time he mentions waking in his room it's a natural awakening.

Furthermore, these three events get closer. The first time, the three ladies are across the room from Jonathan and approach from there. The second time Jonathan wakes as Dracula is entering the room. This time, it sounds like he comes over and wakes Jonathan up himself, probably touching him or at least getting close and speaking to him.

It's a neat detail.

I find SU discourse funny bc i've been on all sides: Been a lover, been a hater, HATED Rose Quartz, loved Rose Quartz, the filler episodes were boring, the filler episodes punched me in the gut, the diamonds should step on me, Bismuth did nothing wrong, etc etc. And the conclusion I've gotten is that i need to sit down and rewatch it, watch SU future and do a proper review bc damm the whiplash of mixed feels is not healthy. The music is always awesome tho

Pd: It never went anywhere in canon but i still like Pearlapis

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SU was very good at making you change perception of a character at the drop of a hat :D Oh you thought Jasper was peak evil? lol, laughs in Earthlings. Oh you thought Blue Diamond was the "nice" Diamond? lmao, laughs in Reunited (and even earlier but it's not as overt). And ohhhh boy Pearl in S2. Nearly all "good" characters did something very fucked up, and nearly all "bad" characters (bar the less serious ones) had a humanizing trait, which is then up to you to decide how much it justifies/redeems them.

I'm starting to see videos pop up in my feed, asking if SU was ever good and if it still holds up. I don't trust like that, begone clickbaiters. But rewatching the series now that it's officially 10 years old would be interesting :)

(Pearlapis, huh? ngl it smacks me of an "aesthetic" ship first and foremost, because they're both elegant ladies. But mmmh something something they both have experienced being objectified, except one was built to be an object and rose above and the other was apparently of high status and got "degraded". Mh 👀)

Everything is tainted in Castle Dracula. Every choice, every comfort, every contour and crevice of just existing in that place becomes distorted with an undercurrent of malice. Everything from being a charming guest (or else) to enjoying a moonlit view (the moonlight is made of eyes and teeth and reaching hands) to the privacy of a bedroom (your things are stolen, you are stripped while unconscious, the door is locked) and even to the simplicity of choosing whether you wish to live or die (why is there a third option, no, no, no, not that, please not that, not this, not forever, please, God, no—). It’s all spoiled.

And this latest entry highlights one particular pleasure that I think may be just as soured for Jonathan as things like being touched or appreciating nature’s beauty.

Laughter.

Every time we have heard laughter since Dracula imprisoned him, it’s been at his expense. Dracula’s laughter. His hired workers’ laughter. The Weird Sisters’ laughter.

Ha ha, look how helpless he is! Ha ha, look how afraid he is! Ha ha, look how crushed he is!

What makes it an especially torturous knife twist, though? The idea that the laughter doesn’t just come from cruel amusement at his situation or what’s planned for him. It feels almost like the laughter of an old team snickering over the expected fretting of the new addition. They’ve seen this play out before. The ladies have, in all likelihood, lived this out before.

The welcome to the castle, the impenetrable locks, the tightening noose of Dracula’s attentions and demands, the pleading at the window for help that will never come, the desperate attempt to make it out only to be stopped short by the precipice or the wolves.

I wonder if that giggling little chat outside the bedroom door is a tradition with them. Speaking and laughing just loud enough to ensure the new addition on the other side can hear and know what’s coming. It reads almost like a sorority’s hazing. It’s just so much funnier when you’re in on the joke, on the giving rather than the receiving end of the requisite assault and those final fatal kisses.

All of this with the expectation that someday, some night, there will be another voice laughing with theirs laughing outside the door as someone new makes their last weeping prayers. Ha ha.

I'm sorry, I don't want to come across as harsh, but this is honestly ignorant as fuck.

I'm not gonna claim to know everything about the importance of studying dead languages, but I think I can safely say that it would probably be a really bad thing if we lost these languages to time if we didn't have people studying them.

We can lose hundreds if not THOUSANDS of years of story-telling history if these languages end up forgotten.

I can't put it into clear words right now because I'm busy or go int depth because I only have a common sense understanding, but I just wanted to address this. So if anybody on Tumblr who's more qualified to speak on this kind of matter wants to explain, then please take the floor for me.

  1. Many, many English words have Latin roots, so studying Latin can expand your English vocabulary to the point that you won't even need to check the dictionary meaning if you can recognize its Latin roots.
  2. Additionally, you can make up new words as needed by mashing together Dead Words.
  3. Lots of scientific jargon use Latin and Ancient Greek exactly because they're dead languages - the meaning of those words are set in stone. Studying those languages can help you understand and remember the extremely complex strings of words common in those topics.
  4. Latin is the Mother of Romance languages. Just studying Latin can make it easier to adapt to the grammar rules of the other Romance languages, or even help you Frankenstein out a meaning of a simple paragraph.
  5. All translation is a series of compromises. Even if Ye Olde Latin Text has been translated to English again and again and again, there WILL BE several points where the translator had to circumnavigate the translation to a phrase because the exact tone and concept is difficult to convey in English!!! (I am bilingual and this problem frustrates me to no end!!)
  6. And that's approaching this problem in good faith. We have a history of people outright lying about their translation credentials, deliberately translating a text "wrong" for their own benefit, or adding flourishes that drastically change the tone of the translation. Reviewing that 18th-century English translation of some 13th-century Latin book instead of just thoughtlessly reprinting it is vital to having a clear understanding of that book and placing it in its proper context.
  7. We have a LOT of untranslated archived material that have text written in dead languages, Latin included. Translating these provide us history.

And last but not the least:

Things do not have to be "useful" to have value.

also dead does not mean no longer in use, it means no longer CHANGING. No new words are being added to that dictionary. That’s all it means. Latin is only dead bc new words aren’t being added to its dictionary

I think Dracula knows Jonathan intimately enough by now to get that he won't just walk into the wolves' mouths. But it's a perfect opportunity to punctuate what he's been doing to Jonathan from the start: Have Jonathan actively participate in his own victimhood, make him complicit in what is happening and what will happen. "You wish to not stay? Then feel free to leave. Oh, you choose to stay? Remember, you chose to." Everything Jonathan decides to do or not to do has been built this way. Enter of your own free will, write letters that you will be staying with me for a month since you have agreed to meet all my needs, don't open these doors , seek me for safety, exit of your own free will.

Anonymous asked:

I've always liked Rose Quartz than... say... Lapis. Lapis barely ever got called out for her actions.

Lapis was my favorite character, in that she was nearly Bojack Horseman-ish in her "does shitty things but is aware of her shittiness and wants to be better but trauma can't be easily overcome" characterization. But it's true that the narrative is tinted through Steven's friendship lenses. Even after Lapis admitted that she was the one who abused Jasper because she liked taking her anger out on her, Steven still sees her as the victim to be protected by mean Jasper. And sure, he's naive, it's part of her character, but ehh her arc was basically rotting in the barn until shit happened and whoops I'm a Crystal Gem now! Okay.

It says something that for years, people saw her act of trapping Jasper in Malachite as an act of sacrifice to protect Steven, and not as the action of a prisoner who snapped and wanted a taste of being the jailer for once. Even though she literally said "I'm done with being everyone's prisoner! Now you're my prisoner, and I'm never letting you go!"

Also, I am still very bitter about the Lapidot teasing that went fucking nowhere after Lapis deadass stole Peridot's whole house 🙃