He’s a very cooperative and fulfilling scene partner, acting partner, you know. It’s pretty crazy.

1. Gave Helen the LITERAL POWER of the dumb white man's idea of a good idea to BLOW HIS SHIT UP.
2. Gave Whiskey a moment to deepen her character beyond "dumb men's right bimbo." Do I agree with the way she's doing things? No. Do I respect that she gets the chance to show she is aware of what she's doing? Yes.
3. Gave Benoit a live-in partner who straight people don't clock at all. Bitch. The butler is not calling Mister Blanc's famous friends to express worry over his bath time. That's the job of a husband (colloquial).
4. Benoit solving Gillian Flynn's mystery because it's CLEVER but needing help with the ACTUAL mystery because IT'S DUMB. And not because he's TOO SMART but because he's bad at DUMB PUZZLES.
5. Everyone only willing to throw Miles under the bus after Helen literally blew up any chance he had of saving their asses. Did they learn anything? Fuck no. It's a very clear lesson on understanding who to trust. As Helen puts it: "You'll lie for a lie, but you won't lie for the truth?" They're not lying for the truth at the end. They're lying for the lie that they're not very much like Miles.
6. I have seen some people noting the Mona Lisa burned like canvas, and I've seen some people noting the Mona Lisa burned like wood, and what's important to remember is that everything you need to know about Miles is that he's got the fucking audacity of the insulated fuckboy to think he's being clever having someone build an un-failesafe button so the Mona Lisa could be safe.
7. "It's so dumb, it's brilliant!" / "No, it's just dumb!"
8. "You'd lie for the lie, but you wouldn't lie for the truth?" -- Yeah, I mentioned it already, but my GOD. WHAT A POINT.
9. "Your name will forever be remembered in the same breath as the Mona Lisa." -- STAB HIM AGAIN.