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A Woman to Know

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Every day we feature a woman you should know for her life in art, politics, science and more. Subscribe to the newsletter: tinyletter.com/awomantoknow.

Margaret Bourke-White (1904-1971), a fearless photojournalist, is this week’s pick for Women Journalists Wednesday. She was known to her colleagues as “Maggie the Indestructible.”

She was the first American female war photojournalist, the first foreign photographer allowed to take pictures of Soviet industry and the first female photographer for Life magazine (her photograph was on the first cover!). 

Margaret credited her parents for her perfectionism and her “unapologetic desire for self-improvement.” She transferred college six times, ultimately graduating from Cornell University in 1927. After graduation, Margaret opened a commercial photography studio in Cleveland, Ohio, where she focused on architectural and industrial photography. Later, she was a photographer for Fortune magazine and Life magazine, where she documented the Dust Bowl, the Great Depression, Europe under Nazism and even Joseph Stalin with a smile

Margaret was the first woman allowed to work in combat zones during World War II. She traveled throughout the Soviet Union and Germany, documenting the horrors of war, including concentration camps. Later, she was known as “one of the most effective chroniclers” of the violence during the independence and partition of India and Pakistan. She interviewed and photographed Gandhi just a few hours before his assassination.

Margaret was a bit of a polarizing figure. Her colleagues said she was manipulative, crying on demand to get a picture, or ruthless and controlling, ordering refugees to pose for hours. She had affairs with married men. 

Still, her career was groundbreaking. She was a trailblazer for female photographers, and at the time, many male photojournalists were jealous of her.

Oh and her hyphenated last name? Not her husband’s. Margaret White divorced after two years of marriage. After the divorce, she added her mother’s surname, Bourke, to her name. 

In 1953, Margaret was diagnosed with Parkinson’s disease. She died in 1971 at age 67, only able to blink. Her Life colleague, Sean Callahan, later wrote: “Fittingly for the heroic, larger than life Margaret Bourke-White, the eyes were the last to go.”

Quotes from Margaret:

  • “If anyone gets in my way when I’m making a picture, I become irrational. i’m never sure what I am going to do, or sometimes even aware of what I do — only that I want that picture.”
  • “Nothing attracts me like a closed door. I cannot let my camera rest until I have pried it open.”
  • “Work is something you can count on, a trusted, lifelong friend who never deserts you.” 

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This week’s WJW (Women Journalists Wednesday) is the one and only Christiane Amanpour. She’s the chief international correspondent for CNN and host of the CNN International’s nightly interview program Amanpour. She also is a global affairs anchor for ABC News. Basically, she’s a badass. 

Amanpour was born in London and raised in Tehran. She is fluent in English and Persian. She moved to the US for college, studying journalism at the University of Rhode Island. Right after college, she was hired by CNN as an entry-level desk assistant. She moved up fast — three years later, Amanpour was sent to Eastern Europe to report on the fall of European communism where her reporting caught the attention of CNN executives and she became a foreign correspondent. 

Ever since then, Amanpour has made her career going deep into war zones, starting by reporting from the Persian Gulf War and Bosnian war. She wasn’t afraid to show emotion when reporting on the Siege of Sarajevo, where almost 14,000 people, including thousands of civilians, were killed. In response to criticism, she said:

“There are some situations one simply cannot be neutral about, because when you are neutral you are an accomplice. Objectivity doesn’t mean treating all sides equally. It means giving each side a hearing.” 

Amanpour has since reported on countless major wars and crises, traveling to war-torn Afghanistan, Pakistan, Somalia, Rwanda, and many more places. She has interviewed almost every world leader and is the journalist most world leaders follow on Twitter

In a 2013 interview with the Telegraph, Amanpour spoke out on feminism. Women, she said, are held to an “unfairly higher standard” than men, but “we have to uphold that standard and keep pushing to break the glass ceiling.” And being a woman has helped her in her journalism career, she said. 

“In some societies they won’t let a male journalist or cameraman in — but they will let in a woman. … When a man sees a woman coming, often the first thing they’ll do is pull out a chair or open a door. So you put your foot in that door and get in. Then you stay in.”

Amanpour’s greatest quotes on journalism:

  • “And I believe that good journalism, good television, can make our world a better place.”
  • “We in the press, by our power, can actually undermine leadership.” 
  • “Because if we the storytellers don’t do this, then the bad people will win.”

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Artemisia has been called one of the greatest female painters of the Baroque era— but she was the first (and only) woman admitted to the Florentine Academy of Arts in 1616. Her path to recognition wasn't easy — she was raped by one of her painting tutors and, after a disastrous trial against him, endured ridicule throughout Italy for her supposed "promiscuity." But support from two famed patrons — King Charles I of England and the powerful Medici Family — established Artemisia as one of the premiere portrait artists of the time. Her depictions of Judith, Susannah and other Biblical heroines solidified her place in the contemporary art scene.

A lot of scholars have compared Artemisia's work to that of the legendary Caravaggio, one of her early instructors. But when feminist scholars rediscovered Artemisia's work in the 20th century, they praised her paintings for their decidedly un-Caravaggio perspective — one that's uniquely Artemisia's. On Tumblr, rgfellows writes of a really interesting comparison between Caravaggio's depiction of Judith Decapitating Holofernes and Artemisia's own rendition (below).

[Judith] is putting her physical weight into this act. Her hands (much stronger looking than most depictions of women’s hands in early artwork) are working hard. Her face, as well, is completely different. She doesn’t look upset, necessarily, but more determined. It’s also worth note that the handmaiden is now involved in the action. It’s worth note because, during her rape trial, Artemisia stated that she had cried for help during the initial rape. Specifically she had called for Tassi’s female tenant in the building, Tuzia. Tuzia not only ignored her cries for help, but she also denied the whole happening. Tuzia had been a friend of Artemisia’s and in fact was one of her only female friends. Artemisia felt extremely betrayed, but rather than turning her against her own gender, this event instilled in her the deep importance of female relationships and solidarity among women.

So maybe a better thing to say about Artemisia that she's one of the greatest painters of the entire era, period.

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*~Send your recommendations for women to know! Inbox with your lady and she could be featured in an upcoming edition.~* You can browse the archive here.  

Talk about wanderlust.

In 1939, Swiss writer and photographer Annemarie piled into an ancient Ford cabriolet with her dear friend Ella. The two left war-torn Europe and traveled across rural Afghanistan into Kabul and Turkmenistan -- just as World War II erupted.

There, Annemarie became famous for her tortured love affairs with the daughter of the Turkish ambassador, a wealthy baroness, a famous archaelogist and even a young writer, the 23-year-old Carson McCullers. Annemarie traveled on from Turkmenistan to assignments in London, New York and the Belgian Congo -- but her life-long morphine addiction took her life at just 34 years old, at home in Switzerland.  

"She had a face I knew would haunt me for the rest of my life," Carson wrote. Ain't that the truth, Carson. Ain't that the truth.

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Shulamith's friends called her "a flame," "a fireball," "a firebrand" and "a Red Stocking." The latter term inspired the name of her 1960s girl gang, a group of badass lady activists that rallied around the call of second-wave feminism and advocated for radical change in contemporary gender politics. In addition to her work with the Red Stockings, New York Radical Women and other community organizing, Shulamith authored countless feminist texts, including a 1970 book, "The Dialectic of Sex," that remains a staple on women's studies syllabi (although her conservative father called it "the joke book of the century"). But in her late 20s, Shulamith self-exiled from feminism, struggling with schizms in the sisterhood, "trashing" and her own life-long battle with schizophrenia. In 2012 she was found dead in her apartment, alone. "When I think back on Shule's contribution to the movement, I think of her as a shooting star," writer Jo Freeman remembered upon Firestone's death in 2012. "She flashed brightly across the midnight sky. And then she disappeared." 

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*Thank you to Lisa Bonos for recommending Shulamith as a woman to know! Lisa writes about dating, sex, relationships and (duh) radical feminism. You should follow her on Twitter.*

Politico’s Kim Kingsley...

is this week’s WJW. 

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Most of the women we’ve highlighted have been reporters, but there’s more than one way to be an influential woman in journalism. Kingsley works as the COO for Politico, one of the most prestigious news publications in the U.S. Her work as one of the top executives for Politico sets her apart as both an influential figure in media, and a powerful businesswoman. 

She’s also been a major supporter and organizer for Politico’s Women Rule project:

The project includes a series of panels and talks with powerful women as well as the Women Who Rule Awards, granted to awesome women in 4 categories: media, technology, business, and young leaders.

Check her out on Twitter and watch coverage of the latest Women Rule events to learn more about women working with Yazidi refugees or hear Congresswomen and businesswomen talk about the importance of taking risks

*Pictures via Politico.com

Follow @theactivevoice for more awesome lady journo things! 

They called her The Empress of the Blues. She recorded with Louis Armstrong and Fletcher Henderson, appeared on Broadway and headlined vaudeville acts across the country.

But when Bessie Smith died in 1937, her legacy was underappreciated — she was buried in an unmarked grave and her recordings were lost to history. Decades later, the blues and jazz aficionados of the 1970s rock class rediscovered her music.

As Janis Joplin said, "[Bessie] showed me the air and taught me how to fill it. She taught me how to sing, really."

Joplin bought Bessie a proper tombstones in 1970. She engraved a simple message on the headstone: "The greatest blues singer in the world will never stop singing."

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Yayoi Kusama is besotted with dots -- dot maps, polka dots, dotted lines, mirror dots and more. The 86-year-old Japanese artist is famous for her zany paintings, bizarre outdoor sculpture and colorful mirror installations. Her personal life is just as notorious as her artistic one: she has lived voluntarily inside a Japanese mental institution since 1977 ("my artwork is an expression of my life, especially of my mental disease")), and she lists other creative luminaries (including Joseph Cornell, my personal favorite artist) as close friends and lovers.

Yayoi has staged performance art orgies, built entire mirror-walled rooms lit by disco balls, posed naked in downtown Manhattan and collaborated with Louis Vuitton. Her most expensive paintings are the "infinity nets," giant white canvases dotted with almost-invisible gray spots. According to The Guardian, she's the most popular artist in the world -- more people attended her museum exhibitions in 2014 than saw work by such famous male artists as Jasper Johns, Ellsworth Kelly and even Andy Warhol. Add to your reading list:

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I started writing an intro today but honestly, subscriber Mileva Brunson already wrote the *best* kind of intro when she recommended Caresse for this newsletter. Read on: 

Too often do I stumble upon awesome women and the cliff note versions of their stories tucked into shows, films, etc. and think angrily to myself, "How am I only hearing about you NOW?!"
One such lady is Caresse Crosby.
Inventor of the first US-patented modern bra, because she wanted to wear this gorg dress but was so done with whalebone corsets and the giant monoboob it created so she sewed together some handkerchiefs with ribbon straps and boom: the BRA! She eventually sold to the Warner Brothers Corset Company, which proceeded to market the most popular bra in the country over the next 30 years.
She was also revered as the "literary godmother" and publisher of great works the likes of Ernest Hemingway and Anais Nin, while she lived that reckless, high society life in expat '20's Paris. She also dabbled in pornographic writing and towards the end of her life, she lived in a Renaissance-era Roman castle.
Basically all the life goals. I mean, she had her fair share of scandal (when your husband wants you to change your name to CLYTORIS, you are bound to lead a scandalous life) but still, she sounds wildly fascinating.
Alright, back to the black hole of the internet I go. Mileva

Thanks, Mileva. And thank you, Caresse, because I mean, seriously.

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Katharine Graham was publisher during The Washington Post's legendary golden era, a driving force behind dynamite journalistic investigations, a Washington legend and a Pulitzer Prize winner — and she was also the first woman elected to the Associated Press Board of Directors. 

Look. At. That. Boardroom. Photo. 

LOOK AT  IT  

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*Thank you to Arielle Retting for recommending Katharine as a woman to know! Arielle did many a book report on this wonderful woman, and we work together at The Post, and she's awesome aaaand you should follow her on Twitter.*

*~Send your recommendations for women to know! Message with your lady and she could be featured in an upcoming edition.~*

I got an inspiring message from the past in my email inbox yesterday. Since the end of August, I’ve been getting a newsletter called “A Woman to Know,” which highlights one fantastic woman from history each weekday. If I’m lucky, she’s someone I haven’t heard of before—like Virginia Hall, a WWII-…

Thank you to all of you for supporting this newsletter <3 and for always recommending amazing women to know — inbox with more suggestions! 

Elisabeth Kubler-Ross's "On Death and Dying" revolutionized American hospice care. When I say "revolutionized," I really mean "created a movement that had at that point in 1969 entirely ceased to exist." In an America without Elisabeth's five stages of grief — repeat them with me: denial, anger, bargaining, depression, acceptance — terminally ill patients were hospitalized with little to no road map on, frankly, how to die.

Kubler-Ross changed that. Her books, her work in palliative counseling, her conversations with doctors, patients and survivors and more paved a road for recovery — from denial to acceptance, of course.

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*~Send your recommendations for women to know! Inbox with your lady and she could be featured in an upcoming edition.~* 

Henrietta Lacks's cells are the most important thing to ever happen to medicine. Henrietta was a woman from Maryland, raising her family in 1930s Baltimore. Her life was entirely ordinary until it ended — at 31, she died of cancer, and doctors (without previous asking permission of Henrietta or her family) scraped her tumor cells for laboratory use. The cells multiplied in petri dishes, and HeLa cells grew in scientific prominence, again without consulting Henrietta's family. In 2013, the Lacks family began negotiation with the National Institutes of Health to regain control of how their ancestor's genome is used in future research.

As Rebecca Skloot wrote in The Immortal Life of Henrietta Lacks:

I've tried to imagine how she'd feel knowing that her cells went up in the first space missions to see what would happen to human cells in zero gravity, or that they helped with some of the most important advances in medicine: the polio vaccine, chemotherapy, cloning, gene mapping, in vitro fertilization. I'm pretty sure that she — like most of us — would be shocked to hear that there are trillions more of her cells growing in laboratories now than there ever were in her body.

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The ever-incredible Lauren Katz recommended Henrietta as a woman to know! Lauren is a great person but an even GREATER tweeter — follow her!