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Lord of outdated memes

@autisticdoomslayer

This was supposed to be a viewing-only blog. Idk what happened. He/Him. I am technically anadult (18) but I am Irresponsible and I don't feel like one

I keep seeing people talk about stuff like this, but GOD it’s frustrating because some people (writers) are getting the attention, but other people (composers, like my dad) are getting zero.

my dad is a composer - Nathan Furst. He did the music score for Hidden Strike - a movie that became #1 on Netflix within the first DAY of its release. He hasn’t gotten paid. At all. Whatsoever. AND this isn’t an uncommon occurrence for composers. And the best (worst) part is THEY DONT GET A UNION. they took it to the Supreme Court and they said “yeah no get fucked lol”. My dad is pursuing legal action, sure, but that’s time and money he doesn’t have a whole lot of. Support the writers, support the actors, support the VFX artists, but I’m begging y’all, support the composers too. They need it, arguably more than any of the others.

Yes! I caved in and finally decided to draw them, the batbunch in casual clothes, from this idea by @batty-birds. God I had so much fun sketching this, I’m totally not living out my pinterest board fashion catalogue dream, I am not (I am). And why’s Barb so Kim Possible coded lmao. And I really liked drawing Cass with her asian features because #asianpresentation and I’m proud of my heritage lol. Also Damian was a little joy to draw too, he has a lollipop in his mouth, not cigs.

Dick was by far the hardest to get right, I wanted something dynamic for him, yet not too overly sexualized so he took the longest to get right. And Jason and Duke were the coolest to draw bc omg their colors fit so much with this street aesthetic shit???? Like yooooo

Also, a truly cursed sketch of Bruce and Alfred in their casual clothes, it’s funny so I put it here lmao. 6 pax Alfred speaks to me on so many levels

Ignoring canon heights for characters, here’s what I want some of their heights to be:

Clark Kent: Exactly one inch taller than Bruce Wayne (Batman is one and a half inches taller than Bruce Wayne for….secret identity….reasons……)

Oliver Queen: One inch shorter than Bruce Wayne

Adult Damian Wayne: Precisely one half inch shorter than Jason Todd. It doesn’t even matter what shoes he wears; Jason is consistently a half inch taller than him at any measurement and it drives him insane.

Tim Drake: 5’8”

Stephanie Brown: 5’9”

Cassandra Cain: 5’6”

Duke Thomas: 6’0”

Dick Grayson: 5’11 3/4”

Wally West: 6’2”

Roy Harper: 6’2”

Donna Troy: 6’2”

The ironic paradox of biphobia and lesbophobia is that lesbophobia will have you believe society wants you to be bi and biphobia will have you believe society wants you to be lesbian. The reality is that society does not want you to be lesbian or bi; that society only wants you to be straight, but will not hesitate to use other identities against you. If that means tricking you into believing your closest allies occupy a higher social standing than you and wish to keep you beneath them in the same way the straights do to them, then so be it. It’s not even divide and conquer, its recruiting us to do their own bidding and ridding them of us in the process. Heterosexuals as a class do not prefer lesbians to bisexuals or bisexuals to lesbians, thought individually each one might have differing opinions on which are most or least acceptable.

Attempting to convince you that bi privilege or monosexual privilege exists is an intended to shift our arms towards our allies instead of our oppressors.

it's transmisogynist of you to assume you can say something is or isn't "TERF rhetoric" when neither of you are transfem.

come at the problem from a different angle

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Since the beginning of this project, I have made a point not to discuss my own life in depth. You have no way of knowing my gender, whether I am cisgender, transgender, genderfluid, or nonbinary. You also know almost nothing about the gender of Dean, the editor of this project. This assumption that both of us are cisgender is not harmless.

Remember Becky Abertalli? She is the author of Simon VS. The Homo sapiens Agenda, well I want to quote something she wrote:

"Having your book adapted to a film brings a lot of notoriety and attention, especially online, and it’s not always the fun kind. Unsurprisingly, there was quite a bit of discourse about my identity — how could there not be? Love, Simon was the first gay teen rom com to be released widely by a major film studio, and it was based on a book written by an allocishet woman. Yes, the film’s director was openly gay. No, not everyone cared (frankly, a lot of people still don’t know Love, Simon was based on a book). But in many online spaces, my straightness was a springboard for some — legitimately important — conversations about representation, authenticity, and ownership of stories. And for some people, my straightness was enough to boycott the film entirely.

Then Leah on the Offbeat came out about a month later, and the discourse exploded all over again. There were thinkpieces based on the premise that I, a straight woman, clearly knew nothing about being a bi girl. There were tweets and threads and blog posts, and just about every single one I came across mentioned my straightness. And when Leah debuted on the NYT list, authors I admired and respected tweeted their disappointment that this “first” had been taken by a straight woman. Of course, Leah wasn’t the first f/f YA book to hit the New York Times list. And maybe people were wrong about the other stuff too. But the attention and scrutiny were so overwhelming, and it all hurt so badly, I slammed the lid down on that box and forgot I’d ever cracked it open.

At least I didn’t remember I remembered.

I deleted the sexuality labels from my website. I declined to answer certain questions in interviews. I’d get quietly, passionately indignant when people made assumptions about other authors’ gender identities and sexualities. And I’d feel uncomfortable, anxious, almost sick with nerves every time they discussed mine.

And holy shit, did people discuss. To me, it felt like there was never a break in the discourse, and it was often searingly personal. I was frequently mentioned by name, held up again and again as the quintessential example of allocishet inauthenticity. I was a straight woman writing shitty queer books for the straights, profiting off of communities I had no connection to.

Because the thing is, I called myself straight in a bunch of early interviews.

But labels change sometimes. That’s what everyone always says, right? It’s okay if you’re not out. It’s okay if you’re not ready. It’s okay if you don’t fully understand your identity yet. There’s no time limit, no age limit, no one right way to be queer.

And yet a whole lot of these very same people seemed to know with absolute certainty that I was allocishet. And the less certain I was, the more emphatically strangers felt the need to declare it. Apparently it was obvious from my writing. Simon’s fine, but it was clearly written by a het. You can just tell. Her books aren’t really for queer people.

You know what’s a mindfuck? Questioning your sexual identity in your thirties when every self-appointed literary expert on Twitter has to share their hot take on the matter. Imagine hundreds of people claiming to know every nuance of your sexuality just from reading your novels. Imagine trying to make space for your own uncertainty. Imagine if you had a Greek chorus of internet strangers propping up your imposter syndrome at every stage of the process.

The thing is, I really do believe in the value of critically discussing books, particularly when it comes to issues of representation. And I believe in the vital importance of Ownvoices stories. Most of the identities represented in my books are Ownvoices. But I don’t think we, as a community, have ever given these discussions the care and nuance they deserve.

Consider the origin of the Ownvoices hashtag. It was created in 2015 by author Corinne Duyvis, with the purpose of highlighting stories written by authors who share the same marginalized identities as their characters. But Corinne has always emphasized caution when it comes to using Ownvoices to determine which authors can tell which stories. And she’s been incredibly clear and emphatic about not weaponizing the term to pressure authors to disclose private aspects of their identities.

So why do we keep doing this? Why do we, again and again, cross the line between critiquing books and making assumptions about author identities? How are we so aware of invisible marginalization as a hypothetical concept, but so utterly incapable of making space for it in our community?

Let me be perfectly clear: this isn’t how I wanted to come out. This doesn’t feel good or empowering, or even particularly safe. Honestly, I’m doing this because I’ve been scrutinized, subtweeted, mocked, lectured, and invalidated just about every single day for years, and I’m exhausted. And if you think I’m the only closeted or semi-closeted queer author feeling this pressure, you haven’t been paying attention.

And I’m one of the lucky ones! I’m a financially independent adult. I can’t be disowned. I come from a liberal family, I have an enormous network of queer friends and acquaintances, and my livelihood isn’t even remotely at risk. I’m hugely privileged in more ways than I can count. And this was still brutally hard for me. I can’t even imagine what it’s like for other closeted writers, and how unwelcome they must feel in this community.

Even as I write this, I’m bracing for the inevitable discourse — I could draft the twitter threads myself if I wanted to. But I’d rather just make a few things really clear. First, this isn’t an attempt to neutralize criticism of my books, and you’re certainly entitled to any reactions you might have had to their content. Second, I’m not asking you to validate my decision to write Simon (or What If It’s Us, or mlm books in general).

But if I can ask for something, it’s this: will you sit for a minute with the discomfort of knowing you may have been wrong about me? And if your immediate impulse is to scrutinize my personal life, my marriage, or my romantic history, can you try to check yourself?

Or how about this: can we all be a bit more careful when we engage in queer Ownvoices discourse? Can we remember that our carelessness in these discussions has caused real harm? And that the people we’re hurting rarely have my degree of privilege or industry power? Can we make space for those of us who are still discovering ourselves? Can we be a little more compassionate? Can we make this a little less awful for the next person?"

Hello, I am the next person. I am the author who isn't lucky enough to disclose every single one of their marginalizations on social media, and I deserve better than this.

If you have a problem with any of the points I made, feel free to share that, but you do not get to assign me an identity just so you can attack me for it.

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Have we learned nothing from the shitty way we forced that actor from heartstopper to come out

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hindahoney

Because I'm only seeing other Jews posting about this, non-Jews I need you to be aware that for the past month or two there has been a wave of bomb threats and swattings at synagogues all across the US. They usually do it when services are being livestreamed. I haven't seen a single non-Jew talking about this. High holidays are coming up in a few weeks, which is when most attacks happen against our communities. We're worried, and we need people to know what's happening to us.

I have personal beef with Lobdell's "hence the name, Red Hood" panel when Jason picks up that poor, abused dog in RH:O. Which logically I know is an off the cuff joke but 1. Lobdell likes to simplify Jason and his motives all the time (which he could’ve been doing here) 2. I’ve seen a lot of people say they don’t get why/the connection/deeper meaning/etc. Jason picked his name or 3. people who want Jason to drop RH & pick up a new vigilante identity without (or before) Jason getting his full circle closure

(First: can Jason please have a companion again. And can they be given a real name this time? Not Lobdell’s lazy out? Give that man another dog or fuxk, let him pick up a cat that was abandoned in the rain. Please???)

anyway, main attraction:

Within that spread, Scott Lobdell wrote that Jason picked the name because he's awful at naming things and went with the most basic, obvious choice, Red Hood. This is an incredible disservice to why Jason chose to take his mantle specifically.

Imagine you're Batman, a fledgling vigilante who abides by a strict no-kill moral code. It's your first or so year manning the streets of a massive, corrupt city--Gotham--and you still aren't fully sure of what you're doing. The criminal underworld still isn't even convinced you're real. One of the first big cases you bust, a man who calls himself the Red Hood, dies. you play accomplice to the man falling into a vat of chemicals even as you try to save him. He dies. You killed a man due to your own mistakes.

But you didn't. Not really.

The man comes back under a new name--the Joker--and becomes one of your most prominent enemies. The guilt eats you alive. You dub him your greatest failure. The guilt complex and strengthened moral platitudes refuse to let him die, let alone kill the man. Only "saving him" will relieve you of the grief. Your guilt, your grief, God, your god complex, something is too big for you to admit you can't save everyone including the problems you inadvertently create.

You take in a boy, a ward--Dick Grayson--because the city won’t let a single bachelor like Brucie Wayne adopt him. You’re his brother, you’re his spandex-wearing partner, you’re not his father (he has a father, he doesn’t want you to be his father) but you’re also not not his father; it’s complicated. You didn't want him to turn into you and he creates his own mantle--Robin--to honor his parents.

You and him are partners for many years--Batman and Robin: The Dynamic Duo. Until, one day, The Joker shoots him in the shoulder and he falls off a building on live TV. The city’s populace is upheaved, believing Robin is dead. Demanding Batman be held responsible for his negligence, for even having a underaged partner in the first place. You agree. The field is no place for a child, you decide to keep him so. Robin, the child, is dead, killed by the Joker. Dick Grayson, now a man, is alive and blazing his own trail--Nightwing.

So one child-to-man moves on. And one stays behind. Weeks, months, pass and, you refuse to admit it, you're lonely.

You find another boy--Jason Todd (found in the same location and on the anniversary your parents were murdered in the part of town you only visit once a year)--stealing your tires. Not Bruce Wayne's tires. Batman's tires. He makes you laugh, audaciously so. He takes you down with a tire jack and, God, he’s fast and feisty. (He thought you were going to kill him. You don’t loiter on the thought: it makes your stomach turn). You track him down to retrieve your tires. He tells you he doesn't want to be a criminal, he takes what he needs to survive. He's starving.

You try to stay out of it (all you do is check what happened to his missing dad--murdered--and sick mom--heroin was what got her in the end). You push him towards education. He doesn't trust the cops. He doesn't trust the system. He doesn't trust adults. He hardly trusts you. He tells you about a case, that the school is bad, but believes you only half listen--brush him off like every other person in his life. You follow up. He follows up.

You ask him to be Robin. He accepts.

Later, you adopt him.

Dick's mad at you for giving away his title without asking, to a child nonetheless. (“You said the field was no place for a child!”) You snap at him, say you missed him. (You keep telling Gordan that Jason's no child. That he's seen too much, is more experienced than either of them combined. You don't say this to Dick).

He leaves but he gives Jason his number and his blessing. The kid's torn up about it, you can tell (see the doubt eat him alive of if he should be wearing those colors. Your butler? Your father?--Alfred--tells you to stop comparing the boys--good or not).

That doubt sticks with him. That past experience sticks with him. He urges you to help the poorer parts of the city, especially the places where Batman only visits once a year (The first time he goes back after getting Jason isn’t as bad as all the times before). He fights for his people. He’s tied to Gotham in ways you aren’t. Sees things you don’t. Knows things you don’t. People who can’t stand you, love him.

You keep hearing him crying over his dead mother and watch him lose it against rapists. He advocated for the woman that killed the man who murdered 12 women including her sister even though Batman and Robin aren’t supposed to endorse extra judicial work like that. He breaks a man’s collarbone for taking pictures of naked children. He thinks the “Dress-ups” won’t ever stop because Batman’s only weapon is fear and they aren’t afraid. He once said life’s a game. Monopoly, Bruce assumes he means.

Drugs are easier than rape to catch a man on, and the boy is furious that the perpetrator is only being sent back to his home country. ("he'll just hurt the women over there! He won't stop!" He's in hysterics).

A young woman is dead. The boy found her body. A man falls to his death a man is pushed to his death is dead. The boy was the last one to be with him. You bench him, but you forget that you asked him to be Robin first and a son second.

He runs away. A birth mom--Shelia Haywood, you eventually learn. He's missing. It has to wait. The Joker's out again. You have to prevent your greatest failure from becoming bigger. (He shot Barbara earlier this year)

You leave the boy with his birth mom by the warehouse. You have to go after the Joker. The Joker has killed and killed and killed. Will continue to kill. The boy is dead. He killed the boy. The mother says he was good. He's nothing more than broken bones and mangled limbs. She's...not.

Your greatest failure murdered your boy. His body’s already getting cold when you find hi—the body. The corpse. You hold it. Because it’s an it now, not a him.

You go after the Joker. The pilot is shot. You don't try to kill the Joker, but you don't bring him with you as you jump. The helicopter crashes. You don't even think he's dead; unresolved as per usual.

You failed to protect him. You failed. And he’s dead.

Superman pulls you from the ocean.

You go home and Alfred meets you once you get off the plane. He tells you it's not your fault, the boy had it coming. The murdered boy--a Good Solider, buried next to his bio-mother in Gotham Cemetery--is dubbed your new biggest failure.

Dick's in space and would miss the funeral, so you decide instead to not tell him there was a funeral at all. At least someone will still think Jason’s alive. At least someone will keep Jason alive through their belief. It’s not like Dick’ll find out. They weren’t that close anyway (Dick & Jason or you & him?)

When Dick does eventually find out, because of course he obviously does, he's furious. It's the first time you punch your first Robin. (You don't know it yet, but it won't be the last time, not for Dick and not for some other so-called family members.)

Robin is dead. Far deader than Dick Grayson ever was. He did it to himself. He thought it was a game. Dick doesn’t get it. He was better. He was alive.

(You can’t admit he’s become your son out loud. Hardly even in your head. It’s fine. Dick is the same about your fatherhood. Like father, like son)

You blame it on Jason's death. It changed you. He changed you. It's his fault. Everyone follows suit.

You leave the Joker in a body cast for six months. He gets out again. Luckily you have a new Robin--Tim Drake. He's not Jason. You can see it in his eyes that he knows that's a good thing. Gotham doesn’t even know the second one is dead. They believe Tim’s second one. Gordan even asked if he’s finally hit his growth spurt. 4’6 the death certificate said. That’s okay. No one needs to knows.

(Park Row Crime Alley knows. They know who’s theirs and who isn’t. Batman and Robin aren’t welcomed down there anymore)

(The first anniversary you visit your parents yours and his first meeting spot after Jason’s death feels like Ethiopia all over again)

A blonde girl is Robin now--Stephanie Brown. You tell her she's like Jason. She can tell you mean it as a bad thing but never processes it through her mind. You're trying to lure Tim back. A city-wide gang war wrecks Gotham. She's dead. Tortured by Black Mask and died on the operation table.

There's talk around the underworld, unified under Black Mask, a new gang leader's been making waves for months. You just heard about him tonight (a duffle bag full of heads told you): The Red Hood. You know that name. It’s a punch to the gut. Your first failure.

(“You’re getting slow, old man!)

He did what you've been trying to do for years in a matter of weeks: He overtook the entire Gotham underworld. He’s running circles around everyone. He pits you against the underground, keeps you busy, and he gets what he needs to be done Scot-Free. You hardly ever see him around. Only when he wants you to see him, do you. You don’t like things you aren’t in control of.

He doesn't want anyone dealing to kids. He likes bombs, but they're contained. Implosions, not explosions. He kills and is on par with Batman himself (he cut himself free of your line). Red Hood hangs around Crime Alley ("Park Row!" Jason would always respond), but no one there will rat him out to The Batman. They won't talk to you. Some of them even seem to...like having the Red Hood around.

He’s managed to bring down the crime rate of the entire city. Somehow.

It's raining. You can't tell. Jason's alive.

Jason's. Alive.

Jason'salivejason'salivejason'salivejason'salivejason'saliveason'salivejason'sal--

Jason's alive.

And he's killing people. And he's spitting in the face of your "sanctimonious" moral code. He laughed at you when he murdered someone in front of you. ("Just be happy I only killed the Nazi!") You tell him he doesn't get it. He responds the same.

(“You can't stop crime," he says along the lines of "Not with fear. But me...I'm controlling it.")

Jason's never had enough fear.

And now he's crying with a gun to his murderer's head. He says he’s not talking about the other rogues, just him. Just the Joker. He throws you a gun. You won't do it--can't do it. You need to save the Joker. To prove that you can. You need to save Jason. To show him this isn't the way. You can't have any more failures.

(“He took me from you!”)

Jason's going to do it himself, he says. "If you want to stop me, you're going to have to shoot me. Right in the face."

You can't let anyone die. You can't let the Joker die. It's your mission. There's so much blood. The batarang had to have had to knick the carotid artery in his neck. No one could survive it. The Joker is cackling with glee. You hear it in the walls of your skull. The bomb goes off. You don’t hear that at all.

Oh God. You killed your so—

You’re still gone, you think

You see Jason on patrol sometimes. High collar and still branding himself as Red Hood. There’s a red bat on his chest now. You don’t think it’s a compliment. The East End loves him. Jason still can't let the Joker go. Can’t—won’t move on.

Not till he's dead he says.

Take a moment to imagine yourself as a fledgling vigilante--Batman.

— — —

Anyway my meta turned into a 2nd POV fic????? but like that's not the point. The point is: That’s the impact of why Jason chose the name he did. It’s important to me that you all recognize these full-circle story beats. Do you see my vision?

Jason planned everything when he made his big debut. You don't think that dramatic-ass bastard thought about the name? Jason is mocking Bruce: both his fears and failures as a vigilante.

But that throwaway line is one of those really minor details that really bug me because it's so easy to throw out a panel and say “Jason's bad at naming things Haha" It's much harder to commit to "show, not tell" where writers have to trust their readers to get between the lines and figure out long-term connections.

As well as it's just another way Lobdell undermines Jason's goals in UtRH by saying "He couldn't think of anything else" compared to Winick's Jason who is laughing and mocking Bruce by taking up the mantle of Red Hood. Showing he's not afraid of what happened to him. Spitting in the face of the world that burned him and yelling “I’m still here!” Owning it. He's not afraid of Bruce. And he's definitely not afraid of the Joker.

I want Jason to get a new identity one day too but to do so before Jason ever gets his joker closure cuts his story short. (Which is a creative way of saying it’s never gonna happen unfortunately). I think if he gets one before he finishes the story and closes the cycle, it would be the final nail in the “Jason’s a batfamily member” coffin as it would probably be written as “Jason seeing the error of his ways” rather than for himself moving on to heal for himself.

I’ve literally never thought about the latter of your tags before: Jason’s staying red hood and twisting it to mean something good further metaphorically killing the joker once he’s gone. Oh, I’m gonna be gnawing on that for a while, that’s so good

Also I saw 35+ and 10-15 years and was like “girl (gender neutral) their parents have been dead for A A lot longer than that” before I realized you meant in canon and not since the 40s 😭 which makes more sense

Personally, I’m not opposed to Jason getting a new identity But I can only see it happening after the joker kicks it. However, this is super tasty because not only is it Jason further spitting the clown, but it’s also Jason changing the culture of fear and the idea of what people should be afraid of which has always been a big thing of his. (A la: Jason famously thinks that fear is not the end all be all weapon because what happens when people aren’t afraid? Fear doesn’t rework the system to be just and fair)

I have personal beef with Lobdell's "hence the name, Red Hood" panel when Jason picks up that poor, abused dog in RH:O. Which logically I know is an off the cuff joke but 1. Lobdell likes to simplify Jason and his motives all the time (which he could’ve been doing here) 2. I’ve seen a lot of people say they don’t get why/the connection/deeper meaning/etc. Jason picked his name or 3. people who want Jason to drop RH & pick up a new vigilante identity without (or before) Jason getting his full circle closure

(First: can Jason please have a companion again. And can they be given a real name this time? Not Lobdell’s lazy out? Give that man another dog or fuxk, let him pick up a cat that was abandoned in the rain. Please???)

anyway, main attraction:

Within that spread, Scott Lobdell wrote that Jason picked the name because he's awful at naming things and went with the most basic, obvious choice, Red Hood. This is an incredible disservice to why Jason chose to take his mantle specifically.

Imagine you're Batman, a fledgling vigilante who abides by a strict no-kill moral code. It's your first or so year manning the streets of a massive, corrupt city--Gotham--and you still aren't fully sure of what you're doing. The criminal underworld still isn't even convinced you're real. One of the first big cases you bust, a man who calls himself the Red Hood, dies. you play accomplice to the man falling into a vat of chemicals even as you try to save him. He dies. You killed a man due to your own mistakes.

But you didn't. Not really.

The man comes back under a new name--the Joker--and becomes one of your most prominent enemies. The guilt eats you alive. You dub him your greatest failure. The guilt complex and strengthened moral platitudes refuse to let him die, let alone kill the man. Only "saving him" will relieve you of the grief. Your guilt, your grief, God, your god complex, something is too big for you to admit you can't save everyone including the problems you inadvertently create.

You take in a boy, a ward--Dick Grayson--because the city won’t let a single bachelor like Brucie Wayne adopt him. You’re his brother, you’re his spandex-wearing partner, you’re not his father (he has a father, he doesn’t want you to be his father) but you’re also not not his father; it’s complicated. You didn't want him to turn into you and he creates his own mantle--Robin--to honor his parents.

You and him are partners for many years--Batman and Robin: The Dynamic Duo. Until, one day, The Joker shoots him in the shoulder and he falls off a building on live TV. The city’s populace is upheaved, believing Robin is dead. Demanding Batman be held responsible for his negligence, for even having a underaged partner in the first place. You agree. The field is no place for a child, you decide to keep him so. Robin, the child, is dead, killed by the Joker. Dick Grayson, now a man, is alive and blazing his own trail--Nightwing.

So one child-to-man moves on. And one stays behind. Weeks, months, pass and, you refuse to admit it, you're lonely.

You find another boy--Jason Todd (found in the same location and on the anniversary your parents were murdered in the part of town you only visit once a year)--stealing your tires. Not Bruce Wayne's tires. Batman's tires. He makes you laugh, audaciously so. He takes you down with a tire jack and, God, he’s fast and feisty. (He thought you were going to kill him. You don’t loiter on the thought: it makes your stomach turn). You track him down to retrieve your tires. He tells you he doesn't want to be a criminal, he takes what he needs to survive. He's starving.

You try to stay out of it (all you do is check what happened to his missing dad--murdered--and sick mom--heroin was what got her in the end). You push him towards education. He doesn't trust the cops. He doesn't trust the system. He doesn't trust adults. He hardly trusts you. He tells you about a case, that the school is bad, but believes you only half listen--brush him off like every other person in his life. You follow up. He follows up.

You ask him to be Robin. He accepts.

Later, you adopt him.

Dick's mad at you for giving away his title without asking, to a child nonetheless. (“You said the field was no place for a child!”) You snap at him, say you missed him. (You keep telling Gordan that Jason's no child. That he's seen too much, is more experienced than either of them combined. You don't say this to Dick).

He leaves but he gives Jason his number and his blessing. The kid's torn up about it, you can tell (see the doubt eat him alive of if he should be wearing those colors. Your butler? Your father?--Alfred--tells you to stop comparing the boys--good or not).

That doubt sticks with him. That past experience sticks with him. He urges you to help the poorer parts of the city, especially the places where Batman only visits once a year (The first time he goes back after getting Jason isn’t as bad as all the times before). He fights for his people. He’s tied to Gotham in ways you aren’t. Sees things you don’t. Knows things you don’t. People who can’t stand you, love him.

You keep hearing him crying over his dead mother and watch him lose it against rapists. He advocated for the woman that killed the man who murdered 12 women including her sister even though Batman and Robin aren’t supposed to endorse extra judicial work like that. He breaks a man’s collarbone for taking pictures of naked children. He thinks the “Dress-ups” won’t ever stop because Batman’s only weapon is fear and they aren’t afraid. He once said life’s a game. Monopoly, Bruce assumes he means.

Drugs are easier than rape to catch a man on, and the boy is furious that the perpetrator is only being sent back to his home country. ("he'll just hurt the women over there! He won't stop!" He's in hysterics).

A young woman is dead. The boy found her body. A man falls to his death a man is pushed to his death is dead. The boy was the last one to be with him. You bench him, but you forget that you asked him to be Robin first and a son second.

He runs away. A birth mom--Shelia Haywood, you eventually learn. He's missing. It has to wait. The Joker's out again. You have to prevent your greatest failure from becoming bigger. (He shot Barbara earlier this year)

You leave the boy with his birth mom by the warehouse. You have to go after the Joker. The Joker has killed and killed and killed. Will continue to kill. The boy is dead. He killed the boy. The mother says he was good. He's nothing more than broken bones and mangled limbs. She's...not.

Your greatest failure murdered your boy. His body’s already getting cold when you find hi—the body. The corpse. You hold it. Because it’s an it now, not a him.

You go after the Joker. The pilot is shot. You don't try to kill the Joker, but you don't bring him with you as you jump. The helicopter crashes. You don't even think he's dead; unresolved as per usual.

You failed to protect him. You failed. And he’s dead.

Superman pulls you from the ocean.

You go home and Alfred meets you once you get off the plane. He tells you it's not your fault, the boy had it coming. The murdered boy--a Good Solider, buried next to his bio-mother in Gotham Cemetery--is dubbed your new biggest failure.

Dick's in space and would miss the funeral, so you decide instead to not tell him there was a funeral at all. At least someone will still think Jason’s alive. At least someone will keep Jason alive through their belief. It’s not like Dick’ll find out. They weren’t that close anyway (Dick & Jason or you & him?)

When Dick does eventually find out, because of course he obviously does, he's furious. It's the first time you punch your first Robin. (You don't know it yet, but it won't be the last time, not for Dick and not for some other so-called family members.)

Robin is dead. Far deader than Dick Grayson ever was. He did it to himself. He thought it was a game. Dick doesn’t get it. He was better. He was alive.

(You can’t admit he’s become your son out loud. Hardly even in your head. It’s fine. Dick is the same about your fatherhood. Like father, like son)

You blame it on Jason's death. It changed you. He changed you. It's his fault. Everyone follows suit.

You leave the Joker in a body cast for six months. He gets out again. Luckily you have a new Robin--Tim Drake. He's not Jason. You can see it in his eyes that he knows that's a good thing. Gotham doesn’t even know the second one is dead. They believe Tim’s second one. Gordan even asked if he’s finally hit his growth spurt. 4’6 the death certificate said. That’s okay. No one needs to knows.

(Park Row Crime Alley knows. They know who’s theirs and who isn’t. Batman and Robin aren’t welcomed down there anymore)

(The first anniversary you visit your parents yours and his first meeting spot after Jason’s death feels like Ethiopia all over again)

A blonde girl is Robin now--Stephanie Brown. You tell her she's like Jason. She can tell you mean it as a bad thing but never processes it through her mind. You're trying to lure Tim back. A city-wide gang war wrecks Gotham. She's dead. Tortured by Black Mask and died on the operation table.

There's talk around the underworld, unified under Black Mask, a new gang leader's been making waves for months. You just heard about him tonight (a duffle bag full of heads told you): The Red Hood. You know that name. It’s a punch to the gut. Your first failure.

(“You’re getting slow, old man!)

He did what you've been trying to do for years in a matter of weeks: He overtook the entire Gotham underworld. He’s running circles around everyone. He pits you against the underground, keeps you busy, and he gets what he needs to be done Scot-Free. You hardly ever see him around. Only when he wants you to see him, do you. You don’t like things you aren’t in control of.

He doesn't want anyone dealing to kids. He likes bombs, but they're contained. Implosions, not explosions. He kills and is on par with Batman himself (he cut himself free of your line). Red Hood hangs around Crime Alley ("Park Row!" Jason would always respond), but no one there will rat him out to The Batman. They won't talk to you. Some of them even seem to...like having the Red Hood around.

He’s managed to bring down the crime rate of the entire city. Somehow.

It's raining. You can't tell. Jason's alive.

Jason's. Alive.

Jason'salivejason'salivejason'salivejason'salivejason'saliveason'salivejason'sal--

Jason's alive.

And he's killing people. And he's spitting in the face of your "sanctimonious" moral code. He laughed at you when he murdered someone in front of you. ("Just be happy I only killed the Nazi!") You tell him he doesn't get it. He responds the same.

(“You can't stop crime," he says along the lines of "Not with fear. But me...I'm controlling it.")

Jason's never had enough fear.

And now he's crying with a gun to his murderer's head. He says he’s not talking about the other rogues, just him. Just the Joker. He throws you a gun. You won't do it--can't do it. You need to save the Joker. To prove that you can. You need to save Jason. To show him this isn't the way. You can't have any more failures.

(“He took me from you!”)

Jason's going to do it himself, he says. "If you want to stop me, you're going to have to shoot me. Right in the face."

You can't let anyone die. You can't let the Joker die. It's your mission. There's so much blood. The batarang had to have had to knick the carotid artery in his neck. No one could survive it. The Joker is cackling with glee. You hear it in the walls of your skull. The bomb goes off. You don’t hear that at all.

Oh God. You killed your so—

You’re still gone, you think

You see Jason on patrol sometimes. High collar and still branding himself as Red Hood. There’s a red bat on his chest now. You don’t think it’s a compliment. The East End loves him. Jason still can't let the Joker go. Can’t—won’t move on.

Not till he's dead he says.

Take a moment to imagine yourself as a fledgling vigilante--Batman.

— — —

Anyway my meta turned into a 2nd POV fic????? but like that's not the point. The point is: That’s the impact of why Jason chose the name he did. It’s important to me that you all recognize these full-circle story beats. Do you see my vision?

Jason planned everything when he made his big debut. You don't think that dramatic-ass bastard thought about the name? Jason is mocking Bruce: both his fears and failures as a vigilante.

But that throwaway line is one of those really minor details that really bug me because it's so easy to throw out a panel and say “Jason's bad at naming things Haha" It's much harder to commit to "show, not tell" where writers have to trust their readers to get between the lines and figure out long-term connections.

As well as it's just another way Lobdell undermines Jason's goals in UtRH by saying "He couldn't think of anything else" compared to Winick's Jason who is laughing and mocking Bruce by taking up the mantle of Red Hood. Showing he's not afraid of what happened to him. Spitting in the face of the world that burned him and yelling “I’m still here!” Owning it. He's not afraid of Bruce. And he's definitely not afraid of the Joker.

I want Jason to get a new identity one day too but to do so before Jason ever gets his joker closure cuts his story short. (Which is a creative way of saying it’s never gonna happen unfortunately). I think if he gets one before he finishes the story and closes the cycle, it would be the final nail in the “Jason’s a batfamily member” coffin as it would probably be written as “Jason seeing the error of his ways” rather than for himself moving on to heal for himself.

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ktkat99

Dick, Jason, Tim, and Steph are taking a lesson from Batman on how to patch bullet wounds

Jason- Can't we just use tampons to plug the hole? I feel like they'd take up less space in our utility belts

Steph- What???

Tim- Yeah, I heard somewhere that that's what they were originally invented for

Steph, blinking slowly- Are you being serious right now? Or are you joking?

Jason- What? Why wouldn't that work?

Steph, pulling out a water bottle and pointing to the top- Bullet wound

Steph, pulling out a tampon- Tampon

Steph, inserting the tampon into the water bottle, the boys watch in horror as it expands- Jason, here. Pull it out and pretend it's your leg. Then tell me this is a good idea

Batman, still holding the laser pointer at the PowerPoint he'd spent all night making- I wanted kids. I wanted to be a father. I signed up for this. Why didn't Alfred stop me?

Cass: have none of you heard of toxic shock syndrome????

PSA

If you happen to stumble upon an ad that looks like this, DO NOT SCROLL DOWN.

The rest of the ad is a very tall GIF of strobing red light that can potentially cause seizures. You cannot scroll past this ad quickly enough to avoid seeing it.

There seems to be no way to report the ad, so the next best thing is to use an adblocker (if you haven’t already) or even stay off the mobile app.

Please reblog to help spread awareness.

“why did you transition of you’re gonna wear skirts and lipgloss” i transitioned to be a man in skirts and lipgloss, i slather myself with man chemicals so i can truly embraces crossdressing. hope that helps xoxo

If you've ever wondered why people in Hawai'i hate tourists, try to wrap your mind around the fact that there are CURRENTLY, RIGHT NOW, tourists sipping martinis and looking at fish within swimming range of the fresh corpses of local people who couldn't escape the overnight destruction of their entire town.

Try to comprehend that there are fully functional, high capacity boats passing through the waters in front of an area full of survivors who are stranded and in need of supplies, refusing to help. They are hosting snorkeling tours.

Really think about, try your best to actually picture over two thousand people unhoused and in need of shelter, with nothing but the clothes on their backs and nothing to return to. Understand that the island, stolen land, is littered with hotels full of air conditioned of rooms with beds and showers and toilets, each fully equipped to host hundreds of families for weeks, turning these people away because they're booked up with tourists who refuse to leave.

And understand that these tourists were offered free transport to return home or be hosted on other islands. Free. Courtesy of local tax dollars. 4,000 wealthy tourists were offered free flights shelter on Oahu and begged to leave the island, BEFORE the survivors were given shelter.

And enough still insisted on remaining and carrying out their vacations that people are left without shelter and resources while they enjoy "their stay in paradise".

In case this gains any traction, I NEED people to understand that this is not an invitation for mainlanders to get on a soapbox and start telling each other whether or not or how to visit Hawai'i. The tourism situation is complex and difficult and you don't get it if you haven't lived through it at minimum wage. You don't fully understand the complexities and you will not. And you are liable to do more harm by trying to dictate rules and ethics of visiting the islands to each other.

If you want to help, listen to local people. Seek out and boost what they're saying. Send each other local sources of information. Research from local sources. DO NOT take this crisis as an opportunity to insert your views and speak for us.