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Suzannah C. Grose

@authorsuzannahgrose

My name is Suzannah C. Grose 🤍
⭐️I am a Dark romance/thriller/mystery/historical romance author/writer 🤍
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short & impactful

  • "Stay."
  • "Just go."
  • "I hate you."
  • "Because I love you."
  • "Don't leave me."
  • "Leave me alone."
  • "I need space."
  • "Don't go."
  • "Talk to me."
  • "I want only you."
  • "You need to move on."
  • "Please, speak to me."
  • "This will end now."
  • "I want to forget you."
  • "Hate me."
  • "Why?"
  • "Lie to me."
  • "I can't do this."
  • "Tell me."
  • "I'm just afraid."
  • "Please, leave."
  • "You can't leave me."
  • "I need you."
  • "Don't do this."
  • "Just stop."
  • "It's over."
  • "Tell me the truth."
  • "I can't lose you."
  • "We're done."
  • "Please."
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the good thing about being told that writing about a certain cliché or concept should be avoided “because it’s overdone” is that you can simply. ignore that and write about it anyway if you so desire. like it is that easy

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heywriters

"oh, i liked this but this part is really cliche" yeah, it is :) glad you noticed, you must be a connoisseur of this kind of story :) :) :)

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nakajimeow

WORDS/PHRASES TO USE INSTEAD OF

very:

  • extremely
  • strikingly
  • incredibly
  • overly
  • awfully
  • damn
  • dreadfully
  • totally
  • genuinely
  • unusually
  • highly
  • quite

talk/whisper:

  • speak
  • tell
  • chatter
  • discuss
  • gossip
  • converse
  • prattle
  • blab
  • mention
  • utter
  • chitchat
  • verbalize
  • mouthed
  • voice out
  • murmur
  • mutter
  • mumble

suddenly:

  • unexpectedly
  • out of the blue
  • all at once
  • without warning/notice
  • instantly
  • surprisingly
  • in a flash
  • out of nowhere
  • in an instant
  • like a shot
  • abruptly
  • on spur of moment
  • by surprise
  • before you know it
  • with one's guard down

look/saw:

  • watch
  • view
  • glance
  • glare
  • gawk
  • set eys on
  • stare
  • peek
  • gaze
  • glimpse
  • sight
  • scan
  • peep
  • eyed out
  • perceive
  • noticed
  • witness

these are just some words that are often redundant in texts but of course, these synonyms would still depend on the context of what you are writing. i will add more if i can !! you guys can also add more if you want to.

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novlr

How to Write Betrayal

Betrayal is a powerful plot element that is represented in countless stories. The gravity of betrayal brings a profound depth to character dynamics, plots, and themes alike, making it an indispensable tool for writers to explore emotions, conflicts, and the complexities of human nature. Let’s explore some quick tips on how to write betrayal!

Behaviour

  • Secretive actions
  • Dishonesty
  • Becoming emotionally distant
  • A sudden change in routine
  • Pushing people away
  • Nervous or fidgety movement
  • Frequent lying or making up stories
  • Unexpected aggression or irritability
  • Unjustified mood swings or emotional outbursts
  • Increasingly defensive

Interactions

  • Disturbed interpersonal relationships
  • Frequent misunderstandings or fights
  • Withholding information
  • Avoiding personal discussions
  • Insincerity in conversations
  • Frequently cancelling or missing plans
  • A sudden shift in relationship dynamics
  • Quick to deflect or place blame
  • Frequent subject changes
  • Gradual emotional detachment

Body Language

  • Avoiding direct eye contact
  • Defensive stance and crossed arms
  • Covering mouth or touching face
  • Shuffling or restless movements
  • Forcing smiles or laughter
  • Constantly looking around or at the ground
  • Stiff, tense posture
  • Heavy breathing or frequent sighing
  • Avoiding touch or skin contact
  • Exaggerated gestures

Attitude

  • A lack of concern or empathy
  • Increasingly personal and hurtful arguments
  • Erratic or unpredictable reactions
  • Self-centeredness
  • Insincerity
  • Dismissive or negative attitude
  • Callous disregard for other's feelings
  • A negative or pessimistic outlook
  • Inability to handle criticism
  • Withdrawal from relationships

Positive Story Outcomes

In the wake of a betrayal, a story can manifest various positive outcomes that add depth to the plot and its characters. Relationships can be strengthened, showing their resilience. Characters may discover newfound self-reliance and learn valuable lessons about trust and forgiveness, leading to an increase in empathy and understanding, personal growth, and the reinforcement of personal values. These experiences can encourage a clearer understanding of personal boundaries, prompt self-reflection, introspection, and the development of healthier coping mechanisms. Ultimately, these positive outcomes can bring about improved communication and honesty, forming the silver lining in the cloud of betrayal.

Negative Story Outcomes

The aftershocks of betrayal can reverberate throughout your story. This might include an irreparable fracture of trust and damage to relationships. Betrayal can trigger psychological trauma, leading to an increase in suspicion and insecurity. Feelings of inadequacy or self-blame may surface, and characters can experience a heightened sense of isolation. The fear of forming new relationships or trusting others can become overwhelming. There may also be an escalation of conflict or violence and the reinforcement of negative behaviours or patterns. Damaged self-esteem or self-worth may be another repercussion, and this can encourage destructive coping mechanisms.

Helpful Synonyms

  • Treachery
  • Deception
  • Double-crossing
  • Duplicity
  • Backstabbing
  • Two-faced
  • Disloyalty
  • Unfaithfulness
  • Infidelity
  • Falseness
  • Perfidy
  • Treason
  • Fraud
  • Deceit
  • Slander
  • Misrepresentation
  • Falsification
  • Chicanery
  • Double-dealing
Source: novlr.org
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lyralit

writers' resources

sick of using "very _____" ? : https://www.losethevery.com/

want to simplify your writing ? : https://hemingwayapp.com/

writing buddies / motivation ? : https://nanowrimo.org

word you're looking for but don't know ? : https://www.onelook.com/thesaurus/

need a fantasy name ? : https://www.fantasynamegenerators.com/

need a fantasy name ? : https://nameberry.com/

want a name with meaning ? : https://www.behindthename.com/

who wants a map maker! : https://inkarnate.com/

story building / dnd ? : https://www.worldanvil.com/

need some minimalistic writing time ? : https://zenpen.io/

running out of ideas ? : https://blog.reedsy.com/creative-writing-prompts/

setting a goal ? how about 3 pages / day ? : https://new.750words.com/

what food did they eat ? : https://www.foodtimeline.org/

questions on diversity within writing ? : https://writingwithcolor.tumblr.com/

now what was that colour called ? : https://ingridsundberg.com/2014/02/04/the-color-thesaurus/

want more? : https://www.tumblr.com/blog/lyralit :]

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holywyrm

A recipe for finding your story's plot:

Ingredients:

  • 2 cups of Things that must be in the story (this can be characters, specific scenes, settings, subplots etc.)
  • 1 cup of Vague plot ideas I may not use
  • 1 tbsp of Central Themes
  • 1 tsp of Ending (either happy, tragic, or bitter-sweet)
  • 1 tsp of Protagonist's Primary Motivation
  • 2 lbs of Brick Wall
  • Time, as needed

Instructions:

  1. In a large bowl, mix Things that must be in the story. Set aside.
  2. In a separate bowl, sift together Vague plot ideas I may not use. Discard the excess and set aside.
  3. Add Themes, Ending, and Motivation to a small jar. Screw lid on tight and shake until mixture becomes Conflict.
  4. Pour Conflict and Vague plot ideas into Things that must be in the story. Blend on medium until Plot Points form.
  5. Taste.
  6. If it is still missing something, smash head against 1 lbs of Brick Wall for one to six hours.
  7. Let marinate for one to 365 days. Add more Things and Vague plot ideas as desired.
  8. Smash head against the rest of the Brick Wall for one to six hours.
  9. Scream.
  10. Repeat steps 5 through 9 as needed.
  11. After sufficient marination, the mixture will form an idea. This will tell you what specific action must happen in order to resolve your story's conflict. Write this down and make appropriate sacrifices to thank whichever deity took pity on you.
  12. Now you have your conflict, climax, and resolution. You just have to figure out how to get there. Good luck with the damn middle section dork!!
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Some of my favorite words and phrases to describe a character in pain

  • coiling (up in a ball, in on themselves, against something, etc)
  • panting (there’s a slew of adjectives you can put after this, my favorites are shakily, weakly, etc)
  • keeling over (synonyms are words like collapsing, which is equally as good but overused in media)
  • trembling/shivering (additional adjectives could be violently, uncontrollably, etc)
  • sobbing (weeping is a synonym but i’ve never liked that word. also love using sob by itself, as a noun, like “he let out a quiet sob”)
  • whimpering (love hitting the wips with this word when a character is weak, especially when the pain is subsiding. also love using it for nightmares/attacks and things like that)
  • clinging (to someone or something, maybe even to themselves or their own clothes)
  • writhing/thrashing (maybe someone’s holding them down, or maybe they’re in bed alone)
  • crying (not actual tears. cry as in a shrill, sudden shout)
  • dazed (usually after the pain has subsided, or when adrenaline is still flowing)
  • wincing (probably overused but i love this word. synonym could be grimacing)
  • doubling-over (kinda close to keeling over but they don’t actually hit the ground, just kinda fold in on themselves)
  • heaving (i like to use it for describing the way someone’s breathing, ex. “heaving breaths” but can also be used for the nasty stuff like dry heaving or vomiting)
  • gasping/sucking/drawing in a breath (or any other words and phrases that mean a sharp intake of breath, that shite is gold)
  • murmuring/muttering/whispering (or other quiet forms of speaking after enduring intense pain)
  • hiccuping/spluttering/sniffling (words that generally imply crying without saying crying. the word crying is used so much it kinda loses its appeal, that’s why i like to mix other words like these in)
  • stuttering (or other general terms that show an impaired ability to speak — when someone’s in intense pain, it gets hard to talk)
  • staggering/stumbling (there is a difference between pain that makes you not want to stand, and pain that makes it impossible to stand. explore that!)
  • recoiling/shrinking away (from either the threat or someone trying to help)
  • pleading/begging (again, to the threat, someone trying to help, or just begging the pain to stop)

Feel free to add your favorites or most used in the comments/reblogs!

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Saying "I love you" without saying "I love you" — some ways your otp can silently express affection

  • Forehead kisses, and smiling through the kiss
  • Resting their forehead on the other’s after a kiss
  • Tucking strands of loose hair behind their ears, with a thumb caressing their cheek
  • Interlacing their fingers with the other’s when they least expect it
  • Sleepy back hugs when the other person is busy whipping up breakfast in the kitchen, catching them by surprise
  • Just doing their own things in the same space; being so comfortable around the other even in their pyjamas
  • Holding both their hands while holding their gaze gently, just before leaning in for a kiss
  • Switching positions with the other when walking down a busy sidewalk because your feel the need to keep the other safe
  • Being playfully clingy in the mornings when one has an off day and the other has to rush to work
  • Getting them something from the store when they only mentioned it in passing
  • When one is overseas for a work trip and everything they see reminds them of the other person (bonus: whenever it happens, they take a picture and drop the other person a text.)
  • Squeezing their hand reassuringly and holding their hand throughout an intense social situation (eg. a large school reunion which the more introverted person is dreading)
  • Kissing away their tears
  • ^ and letting the other cry on their shoulder even when their t-shirt gets soaked from their tears
  • Meeting them where they are, mentally and emotionally; never forcing them to do anything they aren’t comfortable with
  • Wholeheartedly supporting their dreams, and putting that into action by making concrete plans for it to happen
  • Dropping the other person an encouraging text before an important interview/event
  • Surprising the other with flowers just because; no occasion and no reason needed
  • Picking the other person up from work when it’s getting late, and walking them right to their doorstep after
  • Good morning and goodnight texts
  • Making the other person a Spotify playlist with songs that remind them of their relationship and growth
  • Remembering the littlest of things — activities they like and dislike, favourite brands of stationery, go-to ice cream flavour, choice of popcorn
  • Writing little notes on post-its and leaving them in random pages of their textbook, so that they will get a little endorphin boost when studying
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an enemy to lovers and one bed trope but I need their responses in the morning being strangled to eachother

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One Bed Trope: Morning After Dialogue

-> feel free to edit as you see fit

  • "Get off of me."
  • "Is it weird I'm comfortable?"
  • "Jesus Christ how did we manage to fall asleep like this?"
  • "How the hell did you wrap your leg around me?"
  • "You've been laying on my arm all night and I can't feel it."
  • "I would've moved to the floor but you were using me as a pillow."
  • "I almost fist-fought you last night when you took the blanket."
  • "I have to pee so bad please get up."
  • "I don't think I'm going to be able to look you in the eyes after this."
  • "You snore. Loudly."
  • "I do not snore, you liar."
  • "We don't have to talk about it, just get dressed."
  • "It's too early for this, we'll talk about it later."
  • "I don't understand how I slept so good last night."
  • "Let's keep it professional, alright?"
  • "Don't get confused, I was only clinging to you because you stole the blanket and I had no other way to keep warm."
  • "We're not going to bring this up ever again, right?"
  • "I slept really good last night." "That makes one of us."
  • "My arm is still asleep."
  • "Did you know you talk in your sleep?"
  • "How did the blanket end up on the floor? No wonder I was freezing."
  • "Go back to sleep."
  • "You're the only source of warmth in this stupid hotel, come back to bed before I get hypothermia."
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alex-wrtng
Dialogue tips that actually work:
  1. You are not writing a movie (ignore this if you are). The reader doesn't need to know every word the characters say for the duration of the story. Less is more.
  2. Dialogue can happen within the prose. "And they awkwardky discussed the weather for five minutes" is way better than actually writing five pages of dialogue about the weather.
  3. Balance your dialogues. Surprise yourself with a monosyllabic answe to a dialogue that's ten sentences long. Don't be afraid of letting your character use half a page for a reply or nothing at all!
  4. Don't write accents phonetically, use slang and colloquialisms if needed.
  5. Comma before "said" and no caps after "!?" unless it's an action tag. Study dialogue punctuation.
  6. Learn the difference between action tags and dialogue tags. Then, use them interchangeably (or none at all).
  7. Don't be afraid to use said. Use said if characters are just saying things, use another word if not. Simple. There's no need to use fancy synonyms unless absolutely necessary.
  8. Not everyone talks the same way so it makes sense for your characters to use certain words more often than others. Think of someone who says "like" to start every sentence or someone who talks really slow. Be creative.
  9. Use prose to slow down the pace during a conversation.
  10. Skip prose to speed up the pace during a conversation.
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bookished

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

  1. Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

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lyralit

things to think about for characters

  • do they have allergies?
  • what foods will they not touch?
  • what kinds of music do they like?
  • how are they around new people?
  • do they speak in an accent?
  • have they tried learning a new language?
  • how many languages do they know?
  • what is a song that will always make them cry?
  • how do they cry? heaving? silently? sobbing?
  • how do they dress? for practicality or fashion?
  • what is the first thing they notice about a stranger?
  • what is their humour like?
  • do they have scars? what caused them?
  • do they wear jewelry?
  • are they a frivolous spender or a miser?
  • do they prefer luxury or practicality?
  • who would they quote?
  • what could make them change their mind?
  • who is the first person they'd call?
  • how are they around animals? do they have pets?
  • what is their favourite childhood food?
  • what is something they've never told anyone?
  • childhood friends?
  • what are habits they've picked up from other people?
  • what are their guilty pleasures?
  • what is something they're staunchly against?
  • do they speak a certain way? do they use contractions? popular turns of phrase?
  • can they fall in love? what does it look like? does it differ between people -- friends vs family?
  • what would they rather die than do?
  • what is their biggest mistake? one that they look out to never do again.
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Some of My Favorite Ways to Describe a Character Who’s Sick

  • pressing their forehead into something cool or comfortable (this could be an array of things. the table, the floor, someones leather jacket, their water bottle, the countertop)
  • warm to the touch, or heat radiating from them (could be noticed if someone’s gauging their temperature with their hands, hugging them, or just generally touching them)
  • leaning into people’s touch, or just spontaneously leaning on them (like pressing into their hand when someone’s checking their temp, or just, like, literally walking up and laying their head on them from fatigue. bonus points if the character is usually feral and the other is scared to engage™︎)
  • falling asleep all over the place (at the dinner table, on their homework, in the car, in the bathroom — just being so exhausted from doing literally nothing)
  • being overly emotional (crying over things that don’t usually bother them, like their siblings arguing, or their homework, or literally just nothing)
  • stumbling/careening/staggering into things (the wall, furniture, other people. there is no coordination in feverish brains. running into chairs, hitting the door, falling over the couch, anything and everything)
  • slurring their words (could be from fatigue or pain. connecting words that shouldn’t be connected, murdering all of their conversations with the excessive use of ‘mm’ and ‘nn’ in place of words) (this is my favorite thing ever)
  • being overly touchy (basically like a sick kid — just hold them, please. do that thing where you brush their hair back out of their face, or rub circles on their back, or snuggle them. they won’t care. bonus points if this is also the feral character and they refuse to believe it afterwards)
  • being extremely resistant to touch (flinching away when they usually don’t so someone can’t feel the fever, not letting themselves be touched because they’re so tired they just know they’ll be putty in their hands if they do)
  • growing aggressive or being extremely rude (it’s a defense mechanism — they feel vulnerable and are afraid of being manipulated or deceived while they’re ill)
  • whimpering/whining/groaning (this was in my “characters in pain” post but it’s so good that i’m putting it here too. this shite is gold, especially if it’s just an involuntary reaction to their symptoms)
  • having nightmares caused by a fever and/or delirium (crying and murmuring in their sleep, or being awake but completely out of it and convinced they’re somewhere else)
  • making themselves as small as possible (curling up into a ball everywhere they lay, hunching over slightly when standing, wrapping their arms around themselves)

TW for vomiting below cut !!

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I'm just trying to become someone who the child inside me will not hate. I'm trying to be everything she needed and did not receive. She is so lonely still. It's not fair that she is so lonely still.

Nikita Gill

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Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

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novlr

The symbolism of flowers

Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.

Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!

  • Amaryllis: Pride
  • Black-eyed Susan: Justice
  • Bluebell: Humility
  • Calla Lily: Beauty
  • Pink Camellia: Longing
  • Carnations: Female love
  • Yellow Carnation: Rejection
  • Clematis: Mental beauty
  • Columbine: Foolishness
  • Cyclamen: Resignation
  • Daffodil: Unrivalled love
  • Daisy: Innocence, loyalty
  • Forget-me-not: True love
  • Gardenia: Secret love
  • Geranium: Folly, stupidity
  • Gladiolus: Integrity, strength
  • Hibiscus: Delicate beauty
  • Honeysuckle: Bonds of love
  • Blue Hyacinth: Constancy
  • Hydrangea: Frigid, heartless
  • Iris: Faith, trust, wisdom
  • White Jasmine: Amiability
  • Lavender: Distrust
  • Lilac: Joy of youth
  • White Lily: Purity
  • Orange Lily: Hatred
  • Tiger Lily: Wealth, pride
  • Lily-of-the-valley: Sweetness, humility
  • Lotus: Enlightenment, rebirth
  • Magnolia: Nobility
  • Marigold: Grief, jealousy
  • Morning Glory: Affection
  • Nasturtium: Patriotism, conquest
  • Pansy: Thoughtfulness
  • Peony: Bashfulness, shame
  • Poppy: Consolation
  • Red Rose: Love
  • Yellow Rose: Jealously, infidelity
  • Snapdragon: Deception, grace
  • Sunflower: Adoration
  • Sweet Willian: Gallantry
  • Red Tulip: Passion
  • Violet: Watchfulness, modesty
  • Yarrow: Everlasting love
  • Zinnia: Absent, affection