i need a dorky gf to kiss and fluster

like ahhh the idea of kissing them just to see them blush and stumble over their words

💞💕💞💕💞💕💞

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I love all animals so much but I can't lie there's a special place in my heart for the Golden Mole

Look at him.

He has no eyes. His face is an ear. He's iridescent. What can't he do

now i often joke about animals being just a shape. but this guy literally just a shape. absolutely featureless

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I want more villains who care about their henchmen. I wanna see the bad guy fly into a rage because the hero hurt their very favorite bungling goon and it was nearly his birthday.

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"how dare you fail me you miserable oafs!!" should be retired. "How DARE they bully my adorable oafs!!!" should be industry standard.

Underlings having to hold back their dark lord like an overprotective parent because they don't really want a famous hero to get outright murdered just on their behalf.

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I had to draw something

I don’t want to go ‘realism in fiction’ bc we all know how much of a dogwhistle that can be. But it really always bothers me that this isn’t the norm. Like, how the fuck do all these dark lords and evil empresses and what not keep any minions or lieutenants or what not around?

Literally, what is stopping them from just walking to Hero and going ‘I surrender, get me the hell away from this asshole!’ when most Heros will immediately turn them in a redemption story and all.

Like, how they hell do the villains keep anyone working for them without a solid health plan, 401K, and recreational facilities? Isn’t that the minimum. Has no one actually read Machiavelli?

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Indeed; one of my least favorite tropes is the whole "I don't need you anymore" bit, where a villain backstabs a fellow villain working beneath them, which inevitably ends up with the betrayed villain aiding the heroes in order to spite the big bad.

Luckily, I can just draw something that cuts that bullshit out!

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me, incorrect: everyone is probably sick of me drawing this character by now...

my inner voice, wise: ah, but this cannot be... because I am part of "everyone"... and until I am sick of drawing them... it will not be everyone

me, opening a new blank canvas: ur so right

Reblog if you never once have been even remotely bothered by seeing someone draw the same character over and over again

In before I start seeing people bitching about rainbow capitalism MY favorite rainbow capitalism story is about Subaru. Yes the Japanese car company.

In the nineties, they were struggling. They were competing with a dozen other companies targeting the main demographic at the time: white men ages 18-35, especially after a failed luxury car launch with a new ad agency. “What we need is to focus on niche demographics,” they decided, and then focused on people who enjoyed the outdoors. The Subaru was excellent at driving on dirt roads that many other vehicles couldn’t at the time, so it was perfect for all those off-road campers; they started making all-wheel drive standard in all their cars to help with that. And the people who wanted cars to go do outdoor stuff? Lesbians.

Okay. Of course it wasn’t only lesbians buying Subarus. They’re on the list with educators, health-care professionals, and IT people. But the point is, this Japanese car company interviewed this strange demographic (single, female head of household) and realized one important factor: They were lesbians. They liked to be able to use the cars to go do outdoorsy stuff, and they liked that they could use the cars to haul stuff rather than a big truck or van. Subaru had a choice to make then. They had four other demographics they could market to, after all–the educators, the health-care professionals, IT professionals, and straight outdoorsy couples. Their company didn’t hinge on this one “problematic” demographic.

And they decided “fuck it,” and marketed to lesbians anyway. This included offering benefits to American gay and lesbian employees for their domestic partners, so it didn’t look like a cash grab. (This was not a problem. They already offered those in Canada.)

Yes, there was some backlash. They got letters from a grassroots group accusing them of promoting homosexuality, and every letter said they’d no longer be buying from Subaru. “You didn’t buy from us before, either,” Subaru realized, and ignored them. It helped that the team really cared about the plan, and that they had many straight allies to back them up. There was also some initial backlash when Subaru hired women to play a lesbian couple in the commercial, but they quickly found that lesbians preferred more subtlety; “XENA LVR” on a license plate, or bumper stickers with the names of popular LGBTQ+ destinations, or taglines of “Get out. Stay out.” that could be used for the outdoors–or the closet.

Subaru said “We see you. We support you.” They sponsored Pride parades and partnered with Rainbow Card and hired Martina Navratilova as spokeswoman. They put their money where their mouth is and went into it whole hog. In a time where companies did not want to take our money, Subaru said, “Why not? They’re people who drive.” And that was groundbreaking.

It wasn’t blatant, it was cheeky and pretty low key, but really really effective. It played into the “if you know you know” vibe in exactly the right way.

Oh THAT’S why lesbians love Subarus

what drugs were they on when they made this

Cab Calloway rotascoped!

Whoever thought of this was drinking absinthe

Thanks, Now I have nightmares

this was long before cartoons were ever thought of as ‘for kids’, the target audience of this one was roughly 20-40 betty boop cartoons featuring cab calloway singing, yes, but slang has changed so much you dont realize he was singing about opium, sugar daddies, death, weed, sex, booze, and gambling back when gambling was nearly as tabboo as sex and drugs. ‘minnie the moocher’ where cab calloway is a dancing walrus is specifically about someone who does literally everything on that list but die

most of the animation studios had their ‘thing’ to make their animation stand out, disney had fluid motion linked with quality music, warner brothers had top notch dialogue with carefully crafted facial expressions, MGM had comedic timing down to the individual frame that no live action comedian could dream of achieving, terrytoons had the budget of a ham sandwitch and a fistfull of nickels fleischer studios however had authentic jazz and heavy toned subject matter, often crossing the line of what we think of as ‘cartoon violence’ into realistic

idk why this is making me so emotional???

I love this. I’ve always had a love for cartoons

Cab Calloway, he was a legend performer and entertainer, although he’s listed as a jazz singer he did much more with his voice, his singing style and delivery was very unique. Cab (with his band) was the first black artist to sell over a million copies of a single record and he paved the way for many artists to come. Happy Black History Month.

sorry to make this long post longer, but I feel like it needed some actual photos of Cab Calloway, who is, in fact, the greatest