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Anonymous Gambito

@anonymous-gambito

21 | Gambito/Ambi/Bee (None is my name) | (He/They) (O-Ele/Êlu-e/o) | Brazilian | Zuko is my favorite character in atla but I'm really bad at showing it

hey @staff what the fresh fuck is this

wow i sure wonder 🤔🤔 what the new layouts supposed to look like 🤔🤔🤔🤔 its a mystery

Don’t forget y’all that there’s a much better way for us to let Tumblr know what we think about specific changes, rather than @ ing staff or wip, and it’s sending in a support ticket and choosing feedback!

Tumblr reverted some of the asinine app decisions they made after a concerted feedback effort! So make sure to use this form! It’s what it’s for, but it’s not well advertised!

"Your taste is fiction is a reflection of your irl morals"

Bitch I literally get attached to every fictional evil royalty I see what tf r u talking about

Thinking about how Ballister tried to convince Nimona to conform when he’s been singled out and targeted his whole life — how the whole kingdom was against someone outside the original knight bloodline joining them, how he had to work harder and still faced backlash, how even on the day he was supposed to be officially made one of the knights he still visually stood out because his armor was black while everyone (save Ambrosius, Glorith’s descendant) wore white

He was ignorant and sheltered, and he was also a queer elder seeing a queer kid embrace things that scare him because he was hurt just for existing — imagine how much worse it would’ve been if he intentionally rocked the boat like that

Thinking about how, despite everything he tried, he was still labeled the villain and she was still called a monster, and eventually he was willing to throw away everything he knew and loved to protect her. Thinking about the joy he experienced once he started cutting loose and questioning all the limits he put on himself and others put on him. Thinking about how he was tokenized and targeted growing up, thrust in the spotlight from a young age and how even then very few people were willing to try and actually see him for who he is. Thinking about how he saw Nimona

Thinking about evolution and growth within the queer community, about in-fighting from actual good (if fear and ignorance based) intentions can be even more damaging than malicious intent, about how for some queer people being seen as “just like cishets” is a matter of life or death while for others embracing being “different” is the thing that keeps them going, and how empathy and understanding of others can unintentionally heal yourself. Something something something, we come together and then we win

FULLY ANIMATED PREVIEW! Young Iroh vs Kid Ozai Episode: Legacy of Fire

I promised you guys the full previewed didn’t I? Made for @book4air - a project bringing Book 4 of ATLA to life!

So here it is! Peep the video below:

Help us finish this episode and many others by supporting us on Patreon!

If you can’t afford to pledge, that’s okay! Support us by spreading our episodes so we can overcome the YouTube algorithm!

Credits

Animated by: Sam Lee Wins aka @samleewins

Voice Cast Ozai (Adult): Jakob Dillon Ozai (Kid): Kat Peterson Iroh (Young): Daven Tyler Fultz Maki: Sam Lee Wins Stuffy Noble: Jazzy Oliver Servant: Maia Harlap

Feedback and signal boosts much appreciated! We are struggling to not shut down right now due to costs, but we don’t want to give up!

Zuko fummed after the turtleduck bite his leg (because he throw the bread on her baby) “Stupid turtle duck. Why she’d do that?” he didn’t understand why despite hurting her baby. Ursa then made a good influence to make him understand why the turtleduck did that. This influence and experience is what make Zuko understand Iroh’s pain later when he lost his son.

This empathy didn’t come out from no where, he learned it, and that’s how Zuko was throughout the series. This set up for his character was really good.

You see this with Song’s burns and his own as well.

With Katara losing her mother and him losing Ursa.

But when he don’t have a common ground like with Toph, Aang and Mai’s behavior in The Beach (before Azula point out), or taking Azula at face value too (“You’re like my sister. Everything always came easy to her.” “I guess you wouldn’t understand, would you, Azula? Because you’re just so perfect.” “Azula always lies.”) He find it hard to understand, doesn’t notice at all, take at face value or make it all about himself and his own pain.

Most kids have this self-centered behavior which they grow out of it if they developed properly, but Zuko didn’t since he lost his mother at young age and his relationship with his sibling was very competitive; given the Fire Nation warrior culture to prove the individual worth for the heirs and pentional heirs. Well, and we can say this was part of his own characteristics after all.

But with constant experiences he can form deep insights, which make him rounded.

Growth is the core of his positive character arc.

Anonymous asked:

Comic Ambrosius has 0 redeeming qualities and it *was* a toxic relationship. The movie fixes that. Every single one of them is correct and most people who like the movie hate the comic because we're sick of abuse being called representation. Hope that helps.

Media made for toddlers is always there if you want something that has to 100% represent real life morals and is too scared that its audience will drink laundry detergent just because they saw someone do it in a cartoon, but not everybody has to be like that. I'm sick of creators being called evil abusers just because they wanted to explore barely there dark themes in their work. Cishet people get to be anything in media, but fuck forbid a queer character be morally gray or complex in any way, fuck forbid any queer story be anything but pure fluff pastel colored hand holding where everyone makes the right decisions always and whose trauma just makes them soft and sad and fuck forbid them be that too because even stories like that are still accused of being "fetishizing". Fiction is meant to tell stories, explore themes, including those about the complexities of a human's mind and experiences, not to be a reflection of perfect morality and perfect people meant as propaganda to get the masses to "behave".

I'm not saying this because I think it's wrong to like shows made for toddlers, or that people can't be uncomfortable with anything, but I loath the push for everything to follow this same formula, to conform to the same arbitrary standard. Horror has to be "cozy" because we can't have the uncomfortable-unsettling-things genre actually have uncomfortable unsettling things. Drama has to be easily digestible and trauma has to be pretty. The person with the most fucked up childhood has to make all the right choices, instinctively have all the right opinions and not be messed up in any way or else they don't deserve anything good in life ever even if they try to change and do better (unless they're completely woobified by the fandom, and hell if I know why it happens to certain characters while others just get completely demonized instead). So yes, if even ND Stevenson's work or cartoons like Steven Universe are considered "too much" and not "pure" enough, then fuck, what isn't.

literary analysis being posited as this boring grueling penance that only miserable people insist on is very dumb as an idea but its even more dumb to me, the guy who gets so excited about it that he has to clap and pound his fists against the ground and walk in circles at a dizzying speed unbeknownst to man