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Naturally A Super Fan

@anaturalsuperfan

~Evs~
I sometimes post my art ☆
I reblog from several fandoms and other things I find interesting or hilarious~! ♡

I think Ryan Gosling and Daniel Craig are both evidence that if you do enough serious films the second you’re free to just be the silly guy you are on the inside you can’t help but commit 120% to the bit

I love seeing list memes where someone makes a "le cool people vs le cringe" and they obviously skew it so they barely scrape by into the cool kids club

You just KNOW this dudes 5'11"

I'm 5'11, but in most casual conversations I'll say I'm 5'9. I do this purely for the chaos that it creates. Because everyone assumes that men only exaggerate their height up, it makes me look like the only person honestly describing their height and thus knocks at least 2 inches off everyone else's description. The panic that the 6'1 guys feel at the thought of being described as 5'11 is hard to understate. I have had people run back to their cars to grab tape measures. If I could get away with describing myself as 4'6 I would.

you are the diametrical opposite of the aforementioned guy. you are a demigod walking among mortals

When Zuko apologized to uncle Iroh in the tent cause he was so ashamed of his actions and what he’d done to the only person who unconditionally believed in his ability to do good >>>>>

So okay, I’ve given this rant before but this is another good time for it.

Structurally speaking, ATLA did something important with Zuko that, in a purely mechanistic sense of narrative development, I think a lot of people don’t notice immediately, and that even fewer people who want to emulate what was done with him get.

Which is Zuko is made a protagonist VERY early, and the show goes out of its way to continually place Zuko into situations where the audience empathizes and roots for him.

This happens in literally the second episode of the series, if we count the two-part premiere as a single episode, which I think we should. The A-plot of that episode, “The Southern Air Temple,” is Aang reckoning with the genocide of his people… but the B-plot?

The B-plot is the introduction of Zhao, and more specifically, his introduction in a way that is calculate to shift the audience, whose introduction to Zuko did NOT engender a ton of sympathy to him, directly and forcefully onto his side. They want Zuko to kick Zhao’s ass.

This continues all through book one and book two. Remember, Zuko is never, ever the main villain of this series. That’s initially Zhao, followed by Azula and Ozai. (Plus various temporary players like Long Feng.) Whenever Zuko isn’t placed into direct conflict with the other protagonists, he’s always written and presented in a way that is careful, VERY VERY careful, not to make him too monstrous, and to make us root for him. He’s placed right next to Iroh, who is designed for people to like, and that reflects back onto Zuko; we want Zuko to be better than he is because we want Iroh to have good things.

Put aside for the moment whether any specific character, including Zuko, deserves their redemption. If you’ve decided you’re going to do that, you have to erect the proper narrative scaffolding around them, and it extends to far more things than “did this person not do things that were too horrible” and “is this person genuinely sorry and is working really hard to atone.” There’s a difference between protagonist and white hat, but if you want someone to eventually wear that white hat, you REALLY need to establish them as a plausible protagonist early on.