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scout at heart

@alwaysactually

im figuring it out as i go
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i bruised my soft and delicate little hands chopping vegetables yesterday 😔

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mariepv
He didn’t have a soul.
He didn’t have a soul.
He didn’t have a soul.
He didn’t have a soul.
He didn’t have a soul.
He didn’t have a soul.

He didn’t have a soul then he went and got it back, for her, because his humanity was stronger than the monster inside.

🥹🥹🥹

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Anonymous asked:

Nothing about your story makes any sense. IDK if youre trying to get money or fame from it or whatever. But its not okay to joke about a kid dying at disneyland and its pretty clear youre lying.

Sorry to all the trolls and haters trying to ruin my son’s funeral but it’s actually all 100% true. Again, here is all the proof you need that Tanner got blown to fucking bits on Splash Mountain

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safe now, unsafe later vs unsafe now, safe later

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boykeats

"“Bluebeard” and “Beauty and the Beast” came to nineteenth-century British readers in chapbooks, gift books, and collections along with other seventeenth- and eighteenth- century French fairy tales; allusions to them appear relatively frequently in Victorian texts. In Jane Eyre these two tales drive both the plot structure and the characterization of Edward Fairfax Rochester as some combination of a Beast figure and a Bluebeard figure. Whereas the Beast is a character who initially appears beastly but is ultimately desirable to the heroine, Bluebeard is a character who is less obviously menacing at the outset but ultimately beastly on the inside. Fairy-tale terms, in other words, can articulate Jane Eyre’s dilemma. “Is he a Beast figure or a Bluebeard figure?” is a concrete, vivid way of asking, “Should I trust him? Should I stay with him?” Jane Eyre enacts a contest between “Bluebeard” and “Beauty and the Beast” paradigms in that Jane legitimately struggles to answer these questions about Rochester. And readers and critics are likely to answer them in conflicting ways—as, indeed, they do. The conflicting influences of these two fairy tales can account for some scholarly disagreement about the novel."

/end ID]

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Nope (2022) is such a brilliant movie in so many ways. It’s about the inherent evil of spectacle. It’s about Hollywood’s abuse of animals. It’s about stealing and erasing black history. It’s about how personification is ultimately a bad thing. It’s about trauma. It’s about the never ending cycle of abuse that comes from exploitation. It’s about predator and prey. It’s about looking up to the heavens in awe. It’s about averting your gaze lest you be punished. It’s about respecting animals. It’s about the way poc are treated in media. It’s about how far some people will go for money. It’s an alien movie but it’s a monster movie but it’s a western but it’s a si-fi and it’s the best movie I’ve ever seen.