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@alsbullshit

The Name’s (Al)lister
Mineblr/Follows from: aetherportal
Art Blog: alattemptsart
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MAPS/DDLG/Aphobes/Biphobes and Panphobes/Enbyphobes/Nazi’s/Transmeds/Truscum/TERFS/Ableists

An open letter to @staff

I already submitted this to Support under "Feedback," but I'm sharing it here too as I don't expect it to get a response, and I feel like putting in out in public may be more effective than sending it off into the void.

The recent post on the Staff blog about changing tumblr to an algorithmic feed features a large amount of misinformation that I feel staff needs to address, openly and honestly, with information on where this data was sourced at the very least.

Claim 1: Algorithms help small creators.

This is false, as algorithms are designed to push content that gets engagement in order to get it more engagement, thereby assuring that the popular remain popular and the small remain small except in instances of extreme luck.

This can already be seen on the tumblr radar, which is a combination of staff picks (usually the same half-dozen fandoms or niche special interests like Lego photography) which already have a ton of engagement, or posts that are getting enough engagement to hit the radar organically. Tumblr has an algorithm that runs like every other socmed algorithm on the planet, and it will decimate the reach of small creators just like every other platform before it.

Claim 2: Only a small portion of users utilize the chronological feed.

You can find a poll by user @darkwood-sleddog here that at the time of writing this, sits at over 40 THOUSAND responses showing that over 96 percent of them use the chronological feed. Claiming otherwise isn't just a misstatement, it's a lie. You are lying to your core userbase and expecting them to accept it as fact. It's not just unethical, it's insulting to people who have been supporting your platform for over a decade.

Claim 3: Tumblr is not easy to use.

This is also 100% false and you ABSOLUTELY know it. Tumblr is EXTREMELY easy to use, the issue is that the documentation, the explanations of features, and often even the stability of the service is subpar. All of this would be very easy for staff to fix, if they would invest in the creation of walkthroughs and clear explanations of how various site features work, as well as finally fixing the search function. Your inability to explain how your service works should not result in completely ignoring the needs and wants of your core long-term userbase. The fact that you're more willing to invest in the very systems that have made every other form of social media so horrifically toxic than in trying to make it easier for people to use the service AS IT WORKS NOW and fixing the parts that don't work as well speaks volumes toward what tumblr staff actually cares about.

You will not get a paycheck if your platform becomes defunct, and the thing that makes it special right now is that it is the ONLY large-scale socmed platform on THE ENTIRE INTERNET with a true chronological feed and no aggressive algorithmic content serving. The recent post from staff indicates that you are going to kill that, and are insisting that it's what we want. It is not. I'd hazard to guess that most of the dev team knows it isn't what we want, but I assume the money people don't care. The user base isn't relevant, just how much money they can bring in.

The CEO stated he wanted this to remain as sort of the last bastion of the Old Internet, and yet here we are, watching you declare you intend to burn it to the ground.

You can do so much better than this.

Response to the Update

Under the cut for readability, because everything said above still applies.

At first Netflix said, come write for us. We’ll save your cancelled shows and write about whatever niche story you want. Our algorithm says people will watch it!

Then a few years later they said, regardless of our promises or contract obligations we are cancelling shows after two seasons without telling anyone. Turns out no matter how loved a show is, we get less subscriptions after the second season.

How many subscriptions did we bring you? Netflix won’t say.

So writers started writing two season shows. Just give us two seasons, Netflix. Like you promised.

Then Netflix said, oops sorry! Turns out your show didn’t premiere at #1 and the views in the first day weren’t what we wanted so we’re cancelling your second season.

What were the numbers? How many people watched our show? Netflix doesn’t say.

Then, they did something extra special. They started taking shows and splitting their first season into two halves. Inside Job was not two seasons. It was one season split in half.

Oops! Sorry! The second half of your first season didn’t do as well as the first half, so now your show is cancelled!

Why? How many people? How much money? These companies are making cash hand over fist and they refuse to tell people the truth: people loved your show. Loved it. But some corpo exec wanted an infinite money making machine. Do you know how long shows are in production for before you watch them? Years. Like, 5+, even 10+ years. And Netflix gives it less than a week before they decide whether you’re getting cancelled.

Support #WGA Support #SAGAFTRA

Tony Hawk’s Twitter is a gold mine honestly

We Stan this San Diego Man

this

C o m e d yy

Some recent gems:

And of course there’s

i’m wheezgJmf stoP

Honestly every time this thread just makes me laugh. And new additions…excellent.

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To illustrate this post by @mayahawkse I would like to visualize to you the difference:

A post in 2023:
A post in 2014:

A zoom out of the same post:

This is what a community looks like.

See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.

It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.

Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.

If you want more of something, reblog it.

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Something I see mentioned often is "I don't have many followers, my reblog won't matter" which is untrue.

First of all, reblogging, commenting and interacting is how you start gathering your own micro community, second of all— you literally do not know how far a single reblog from you could go in the long run.

For instance, let's say you only have one person reblog from you, and that person only have one person who reblogged from them also, and so on, and somewhere ten reblogs down the line a very large blog reblogs it and boom, the post is getting more and more exposure!

You see, it does not matter if you don't have a large following so long as you cultivate a micro community with the people you do enjoy interacting daily with.

As you can see in the second picture I added, most of the reblogs were between very small groups of people, and occasionally it'll lapse into a large blog that would create a bigger reblog pool. BUT STILL. Saying that you don't have many followers and so it doesn't matter if you don't reblog is UNTRUE.

Even if someone just randomly wanders into your blog one day, it's beneficial for both sides because A. Seeing you reblog content they like might be enough for them to follow you B. They would be exposed to new content creators they didn't know previously and might also follow / reblog from them!

So yes, do not underestimate what your reblogs and words mean, just because you're not 'big' or whatever. It is not how tumblr works!!

P.S IT IS NOT CRINGE TO REBLOG 10 YEARS OLD CONTENT ON TUMBLR. YOU SEE IT. YOU LIKE IT? REBLOG IT. DOESN'T MATTER IF YOU DIG IT FROM THE DEPTHS OF HELL ITSELF. XOXO :'D <3

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if follower count goes public I'm going to be so depressed.. it's the only thing we've got left... that and anons... I love anons

hot take but none of you are allowed to use deer/antler imagery when working with cannibalistic themes anymore. you need to be honest with yallselves on WHY you're associating deer/antler imagery with cannibalism. just because you aren't naming the name doesn't mean that the original anti-indigenous racism isn't still inherent to what you're doing.

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For those who need more explanation, a well known (but often misunderstood) figure in Algonquin and Aanishinabe culture is the wend*go.

No, I'm not fully typing out the name cause we don't say that name and don't want to attract its attention. Yes, all of this is taken very seriously by us Natives.

The problem is that this very serious figure isn't taken seriously at all by non-Natives and, instead of respecting our culture and the fact we don't even say its name, its perceived as this cool monster to add to movies, video games and cool edgy OCs.

And, as with all thing Native being used and abused, misunderstood, and transformed by non-Natives, we are tired of that. It's not okay, it's not respectful.

You want a people eating monster in a story? Use anything else.

As someone who's absolutely guilty of this shite on this account...yeah you have the right to spitroast me for that. Fair is fair.

I do hope we can use creepy deer aesthetics on and about other mythological/fiction monster villains tho. As someone who had a deer almost kill their dog, I just find deer creepy and unsettling regardless.

first off: You are the single person who has responded to this post admitting some variant of having done this that actually listened to what was being said, acknowledged that you did such things while you didn't know any better, expressed an intent to never do it again, and asked for clarification on whether or not "creepy deer aesthetic" is completely off-limits with that in mind. So with that said, I want you to know that you're one of the very few folks in this post I respect sincerely.

To that end: While obviously I can't speak for Native America as a monolith, it would be my opinion that no, creepy deer aesthetics as a concept are fine. Deer can be fucked up and weird. There is a fundamental lure to the idea of a large prey animal behaving as a predator or in ways anathema to our understanding of prey. That juxtaposition and irony has a lot of narrative potential and for good reason--it fucks severely! I don't want to see it go away! It fucks hard, for Christ's sake!

But it is my opinion that the use of deer aesthetics within the specific context of cannibal themes isn't able to be used anymore. The well has been poisoned too deeply. I never said once the specific being I was referring to in nearly any of my responses, but everyone knew exactly what I meant. Even trying to purposefully distance the racism from the imagery would be useless, since the racism is baked in to the assumptions by now. Reclamation may be able to happen in the future, but first we need to accept that setting it down completely is the right play for a while. You can distance racism from creepy deer stuff by purposefully and actively distancing it from Native America and cannibalism--if it becomes a recurring imagery on its own throughout multiple types of horror, rather than being innately tied by implication to the winter hunger, that's when we could maybe begin talking about whether or not to start re-examining our relationship with it.

jesus fucking christ

"i wish i could do something 😔 / i wish the wga had a kickstarter or a gofundme, i would throw money at it" good news! it's amazing how you can literally go onto the wga strike website or the wgawest linktree from their twitter and find links to support writers and other workers affected by the strike

Source: deadline.com

Film Noir’s you can watch free online.

The Letter (1940) / They Drive By Night  (1940) / Among the Living (1941) / High Sierra (1941) / I Wake Up Screaming (1941) / Johnny Eager (1941) / The Maltese Falcon (1941) / The Glass Key (1942) / This Gun For Hire (1942) / The Seventh Victim (1943) / Shadow of a Doubt (1943) / Double Indemnity (1944) / Laura (1944) / Ministry of Fear (1944) / Murder, My Sweet (1944) / Phantom Lady (1944) / The Suspect (1944) / The Woman in the Window (1944) / Conflict (1945) / Cornered (1945) / Fallen Angel (1945) / Mildred Pierce (1945) / Scarlet Street (1945) / Spellbound (1945) / The Strange Affair of Uncle Harry (1945) / Leave Her To Heaven (1945) / The Big Sleep (1946) / The Blue Dahlia (1946) / The Chase (1946) / The Dark Corner (1946) / The Dark Mirror (1946) / Gilda (1946) / The Killers (1946) / The Locket (1946) / Notorious (1946) / The Postman Always Rings Twice (1946) / Shock (1946) / Somewhere in the Night (1946) / The Spiral Staircase (1946) / The Strange Love of Martha Ivers (1946) / The Strange Woman (1946) / The Stranger (1946) / Suspense (1946) / Three Strangers (1946) / Undercurrent (1946) / Born To Kill (1947) / Brute Force (1947) / Cry Wolf (1947) / Dark Passage (1947) / Dead Reckoning (1947) / Deep Valley (1947) / A Double Life (1947) /  Framed (1947) / Johnny O’Clock (1947) / Kiss of Death (1947) / The Lady From Shanghai (1947) / Lady in the Lake (1947) / Nightmare Alley (1947) / Out of the Past (1947) / Possessed (1947) / Riff-Raff (1947) / They Won’t Believe Me (1947) / The Two Mrs. Carrolls (1947) / The Web (1947) / Desert Fury (1947) / The Big Clock (1948) / Rope (1948) / Blonde Ice (1948) / Bodyguard (1948) / Call Northside 777 (1948) / The Dark Past (1948) / Force of Evil (1948) / He Walked by Night (1948) / Hollow Triumph (1948) / I Love Trouble (1948) /  I Walk Alone (1948) / Key Largo (1948) / Kiss the Blood Off My Hands (1948) / Larceny (1948) / Moonrise (1948) / The Naked City (1948) / Parole, Inc. (1948) / Pitfall (1948) / Road House (1948) / Saigon (1948) / Sleep, My Love (1948) / Sorry, Wrong Number (1948) / The Street with No Name (1948) / They Live by Night (1948) / The Third Man (1949) / The Accused (1949) / Beyond The Forest (1949) / The Big Steal (1949) / Cover Up (1949) / Criss Cross (1949) / A Dangerous Profession (1949) / Flamingo Road (1949) / House of Strangers (1949) / Impact (1949) / Jigsaw (1949) / Johnny Stool Pigeon (1949) / Knock on Any Door (1949) / Manhandled (1949) / Take One False Step (1949) / Too Late For Tears (1949) / Trapped (1949) / Whirlpool (1949) / White Heat (1949) / The Window (1949) / A Woman’s Secret (1949) / The Asphalt Jungle (1950) / Backfire (1950) / Black Hand (1950) / Born to Be Bad (1950) / Caged (1950) / The Capture (1950) / The Damned Don’t Cry (1950) / Dark City (1950) / Destination Murder (1950) / D.O.A. (1950) / Edge of Doom (1950) / The File on Thelma Jordon (1950) / Gun Crazy (1950) / In a Lonely Place (1950) / Kiss Tomorrow Goodbye (1950) / A Lady Without Passport (1950) / Night and the City (1950) / No Man of Her Own (1950) / No Way Out (1950) / One Way Street (1950) / Quicksand (1950) / Sunset Boulevard (1950) / Walk Softly, Stranger (1950) / Where Danger Lives (1950) / Woman on the Run (1950) / The 13th Letter (1951) / Ace in the Hole (1951) / Appointment with Danger (1951) / Cause for Alarm (1951) / Cry Danger (1951) / Detective Story (1951) / The Enforcer (1951) / FBI Girl (1951) / He Ran All The Way (1951) / His Kind of Woman (1951) / Hollywood Story (1951) / House on Telegraph Hill (1951) / M (1951) / The Prowler (1951) / The Racket (1951) / Roadblock (1951) / Sirocco (1951) / Storm Warning (1951) / Strangers on a Train (1951) / Three Steps North (1951) / Two of a Kind (1951) / Affair In Trinidad (1952) / Beware, My Lovely (1952) / The Captive City (1952) / Clash by Night (1952) / Deadline - U.S.A. (1952) / Don’t Bother to Knock (1952) / The Las Vegas Story (1952) / Night Without Sleep (1952) / On Dangerous Ground (1952) / The Steel Trap (1952) / Strange Fascination (1952) / Sudden Fear (1952) / The Thief (1952) / The Woman Is Dangerous (1952) / The Turning Point (1952) / Inferno (1953) / Niagara (1953) / Angel Face (1953) / The Big Heat (1953) / The Bigamist (1953) / A Blueprint for Murder (1953) / Count the Hours (1953) / I, Confess (1953) / Jeopardy (1953) / Pickup on South Street (1953) / Vicki (1953) / Human Desire (1954) / A Life At Stake (1954) / Loophole (1954) / The Miami Story (1954) / Naked Alibi (1954) / The Other Woman (1954) / Pushover (1954) / Rogue Cop (1954) / Suddenly (1954) / Witness to Murder (1954) / 5 Against the House (1955) / The Big Combo (1955) / The Desperate Hours (1955) / Female Jungle (1955) / Kiss Me Deadly (1955) / Murder Is My Beat (1955) / The Night of the Hunter (1955) / Queen Bee (1955) / Hell on Frisco Bay (1955) / Violent Saturday (1955) / Rififi (1955) / A Before Dying (1956) / Beyond a Reasonable Doubt (1956) / A Woman’s Devotion (1956) / Crime Against Joe (1956) / A Cry in the Night (1956) / The Harder They Fall (1956) / The Killer Is Loose (1956) / Over-Exposed (1956) / Please Murder Me (1956) / The Price of Fear (1956) / While the City Sleeps (1956) / The Wrong Man (1956) / The Burglar (1957) / Crime of Passion (1957) / The Unholy Wife (1957) / Hit and Run (1957) / Nightfall (1957) / Slaughter on Tenth Avenue (1957) / Sweet Smell of Success (1957) / The Tattered Dress (1957) / The Girl in Black Stockings (1957) / Murder by Contract (1958) / Screaming Mimi (1958) / Step Down to Terror (1958) / Party Girl (1958) / Thunder Road (1958) / Vertigo (1958) / Touch of Evil (1958) / City of Fear (1959) / Odds Against Tomorrow (1959) / The Trap (1959) / Guns, Girls and Gangsters (1959) 

Nearly all the films on this list are American Noir’s, If there are any other Film Noir’s that are not on this list that you think should be, let me know and I will add them, also let me know if any of the links are broken and l will fix them. Just click on the title and it will take you to the movie. Enjoy!

Ones I will personally recommend on this list:

  • The Letter (1940)
  • I Wake Up Screaming (1941)
  • The Maltese Falcon (1941)
  • The Glass Key (1942)
  • This Gun For Hire (1942)
  • The Seventh Victim (1943)
  • Shadow of a Doubt (1943)
  • Double Indemnity (1944)
  • Laura (1944)
  • Murder, My Sweet (1944)
  • Phantom Lady (1944)
  • Conflict (1945)
  • Mildred Pierce (1945)
  • Scarlet Street (1945)
  • Spellbound (1945)
  • Leave Her To Heaven (1945)
  • The Big Sleep (1946) (MY FAVORITE MOVIE!)
  • The Blue Dahlia (1946)
  • The Dark Corner (1946)
  • The Killers (1946)
  • Notorious (1946)
  • The Postman Always Rings Twice (1946)
  • The Spiral Staircase (1946)
  • The Strange Love of Martha Ivers (1946)
  • Three Strangers (1946)
  • Brute Force (1947)
  • Dark Passage (1947)
  • Dead Reckoning (1947)
  • Nightmare Alley (1947)
  • Out of the Past (1947)
  • Rope (1948)
  • I Walk Alone (1948)
  • Key Largo (1948)
  • Moonrise (1948)
  • Road House (1948)
  • Sorry, Wrong Number (1948)
  • The Third Man (1949)
  • Criss Cross (1949)
  • Impact (1949)
  • Too Late For Tears (1949)
  • White Heat (1949) 
  • The Asphalt Jungle (1950)
  • Gun Crazy (1950)
  • In a Lonely Place (1950)
  • Sunset Boulevard (1950)
  • Woman on the Run (1950)
  • Ace in the Hole (1951)
  • The Prowler (1951) 
  • Strangers on a Train (1951)
  • Don’t Bother to Knock (1952)
  • Niagara (1953)
  • Angel Face (1953)
  • The Big Heat (1953)
  • Pickup on South Street (1953)
  • The Big Combo (1955) 
  • The Night of the Hunter (1955)
  • The Harder They Fall (1956)
  • Sweet Smell of Success (1957)
  • Murder by Contract (1958) 
  • Vertigo (1958) 
  • Touch of Evil (1958)
  • Odds Against Tomorrow (1959)

[Note: God, I wish I could recommend High Sierra because it has one of Humphrey Bogart’s best performances, but a minstrel show-style comic relief character makes a lot of scenes unwatchable.]

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I’m both pro herbal medicine and pro vaccination because you can treat burns with aloe vera juice and sore throats with lavender infused honey but you can’t rid a country of polio with plants. 

THIS.

Don’t forget kids, jewelweed is a natural counteragent to poison ivy rashes but it won’t do shit against whooping cough

Mint for nausea, valerian and chamomile for sleep, antibiotics for fucking infections.

educational and salty. i like it.

One funny thing to me about across the spiderverse was that like. You KNOW Hobie doesn't fuck with cops. You KNOW he was standing there like chewing on the inside of his cheek Not saying anything really really insensitive about Miles' dad. Spider-punk went the whole film without oinking at anybody I think his restraint is commendable

Miles, 15 years old, likes his dad: we can't just let people die c'mon guys!

Everyone else: I understand but please listen it's part of the timeline we can't change it without destroying the universe--

Hobie standing over there fidgeting with a pin on his vest that says "ACAB" on it:

[ID: tags from @avengerphobic that read "#hobie brown #he has blue shoelaces which means hes killed a cop so im sure he was like screaming on the inside #spiderverse spoilers" /end ID]

Hobie, quietly: I'd kill your dad myself to be honest

Miles: what?

Hobie: nuffink

Important to note that in the comics he has not only killed cops (he lives in an ultrafascist universe where the cops have venom symbiotes) he also cut off the president’s head with his guitar

Extremely swag thank you

One note: "cut off" sounds like he's got a blade in his guitar, but he doesn't. It's a blunt instrument. He just swung it hard enough to overcome the strength of his neck and rock-em-sock-em'd him

AWESOME

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The splash page is glorious. Also his universe being overrun with symbiotes is why his main weapon's the guitar--symbiotes are hypersensitive to loud sounds, so he just plugs that bad boy into a dozen amps cranked to 30 million decibels and sonic blasts them to hell.

i think its underutilized how funny it is that the squid sisters are trained agents. imagine being at a squid sisters concert and theres like a threat or something. theyre on stage like dont worry we have it handled everyone. and you just watch pop sensation marie cuttlefish pull out a gun and shoot someone in the head