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every thing.

@all-other-stuff

absolutely random posts
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Starting Strong Scenes in Your Writing

Scenes are the fundamental building blocks of novels and short stories, and each one should propel a story toward the climax.

Generally speaking, your scene structure should mirror the story structure. In other words, take a novel-writing approach to a scene, crafting a beginning, middle, and end. Like a story, the beginning of a scene should have a strong entry hook that pulls the reader in.

  1. Start with the setting. Often a new scene signifies a change in time and location. Establishing the setting at the top of a scene helps your readers get oriented. It also sets the tone and mood of what will unfold in the coming pages. A setting can serve as much more than a backdrop in literature. Have your scene take place somewhere that builds tension and hinders your protagonist. If you’re writing a thriller, describe a dark and foreboding place where the worst might happen. Be descriptive and use sensory details to make your setting come alive before you jump into the action.
  2. Use visual imagery. In screenwriting, writers have to think in pictures. What images will excite an audience at the top of a scene? Your approach should be the same when writing any kind of fiction. As you write the opening of a scene, use descriptive language to engage a reader through detailed imagery. Think like a screenwriter as you’re writing scenes.
  3. Drop the reader into the middle of the action. Hit the ground running by starting a great scene in media res. It doesn’t have to be a fight scene or a car chase, but physical movement creates momentum and builds tension in a story. It’s also a way to instantly engage a reader. Be sure you begin the scene before the high points of the action so you build up to the scene’s climax.
  4. Write a character-driven scene opener. A good scene starts by giving characters a goal. Start by putting your protagonist in a situation that creates an obstacle or opportunity for both the scene and the overarching storyline. Try starting with dialogue, like an intense conversation between your POV character and a mystery character whose identity is revealed later in the scene. If you’re writing from an omniscient third-person point of view, consider starting a scene with a secondary character, even the antagonist, and use it as a chance for deeper character development.
  5. Summarize past events. You might choose to use the beginning of the scene to do a quick recap of what’s brought your main character to this place and moment in time. A summary is especially helpful if you’re writing in third-person and a new scene switches to a different character. Take the opportunity to remind the reader where we left off. Instead of a straight-forward update, get creative. Go into deep POV and let a character’s thoughts provide the summary instead of the narrator. Be sure to keep this summary brief—just a line or two—so you can get back into the action.
  6. Introduce a plot twist. The start of a new scene is a chance to pivot and take your story in a new direction. Start a new scene at a turning point in your story. Dive into a flashback or character’s backstory, revealing critical information that changes the course of the story going forward.
  7. Keep the purpose of the scene in mind. Effective scenes are clear about what they set out to accomplish and how they contribute to the overall plot. They might include plot points or reveal important information needed to move a story forward. Establish your scene’s intention from the very first word and keep the rest of the scene on point.
  8. Rewrite until you’ve found the perfect scene opening. When you’ve finished the first draft of a scene, go back and read it through. If your scene needs something, but you can’t figure out what, it might be how the scene starts. The best way to know if your opening works is by reading how it plays with the rest of the scene. Review the last paragraph and see if it ties back to your beginning. If the intro feels weak, rewrite it. Maybe your real opener is hidden in plain sight somewhere else in the body of the scene.
  9. Make sure your opening scene is your strongest. While your entire book should be filled with compelling scenes that start strong, the very first scene of your book needs to lead the pack. This is the reader’s introduction to your story and where you’re revealing the characters, the setting, and kicking off the plotline with the inciting incident. This first scene has to hook the reader from the first line so they keep turning the pages.
  10. Read a lot of books. If this is your first novel and you need some inspiration and ideas to help you start off your scenes, start by reading other books. Choose a book by a bestselling writer like Dan Brown or Margaret Atwood. Study the different ways they approach every scene. Reading other authors is a great way to hone your scene-writing skills.

Follow like and reblog if you find these helpful!

Summer in Disneyland Paris lockscreens/wallpapers

like or reblog, if you save :)

(these are photos I have taken myself back in 2019, so please do not repost without credit)
Anonymous asked:

Hi! I hope you are having a great day! Would you mind doing Lana del Rey wallpapers? No pressure, but if you do, thx in advance.

have a great day as well! 💛

  • please like/reblog if you save!
  • more lockscreens here!
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A Quick Guide to Varying Sentence Starters

One of the things that really winds me up about my own writing is looking back and seeing a multitude of sentences beginning with “I” or “And” or “But”. I’m a messy first-drafter as it is and I do a lot of line edits, but it’s still takes up a significant portion of my time going back to change things. 

So, I’m here today to share with you the ways I try to vary my sentence starters and some tips and tricks for drafting and edits” 

-.-.-.-

We all know why it’s important to vary your sentence structure, and by extent, your sentence starters. Besides obvious intentional things such as creating tension, or specific mood/tone/atmosphere, we should be aiming to vary how we start sentences to keep the reader engaged and not it being repetitive.

This is especially important if you, like me, write in first person and begin a lot of sentences with things like “I was” or “I am” etc. Or if you have a habit of beginning sentences with characters’ names. But what other options do we have? Here are five general categories that I like to use:

ING WORDS Coughing, she pushed her way through the blaze.  Smiling, he leaned in for a kiss. 

SIMILIES (and other techniques) Like the chattering of a typewriter, their eyes flittered over the group in front.  Sweeping in like a dove, she cut through the awkward conversation.

PREPOSITION (beside, near, with, across, around, out, at, in, etc.)  On the starter’s whistle, I pushed forward.  Under the heavy fog, the streetlamp glowed valiantly 

CONNECTIVE (Because, but, and, despite, after, before, etc.) After he left, I slipped the dagger back into its brace.  But I wasn’t about to give in now.  ED WORDS Distracted, she let the ice cream fall from her hands.  Stunned by his words, they stopped in their tracks. 

.-.-.-.

Obviously you can make these examples much more complex and attuned to your own styles! There are lots of other ways you can vary your sentence openers, these are just what I personally use - so hopefully you can get some use of them! 

.-.-.-.

Hints and Tips!

  • Use the highlighting treatment! Go through your WIP and focus on your sentence openers. Select a different colour for each category (Blue for She/He/They/I starters, red for ED Words, yellow for ING words, as an example) and use it to help you see where you may need to add some more variation! 
  • This also is a great exercise to do with a published book you really enjoy or by an author you admire - it’s a great learning experience!
  • Use a good mix of short, long, and medium sentences! If you find that your writing feels a bit samey or dry, even with varied openers, try changing the structure of the whole sentence itself! 
  • Experiment and play around with word order and structure - free write for a few minutes every day and try something new! It’s all practice and even if it never sees the light of day in your WIP, it’s still a worthwhile thing to do! 

.-.-.-.

I hope you’ve enjoyed this guide and/or found it useful!

If you’d like to request a particular guide, please pop into my inbox and leave a request!

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screnarchive-deactivated2022042

Please don’t underestimate writing as an actual way of learning how to write.

Bro seriously! I spent so much time trying to figure out why my writing wasn’t good that by the end of that I had written so much it actually started to be good. The other day I was reading over a scene I wrote like 5 years ago and then the same scene that I rewrote 2 years ago and the difference is unbelievable. In the three years between, I wrote multiple drafts of an entire novel and even though that book may never see the light of day, working on it improved my writing skills immeasurably. So write even if your writing sucks because one day you’re gonna look at it and all of a sudden realize it’s actually good

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no-screnwriter-archive

All of this.

📝COMMON WITCH📝
VOCABULARY

☽⦁──────── ⦁⦁ ────────⦁☾

ALTAR:

  • A SACRED PLACE FOR A WITCH TO PERFORM SPELL WORK, MEDITATE AND FOCUS ON ENERGY.

ANOINT:

  • SMEAR OR RUB A RITUAL ITEM WITH OIL OR LIQUID. MOST COMMONLY A CANDLE.

AMULET:

  • POWERFUL OBJECT (USUALLY WORN) TO WARD OFF NEGATIVE & EVIL ENERGY.

ATHAME:

  • A RITUAL KNIFE.

BANISH:

  • TO RID OF SOMETHING, DRIVE IT AWAY OR SEND IT AWAY.( CLICK HERE FOR A MORE IN DEPTH LOOK AT BANISHING AND WARDING)

BESOM:

  • A CEREMONIAL BROOM

CHALICE:

  • A FANCY CUP OR GOBLET USED IN RITUALS.

COVEN:

  • A GROUP OR GATHERING OF WITCHES WHO MEET REGULARLY AND PERFORM TOGETHER.

DIVINATION:

  • PRACTICE OF SEEKING KNOWLEDGE OF THE FUTURE BY SUPERNATURAL MEANS.

ENCHANT:

  • PUT SOMETHING OR SOMEONE UNDER A SPELL OR INTENT.

EVOKE:

  • TO EVOKE A SPIRITS TO CALL IT UP, TO SUMMON OR BRING FORTH.

FAMILIAR:

  • A WITCHES SPIRITUAL GUIDE OR HELPER MANIFESTED IN ANY FORM.

GRIMOIRE:

  • A JOURNAL TO RECORD NOTES, RECIPES. INFO, SPELLS, EXPERIMENTS, CORRESPONDENCES ETC.

GROUNDING:

  • CONNECTING WITH AND BECOMING AWARE OF OUR PHYSICAL BODY.

INCANTATION:

  • COLLECTION OF WORDS RECITED AS PARTOF A SPELL OR THE SPELL ITSELF.

INTENT:

  • GIVING AN ACTION. ITEM OR THOUGHT DETERMINED PURPOSE.

INVOKE:

  • TO INVOKE A SPIRIT IS TO SUMMON OR DRAW A SPIRIT BEING INTO YOUR OWN BODY.

MANIFEST:

  • TURNING A THOUGHT INTO ACTION AND REALITY.

OFFERING:

  • GIVING FOOD, ALCOHOL, FLOWERS OR ANY GIFTS TO AN ANCESTOR, FAE, DEITY, ANGEL, SPIRIT GUIDE OR ANYTHING YOU WORSHIP

POPPET:

  • A SMALL FIGURE, USUALLY CLOTH, SHAPED AS A HUMAN BEING USED IN SPELL WORK.

SABBAT:

  • A WITCHES HOLIDAY, THERE ARE 8 SABBATS A YEAR APART OF THE WHEEL OF THE YEAR (this is not the only wheel of the year)

SIGIL:

  • A SYMBOL DRAWN FOR SPECIFIC MAGICAL PURPOSE; TO REPRESENT INTENT

TALISMAN:

  • POWERFUL OBJECT (USUALLY WORN) TO ATTRACT AND GIVE MORE POWER TO THE WEARER.

UNCROSSING:

  • REMOVAL OF A CURSE, HEX OR NEGATIVE ENERGY.

VISUALIZE:

  • PICTURING A WANTED OUTCOME IN YOUR MIND. MOST BENEFICIAL IN SPELL WORK.

WILDCRAFTING:

  • GATHERING PLANTS, HERBS OR FLOWERS FROM THE WILD TO USE AS FOOD OR MEDICINE.

I hope this little glossary helped!! Please of course feel free to add to it!🥺✨ and don’t ever hesitate to Reach out if you have any questions or concerns

MERRY MEET- B

Follow for more

She-Who-Fights-And-Writes FAQ + Complete List of Writing Resources

Please refer to this page before sending any asks, please!

I will answer questions about:

  • Characters
  • Plotting
  • POV
  • Setting
  • Tropes
  • Fanfiction
  • Genres
  • Getting Started
  • And more!!!!

I will NOT answer questions about:

  • Things that are already on this list 
  • The publishing/editing industry (primarily because I’m unqualified)
  • Children’s fiction and Nonfiction (Same reason as above)
  • Hyper-specific details of your WIP; I can’t tell you how to write your own story. 
  • “Does ____ sound like a good idea?” 
  • Anything that can be figured out with a quick Google search (i.e. how fast can cheetahs run, how long does it take to get a license, etc.)
  • Asking me to reblog your post, give you a shout-out, etc. This blog is just for writing content only and will remain ad-free. 
  • Asking me to read/edit your story for free. I’m a college student with a very busy life who also has her own writing projects to worry about, and cannot put time aside to edit someone’s work for no cost at all. Refer to my commissions page, please!
  • Sorry, but I am quite rigid about these rules!

This is just a compilation of the questions I get a lot or I think I answered pretty well, so if you need anything else feel free to check out my #answering asks tag!

I’ve also included some posts from other blogs/sources as well because I feel as though they can explain it much better than I ever could!

Once Upon A Time (Starting)

Structuring

POV Tips

Genres + Setting

Stuff Happens (Plot)

Descriptions + Dialogue

Characters (Who you will inevitably wind up torturing)

Love Stuff

Fantastic Beasts (And How to Write Them)

Diversity

I am a white, neurotypical, cisgender woman and shouldn’t give you any advice but to DEFINITELY include diversity! Here are some great blogs for you to follow!

Miscellaneous

Writing Playlists

My Book

I’m currently working on a novel titled Wings of Faith, and often post content such as art, aesthetics, and writing updates!

Summary:

A one-winged angel must team up with a ragtag band of demons to escape his life in Hell. Haloes and harps must go on the backburner if it means clawing his way out of the fire, and if the world burns to ashes in his wake, so be it…because let’s be honest here: Hell’s humidity got old after, like, a day. 

My Art Blog

Here’s the blog that I post all of my art on, including Wings of Faith content, art wips, fandom content, and original work! Feel free to check it out here!

COMMISSIONS ARE OPEN!

Writing!

Starting at only $5!

Editing!

Copyediting only $5 per page and content editing only $10 per page!

Art!

Fully-colored AND shaded waist-up portrait for only $45!

(DM me or email me at maddycdrawings@gmail.com if you’re interested!)

Tips for Writing a Plot Twist

My debut novel "To Wear A Crown" has plot twists galore, and I received great feedback on them. So, I thought I'd share some tips on how to do plot twists right.

1. They shouldn't come out of nowhere

  • This is a common misconception - that good plot twists are the ones that come from nowhere and no one can see coming.
  • Yes, surprise/shock is a big element to plot twists. It shouldn't be obvious. But it shouldn't be completely out of left field either.
  • What I mean by this, is that you should use foreshadowing. Litter tiny breadcrumbs throughout your novel. The goal is this: if someone reads the book for the second time, they should go, "How did I not see this coming?".
  • Subtle foreshadowing is the way to get that result.
  • Plot twists without any prior set-up is often unsatisfying and out of character.

2. Pick your moments

  • You cannot have plot twists happening left and right every five seconds. The emotion from a plot twist reveal should be intense, and your readers need time to come down after each one.
  • Pick the right moments in your novel when the tension is high and the foreshadowing has built up. And then after the reveal, give the reader time to breathe before you hit them with another plot twist.
  • Trust me, this will have a much greater impact.

3. Focus on the characters' emotions

  • The plot twist needs to be experienced by your characters. The way to get maximum impact out of a plot twist is to focus on the emotions of the characters as it is revealed.
  • If your POV character had no idea about the plot twist and the reader is finding out with them, the character's shock and betrayal should characterise the scene.
  • If your POV character was the one keeping secrets and the rest of the cast finds out, show their emotions through body language and dialogue. And let your POV character experience that, and feel guilt etc at it.
  • Authentic character emotion = reader emotion

4. Use red herrings

  • That foreshadowing I talked about in the first tip can serve another purpose... making the reader think they know what the twist is going to be.
  • You put breadcrumbs throughout the story that could be interpreted as foreshadowing Character A as the murderer. But then, it's actually Character B.
  • Once again, I would recommend for the goal to be for a second-time reader to see those breadcrumbs and go, "Ah I see what the author did here. This was actually pointing to B when I thought it was A."
  • Play with reader expectations.

5. Avoid cliché plot twist

  • Unless you're going to subvert a cliche or make fun of it, I would recommend staying away from cliché plot twists, like: It was actually his evil twin all along; The bad guy is the protagonist's father etc.
  • These will have your readers rolling their eyes, and the impact will be lost.

Reblog if you found these tips useful. Comment with your own advice. Follow me for similar content.

Types of Fanfic Writers

  1. The spontaneous writer, who has no idea what their fic is about or what happens next.
  2. The planner, who has a very detailed outline about everything and anything that happens in the story.
  3. The patient writer, who will finish a story before posting any of it.
  4. The abandoner, who keeps posting new fics but never finishes them.
  5. The multitasker, who works on multiple fics at the same time.
  6. The fix-it writer, who shuns canon and shoots it in the face
  7. The angst writer, who stabs the characters in the gut, twists the knife while it’s in them, and murders everything good in life
  8. The hurt/comfort writer, who annihilates everything good before stitching it back together
  9. The fluff writer, who loves the sweet and cute moments of their OTP.
  10. The romance writer, who will make sure the characters get a happy ending together
  11. The porn writer, who will ensure the characters get their much needed sex.
  12. The dark writer, who takes angst and levels it up by 1000 before dragging the characters deep into the abyss
  13. The tragedy writer, who makes the hurt/comfort writer look kind
  14. The slow burn writer, who will put their readers through the worst kind of agony that exists

Which ones are you?

writing should be fun.

make oc playlists. spend hours on moodboards that have no purpose. write self-indulgent fluff that’s never going to be published. scribble three lines of poetry in the back of your history notebook. draw fanart of your own characters. write stupid dialogue that your publishers might hate. start new wips that you might never finish but write those three chapters that make you happy because if you don’t write them, who else will?

writing shouldn’t always be about “will publishers like this” or “i have to reach this word count” or “how do i get the most likes”.

have fun with your writing.

Dorky but very fun things to do to fall back in love with your writing/story:

  • Create a mood board of how you think your characters would dress. Bonus points if it's the opposite style of how you usually do.
  • Put your characters into Artflow and see them come to life through AI!
  • Make a playlist for the movie adaption of your book from the opening sequence to the end credits.
  • Write a letter between two characters (if you handwrite it, try to come up with unique handwriting for each character)
  • Create a manifestation book! I have a ring-bound book in which I write all my writing goals and record any milestones. Feel free to go wild with this and dream big as no one has to see it! Buy washi tape that fits your book's theme.
  • Go to a pizza store or Starbucks and order using your character's name. I like seeing how close they are to the spelling on the receipt, or hearing them call out the name across the store!
  • Pretend that there's such a thing as the Book Oscars and pick out what you would wear to it and practice your acceptance speech as the best book of the year in your genre.
  • Create an Instagram for your characters and post photos you think they would post. (Hint: use Unsplash to find aesthetic royalty free photos)
  • Play Akinator (basically a 20 questions game) and find out which existing character is most like yours.
  • Splurge on your birthday and commission an artist to draw your characters. It's amazing to see them come to life!
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introvert-unicorn-deactivated20

Words to describe facial expressions

  • Absent: preoccupied 
  • Agonized: as if in pain or tormented
  • Alluring: attractive, in the sense of arousing desire
  • Appealing: attractive, in the sense of encouraging goodwill and/or interest
  • Beatific: blissful
  • Black: angry or sad, or hostile
  • Bleak: hopeless
  • Blinking: surprise, or lack of concern
  • Blithe: carefree, lighthearted, or heedlessly indifferent
  • Brooding: anxious and gloomy
  • Bug eyed: frightened or surprised
  • Chagrined: humiliated or disappointed
  • Cheeky: cocky, insolent
  • Cheerless: sad
  • Choleric: hot-tempered, irate
  • Darkly: with depressed or malevolent feelings
  • Deadpan: expressionless, to conceal emotion or heighten humor
  • Despondent: depressed or discouraged
  • Doleful: sad or afflicted
  • Dour: stern or obstinate
  • Dreamy: distracted by daydreaming or fantasizing
  • Ecstatic: delighted or entranced
  • Faint: cowardly, weak, or barely perceptible
  • Fixed: concentrated or immobile
  • Gazing: staring intently
  • Glancing: staring briefly as if curious but evasive
  • Glazed: expressionless due to fatigue or confusion
  • Grim: fatalistic or pessimistic
  • Grave: serious, expressing emotion due to loss or sadness
  • Haunted: frightened, worried, or guilty
  • Hopeless: depressed by a lack of encouragement or optimism
  • Hostile: aggressively angry, intimidating, or resistant
  • Hunted: tense as if worried about pursuit
  • Jeering: insulting or mocking
  • Languid: lazy or weak
  • Leering: sexually suggestive
  • Mild: easygoing
  • Mischievous: annoyingly or maliciously playful
  • Pained: affected with discomfort or pain
  • Peering: with curiosity or suspicion
  • Peeved: annoyed
  • Pleading: seeking apology or assistance
  • Quizzical: questioning or confused
  • Radiant: bright, happy
  • Sanguine: bloodthirsty, confident
  • Sardonic: mocking
  • Sour: unpleasant
  • Sullen: resentful
  • Vacant: blank or stupid looking
  • Wan: pale, sickly
  • Wary: cautious or cunning
  • Wide eyed: frightened or surprised
  • Withering: devastating
  • Wrathful: indignant or vengeful
  • Wry: twisted or crooked to express cleverness or a dark or ironic feeling