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Dribble Drabble

@alittledribbledrabble

Cereal enthusiast| Loves to read | High all the time | Trash for Hadestown

The LGBTQ community has seen controversy regarding acceptance of different groups (bisexual and transgender individuals have sometimes been marginalized by the larger community), but the term LGBT has been a positive symbol of inclusion and reflects the embrace of different identities and that we’re stronger together and need each other. While there are differences, we all face many of the same challenges from broader society.

In the 1960′s, in wider society the meaning of the word gay transitioned from ‘happy’ or ‘carefree’ to predominantly mean ‘homosexual’ and was an umbrella term that meant anyone who wasn’t cisgender or heterosexual. The community embraced the word ‘gay’ as a mark of pride.

The modern fight for queer rights is considered to have begun with The Stonewall Riots in 1969 and was called the Gay Liberation Movement and the Gay Rights Movement.

The acronym GLB surfaced around this time to also include Lesbian and Bisexual people who felt “gay” wasn’t inclusive of their identities. 

Early in the gay rights movement, gay men were largely the ones running the show and there was a focus on men’s issues. Lesbians were unhappy that gay men dominated the leadership and ignored their needs and the feminist fight. As a result, lesbians tended to focus their attention on the Women’s Rights Movement which was happening at the same time. This dominance by gay men was seen as yet one more example of patriarchy and sexism. 

In the 1970′s, sexism and homophobia existed in more virulent forms and those biases against lesbians also made it hard for them to find their voices within women’s liberation movements. Betty Friedman, the founder of the National Organization for Women (NOW), commented that lesbians were a “lavender menace” that threatened the political efficacy of the organization and of feminism and many women felt including lesbians was a detriment.

In the 80s and 90s, a huge portion of gay men were suffering from AIDS while the lesbian community was largely unaffected. Lesbians helped gay men with medical care and were a massive part of the activism surrounding the gay community and AIDS. This willingness to support gay men in their time of need sparked a closer, more supportive relationship between both groups, and the gay community became more receptive to feminist ideals and goals. 

Approaching the 1990′s it was clear that GLB referred to sexual identity and wasn’t inclusive of gender identity and T should be added, especially since trans activist have long been at the forefront of the community’s fight for rights and acceptance, from Stonewall onward. Some argued that T should not be added, but many gay, lesbian and bisexual people pointed out that they also transgress established gender norms and therefore the GLB acronym should include gender identities and they pushed to include T in the acronym. 

GLBT became LGBT as a way to honor the tremendous work the lesbian community did during the AIDS crisis. 

Towards the end of the 1990s and into the 2000s, movements took place to add additional letters to the acronym to recognize Intersex, Asexual, Aromantic, Agender, and others. As the acronym grew to LGBTIQ, LGBTQIA, LGBTQIAA, many complained this was becoming unwieldy and started using a ‘+’ to show LGBT aren’t the only identities in the community and this became more common, whether as LGBT+ or LGBTQ+. 

In the 2010′s, the process of reclaiming the word “queer” that began in the 1980′s was largely accomplished. In the 2020′s the LGBTQ+ acronym is used less often as Queer is becoming the more common term to represent the community. 

Heyyy everyone! It’s been a SUPER hot minute since I posted my first “Jude in Wonderland” parody illustration back in 2021. For the past year, (to which my Patreon members can attest) I’ve been working on the next part of the series: Mad Sea Party! Ahhhhh it’s finally done! This is the one I’ve looked forward to the most! Featuring a new set of crossover characters, Locke, Nicasia and Valerian. This was the perfect setting for these three, as the personalities and etymologies of their Wonderland counterparts lined up so perfectly! Locke as The Mad Hatter, who speaks unsolvable riddles and nonsensical poetry. Nicasia as the March Hare, whose madness originates from the mad behaviors of hares during breeding season. And then “dead as a dormouse” Valerian, who seems to have gotten in a scuffle with Jude. Cheshire!Cardan is still tagging along, and wrapping up Jude’s injured finger as a result. The entire setting takes place in the undersea palace, where the group sit in coral chairs and enjoy their tea time while schools of fish weave in and out of the halls. Can you see why this is my favorite of the set? Such a fun concept! I have one more planned after this - can you guess the crossover characters? (one of them has been cameo-ing throughout the first two!)

no because when everything everywhere all at once said “‘alone I’m useless’ ‘everyone’s useless alone. good thing we’re not alone.’” and “in another life, i would have loved to have just done laundry and taxes with you” and “you think i am naive. i’ve been alive just as many years as you. this [love] is how i fight” and “of all the places i could be, I just want to be here with you” and-

people have pointed out before that zuko probably didn’t actually know any of the gaang’s names before joining their group. according to the data i’ve collected, it is unclear as to whether zuko knew any of their names before “the boiling rock,” in which he addresses sokka by name multiple times. at no point in the show does he refer to toph, suki, or momo by name.

i find it particularly funny that zuko only seems to refer to katara by name after sokka says her name during their conversation in his tent; the transcript for “the southern raiders” reads as follows:

Sokka: So what’s on your mind?

Zuko: Your sister. She hates me! And I don’t know why, but I do care what she thinks of me.

Sokka: Nah, she doesn’t hate you. Katara doesn’t hate anyone. Except maybe some people in the Fire Nation. No, I mean, uh, not people who are good, but used to be bad. I mean, bad people. Fire Nation people who are still bad, who’ve never been good and probably won’t be, ever!

Zuko: Stop. Okay, listen. I know this may seem out of nowhere, but I want you to tell me what happened to your mother.

Sokka: What? Why would you want to know that?

Zuko: Katara mentioned it before when we were imprisoned together in Ba Sing Se, and again just now when she was yelling at me.

we can thus assume that zuko went into this conversation knowing katara only as “[sokka’s] sister,” heard sokka refer to someone named “katara,” and finally connected the dots.

i think the gaang according to zuko is just “the avatar, the avatar’s bison, the avatar’s…. little rat thing, sokka, sokka’s sister, sokka’s girlfriend, and, yknow, uhhhhh, the little green one.”

Consider: Since she’s a Celebrity, Zuko knows who Toph is, but he only knows her by her stage name, The Blind Bandit.

So it’s “The Avatar, the Avatar’s moderately terrifying pets, Sokka, Sokka’s terrifying sister, Sokka’s girlfriend and In-Universe Hulk Hogan, for some reason.”

Imagine running down a group of kids throughout the world, and you finally join two teenagers, the most powerful 12 yr old in the world, the girl whose village you burned down and John Cena.

John Cena except he cant see you instead.

every word out of guillermo del toro’s mouth is the most hardcore thing i’ve ever heard and he says it all so casually like he doesn’t even realize how much of a gothic visionary he is 

Since childhood, I’ve been faithful to monsters. I have been saved and absolved by them, because monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing

I STILL THINK ABOUT THIS EVERY DAY OF MY LIFE

Yo okie Guillermo has some of the best quotes and lines I’ve ever heard, here are just a few of his quotes that have me questioning life:

What is a ghost? A tragedy condemned to repeat itself time and again? A moment of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber.”

I knew that monsters were far more gentle and more desirable than the monsters living inside ‘nice people.’ Accepting that you are a monster gives you the leeway to not behave like one. When you deny being a monster, you behave like one.”

“When you see something or experience something extraordinary, you can’t go back to normal… I think that that’s the way I see the supernatural-as happening in mundane circumstances or to people who are unprepared”

“To learn what we fear is to learn who we are. Horror defines our boundaries and illuminates our souls”

“Any legend, any creature, any symbol we ever stumble on, already exists in a vast cosmic reservoir where archetypes wait. Shapes looming outside our Platonic cave. We naturally believe ourselves clever and wise, so advanced, and those who came before us so naïve and simple…when all we truly do is echo the order of the universe, as it guides us…”

And the last but certainly not the least:

“In fairy tales, monsters exist to be a manifestation of something that we need to understand, not only a problem we need to overcome, but also they need to represent, much like angels represent the beautiful, pure, eternal side of the human spirit, monsters need to represent a more tangible, more mortal side of being human: aging, decay, darkness and so forth. And I believe that monsters originally, when we were cavemen and you know, sitting around a fire, we needed to explain the birth of the sun and the death of the moon and the phases of the moon and rain and thunder. And we invented creatures that made sense of the world: a serpent that ate the sun, a creature that ate the moon, a man in the moon living there, things like that. And as we became more and more sophisticated and created sort of a social structure, the real enigmas started not to be outside. The rain and the thunder were logical now. But the real enigmas became social. All those impulses that we were repressing: cannibalism, murder, these things needed an explanation. The sex drive, the need to hunt, the need to kill, these things then became personified in monsters. Werewolves, vampires, ogres, this and that. I feel that monsters are here in our world to help us understand it. They are an essential part of a fable.”