"October" by Dion Anja, from Motion Sickness
“It’s like autumn arriving. You expect nothing from its arrival. You expect everything.”
— Alejandra Pizarnik, from ‘Extracting the Stone of Madness’, Extracting the Stone of Madness: Poems 1962-1972 (trans. Yvette Siegert)
— Friedrich Nietzsche
"Well, of course I've tried lavender. And pulling my memory out, ribbonlike and dripping. And shrieking into my pillow. And writing the poems. And making more friends. And baking warm brown cookies. And therapy. And intimacy. And pictures of rainbows. And all of the movies about lovers and the terrible things they do to each other. And watching the ones in other languages. And leaving the subtitles off. And listening to the language. And forgetting my name. And feeling the dirt on my skin. And screaming in the shower. And changing my shampoo. And living alone. And cutting my hair. And buying a turtle. And petting the cat. And traveling. And writing more poems. And touching a different body. And digging a grave. And digging a grave. Of course, I've tried it. Of course I have."
— september is a weary month, yasmin belkhyr
Portrait of Fryderyk in Shifting Light, Richard Siken
[text ID: Lovers / do the looking while the strangers look away. It isn’t / fair, the depth of my looking, / the threat of my / looking.]
Wallace Polsom, Some General Questions (2017), paper collage, 10.6 x 23.9 cm.
Richard Siken, excerpts from “Hansel” in Brothers & Beasts: An Anthology of Men on Fairy Tales
They should invent a world that doesn't hurt me
:-/
2x13 // 3x13
this is all i ever wanted for you, will.
violence is its own mother. mother breast feeds fists. violence is a girl backed up against herself everything about her ghost everything bed.
when I leave home, it follows me.
— Joelle Taylor, from "the Unbelong," C+nto
Stigma (Lawrence Gordon Clark, 1977)
The moon in Jerusalem - Palestine
Song of Songs, Sylvie Baumgartel
The Rupture Tense, Jenny Xie
[ID: Nature reuses/ plotlines / not wanting / to waste / a thing. / And so we get sewn / back into / our origins.]
Nydia, The Blind Flower Girl of Pompeii - Randolph Rogers
1858
Marble
The Art Institute of Chicago








