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Albertonykus

@albertonykus / albertonykus.tumblr.com

Got a PhD studying extant and fossil birds. Alternatively, North American alvarezsaurid described in 2009. They/he. See links for my other projects.

When I say "Birds are Dinosaurs" and you say "No you know what I mean, when we say dinosaurs we mean Something Else" I think like... you don't know what I mean.

There's sort of a constructed category of dinosaurs as these scaly, powerful, outdated animals, and birds as these delicate modern animals, and I want you to understand that these ideas are based on outdated science and human biases. That birds can and have grown huge and predatory, that dinosaurs were a hugely diverse group that had grazers and small arboreal animals and fast intelligent ones.

Birds are a category of dinosaur, the only one we have left around. Appreciate them, demythologize dinosaurs, and destroy the boxes you put nature into.

Two hundred years ago, the wetlands of Japan rustled with pink-tinged feathers. Tall, pale birds stepped carefully through reeds and iris, hunting small fish, crabs, and frogs. 

Nipponia nippon, it would be dubbed by the national ornithological society, a bird emblematic of its country. The Crested Ibis. The Toki. The Peach Flower Bird.

Marshes slowly changed to rice fields, with farmers who resented the toki for ruining crops; to kill the birds was outlawed, so children chased them from the fields, singing warnings.

The doors of the country were pried open. Laws changed. Farmers bought their first guns, their sights set on birds who were no longer protected. The toki, the red-crowned crane, and many others began to suffer. But the worst was yet to come.

Pesticides are indiscriminate killers. The poison sprayed to kill a beetle can travel up the foodchain, toppling a cascade of larger animals, or affecting their ability to reproduce. It was reckless pesticide use that nearly wiped out the Bald Eagle. In the rice fields, the peach-flower-bird had little chance. 

In 1981, Japan’s last five living toki were removed from a wild that had become too dangerous for them.

I tell a lot of sad stories here, about mistakes we’ve made and animals we’ve lost. This isn’t one of those. This is a story about one of those precious times when we were able to fix the things we’d broken. 

A joint effort between Japan & China, and the discovery of seven more birds in that country, led to a successful breeding program, which in 2008 saw the first ibises fly free again in Japan. Today, at least 5000 toki exist in the world.

The last wild-born toki, one of those captured in 1981, lived almost long enough to see her species’ return. Reaching the equivalent age of a centenarian human, she died in 2003—not of old age, but injury after throwing herself against her cage door. 

Her name was ‘Kin’. ‘Gold’. 

Mended things can never be as whole as they once were. There will always be cracks that show, weak spots that remain vulnerable. Yet, like the shining seams of a kintsugi piece, these scars speak an important truth: here is a thing that someone chose to save; handle with care.

The title of this painting is ‘Restoration’. It is gouache on 22x30 watercolor paper

Below the poll is a series of animal images labeled A through J. A is the least close to the birds we have today; J is the closest. If you encountered these animals in the wild, which would you call birds? If you pick a higher up option, then that means you consider all the below ones birds as well - so if you pick A, then BCDEFGHIJ are all birds. If you pick J, only J is a bird.

A:

B:

C:

D:

E:

F:

G:

H:

I:

J:

PLEASE REBLOG THIS SO IT CAN LEAVE PALAEOBLR. I NEED PEOPLE WHO DON'T RECOGNIZE THESE ANIMALS ON SIGHT TO VOTE.

I apologize to all of y'all with vision impairments for whom this poll is inaccessible. Alas, this is an experiment, and I cannot name the taxa. Thank you.

All alt text includes artist attribution; I did not make these pictures myself.

Doraemon Vol. 5 from The Complete Works of Fujiko F. Fujio

The stories in this one were published in 1972–1978. I found picking a highlights reel difficult here, because only a few entries stood out to me as obviously “iconic”. That’s not to say that the stories in this volume aren’t enjoyable, but it’s hard to identify any that had a noticeable impact on the rest of the franchise, or left an especially strong impression on me personally. Then again, these lists are always going to consist of arbitrary selections based on my own experience and biases, so I really have nothing to complain about.

  • “デンデンハウスは気楽だな” (“The Cozy Snail House”, 1975): Nobita’s mom falsely accuses him of hiding his exam paper, so Doraemon gives him a snail shell that he can retreat into as an act of protest. It’s soundproof, internally spacious, and nearly indestructible.
  • “ぼく、桃太郎のなんなのさ” (“What am I for Momotarō?”, 1975): The crossover story with Bakeru-kun. Bakeru enlists the help of Nobita and Doraemon to investigate whether the Japanese folktale of Momotarō might have been a true story.
  • “オーバーオーバー” (“Exaggerating Coat”, 1976): Nobita thinks going outside is boring, so Doraemon lends him a coat that makes him view everyday situations as an unfamiliar, thrilling adventure.
  • “お金のいらない世界” (“A World Without Money”, 1977): Nobita creates an alternate reality where money is undesirable: customers are given money in exchange for goods and services, workers hand money to their employers, beggars ask people to take their money, etc.
  • “ころばし屋” (“Knock-down Hitman”, 1977): To get revenge on Gian for bullying him, Nobita borrows a hitman robot from Doraemon. (It doesn’t actually kill its targets, but instead makes them fall down three times.) The trouble begins when Nobita accidentally becomes its target...
  • “ドロン葉” (“Camouflage Leaf”, 1978): Nobita helps an abused dog by giving it a leaf that grants transformation powers (based on Japanese folklore about raccoon dogs).
  • “あの日あの時あのダルマ” (“That Day, That Time, That Daruma Doll”, 1978): Nobita gets into retrieving long-lost objects using one of Doraemon’s machines. Doraemon is worried that Nobita will get lost in the past and neglect to move forward, but Nobita is inspired to work hard after finding a Daruma tilting doll given to him by his late grandmother.

New episode of Through Time and Clades! When did humans arrive in Japan and how did they get there? How did these early humans live, and what types of animals did they encounter? Those are some of the questions posed by the Doraemon film Nobita and the Birth of Japan 2016. In this episode, @killdeercheer and I review this movie and assess how its portrayal of the Paleolithic lines up with the latest science.

I have begun a playlist of PaleoCore music, feel free to suggest additions. Some things had to be one video (like the walking with soundtrack, that's all in one thing), but when I could I made sure they had chapter markings

Rock on! Literally

Only day you can rb this

One hundred and four days’ duration 'S the length of our summer vacation So finding good ways To spend all those days 'S the problem of our generation. Like building a rocket for fun And fighting a mummy when done Or maybe we'll climb Eiffel Tower this time And stand at the top in the sun. Discovering something that’s not In existence (or that’s what we thought) Or scrub and then scour A monkey in shower, Give tidal wave surfing a shot. Or locating Frankenstein’s brain Or nan'bot creation attain Or continent painting Find dodos remain(t)ing Or driving our sister insane You see that the list is quite tall Of things to be done ‘fore this fall So with no more fuss Just stick here with us Cause Phineas and Ferb do it all!

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The thing society as a whole doesn’t understand about nature is that absolutely nothing is just a worm or just a bug or just a plain little fish that does nothing but swim around and eat until it dies. Every single animal has a complicated life and habits. Minnows make nests out of pebbles. Slugs have courtship rituals. Fruit flies have territorial battles and when they can’t get laid they become alcoholics all in those few days that they even exist on earth. Just the functions of the different body parts of a dust mite can fill a lecture and we still don’t completely understand everything about its life habits or its biochemistry.

Every time someone refers to dinosaurs as "lizards", when a) dinosaurs are archosaurs, not anywhere closely related to lizards in the slightest (birds, however, ARE a form of dinosaur) and b) lizards are their own uniquely adapted thing that isn't just "generic reptile", I take 260 million points of damage you know, the amount of time its been since dinosaurs and lizards shared a common ancestor

Took a detour into another Fujiko F. Fujio manga: Bakeru-kun. This one is seriously obscure. It ran between 1974–1978 (with a brief revival in 1984), was never adapted into an anime, and currently only has Wikipedia articles in Japanese and Chinese (the latter of which consists of two sentences). However, it does bear the distinction of having done a proper crossover story with the Doraemon manga, which was how I learned about it. (In the Doraemon anime, adaptations of that story remove the elements from Bakeru-kun and replace them with the regular Doraemon cast.)

The premise is actually pretty interesting. The main character, Kawaru, is (as usual for a Fujiko F. Fujio protagonist) a talentless elementary school kid, who one day enters a supposedly haunted house and accidentally turns himself into a dog. It turns out that the dog is one of many “transformation dolls” used by a visiting alien to blend in during their time on Earth. By pressing the nose on one of these dolls, the user can shift their consciousness inside the doll, which enlarges to life size, and gain any abilities it might have. (Their original body becomes a doll in the meantime.) It’s also possible to possess multiple dolls by pressing more than one at the same time, but making them perform different actions simultaneously is difficult.

The alien has just about finished their research on Earth and is ready to go home, so they leave Kawaru with the transformation dolls and the house. The rest of the series mostly involves Kawaru using the dolls to try and solve his everyday problems. Hundreds of dolls are available to him, but he most commonly switches among a particular set (pictured above) that everyone else assumes is a family who has moved into the house. The titular Bakeru is the youngest child of the doll “family”, representing a boy who seems to be around Kawaru’s age, but is more athletic and charismatic. Over time, Kawaru’s main alter egos develop interpersonal relationships with the other people in his life, who don’t realize that they’re all the same person.

It’s a shame that Bakeru-kun was so short-lived and apparently unpopular, because there are many thought-provoking narrative and philosophical directions it could have gone (and sometimes did go) in. In the last story printed for the series, Kawaru uses a special doll to duplicate his own consciousness, intending to exist as both himself and Bakeru at the same time. After trying this out for less than a day, however, Kawaru comes to the conclusion that the version of him inside Bakeru (who is popular with his peers and has no actual parents to nag him) would have a happier life than the version of him living as himself, and (following a long argument between his two selves) puts an end to the arrangement.

I additionally find it noteworthy that Kawaru almost never seems to feel awkward or hesitant about becoming any of the dolls that he uses. One chapter has him realize for the first time that the dolls need to be cleaned, so he visits a bathhouse and bathes as each member of the doll family in turn. He has no qualms about doing so regardless of the age or gender (or species) they present as, though he does end up making the other customers and bathhouse staff very confused. Someone who knows more about the subject than I do could probably read parallels with certain psychological phenomena into this.

The concept of a single person posing as an entire family of fabricated individuals also reminds me of some bizarrely elaborate real-life internet hoaxes, but I imagine that the author writing it in the 1970s didn’t exactly have those in mind.

Now, no one would ever think to translate a work this obscure into English, right? Well, surprisingly, an English fan translation for the majority of Bakeru-kun does exist. So if any of this happens to sound interesting to you, there’s a good chance that you can experience most of the manga for yourself.

Doraemon Vol. 4 from The Complete Works of Fujiko F. Fujio

The stories in this one were published in 1971–1977. At this point, we’re essentially free of early-series oddities (well, until we eventually return to some of the earliest years of the manga in volume 18, due to the way these compilations are organized). Although there will be additions and subtle changes to the lore in works to come, the stories here are more or less what I’d expect of standard Doraemon, so I’m going to skip ahead to the overview of iconic entries in this volume (as determined by my personal experience and biases):

  • “ウルトラミキサー” (“Ultra Mixer”, 1972): Nobita and Doraemon have fun with a gadget that can combine objects together. Notable for featuring “Nobiemon”, a fusion of Nobita and Doraemon who has been the subject of merchandise despite being a one-shot gag character.
  • “ぼく、マリちゃんだよ“ (“I’m Mary”, 1973): Nobita switches lives with an overworked celebrity to give her a chance to rest.
  • “ぞうとおじさん” (“Uncle and the Elephant”, 1973): Nobita’s uncle tells him a story from his childhood about about a zoo elephant that was killed during World War II, so Nobita and Doraemon travel back in time to save it. Includes a hilarious scene where Doraemon casually informs a Japanese soldier that Japan will lose the war while trying to convince him not to kill the elephant.
  • “さようなら、ドラえもん” (“Goodbye, Doraemon”, 1974): Doraemon has to return to the future forever. This is actually not the first story to show Doraemon leaving Nobita seemingly for good (two earlier ones are compiled in volume 1), but it is by far the best known, the only one that has been adapted into the 1979 and 2005 anime series, and was apparently intended to be the true finale of the manga. Well, we’re still on volume 4 out of 20 in this collection, so as you can guess, that wasn’t to be. Reader popularity soon convinced Fujio to continue Doraemon, which leads us to...
  • “帰ってきたドラえもん” (“Doraemon Returns”, 1974): It turns out Doraemon left Nobita with one last gadget just in case he needed it, a potion that turns anything the user says into a lie. Nobita drinks it to get back at Gian and Suneo for pranking him, accidentally mentions that Doraemon will never return, and... wouldn’t you know it, Doraemon comes back!
  • “ゆめの町 、ノビタランド” (“City of Dreams, Nobitaland”, 1974): Nobita and Doraemon create a miniature version of their town, then shrink themselves and their friends so they can play in it. The first episode to air from the classic 1979 anime series was an adaptation of this story.
  • “たとえ胃の中、水の中” (“Even Through Stomach and Water”, 1975): The obligatory “Fantastic Voyage” plot. Shizuka swallows a gemstone by accident, so Doraemon and Nobita enter her stomach in a shrunken submarine to retrieve it.
  • “化石大発見!” (“Great Fossil Discovery!”, 1976): Nobita and Doraemon create fake fossils as an April Fools’ joke on a fossil hunter, but as they come clean and turn the fakes back to normal, they happen to revive a trilobite, demonstrating that there were fossils in the area after all.

Prehistoric Planet S2 was amazing. Everything I could have hoped for after s1. I literally only have two critiques:

  1. REFER TO BIRDS AS DINOSAURS OR AT LEAST ACKNOWLEDGE THAT THEY ARE, YOU COWARDS
  2. s3 please???

which, in the grand scheme of the universe, is a very reasonable request list

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I’m memorizing the Greater Bug Phylogeny. the sister group to insects has 60 legs and only lives in saltwater caves. the sister group to insects + 60 legs guy is water flea (crowd cheers)

"Do you ever dream of land?" The whale asks the tuna.

"No." Says the tuna, "Do you?"

"I have never seen it." Says the whale, "but deep in my body, I remember it."

"Why do you care," says the tuna, "if you will never see it."

"There are bones in my body built to walk through the forests and the mountains." Says the whale.

"They will disappear." Says the tuna, "one day, your body will forget the forests and the mountains."

"Maybe I don't want to forget," Says the whale, "The forests were once my home."

"I have seen the forests." Whispers the salmon, almost to itself.

"Tell me what you have seen," says the whale.

"The forests spawned me." Says the salmon. "They sent me to the ocean to grow. When I am fat with the bounty of the ocean, I will bring it home."

"Why would the forests seek the bounty of the oceans?" Asks the whale. "They have bounty of their own."

"You forget," says the salmon, "That the oceans were once their home."