♱ fred's song of the week ♱
Images I would insist on cutting from a script as “It’s laying it on a bit too thick don’t you think?”
it wasn't "some reason", it was 2D animators being unionized and 3D not being unionized. and the simple truth that capitalism kills art.
I remember when 2D faded out, the reason studios kept giving was "it's because 2D is a lot more expensive to produce". I was a child back then so I didn't think too much about it, assuming it was about the process itself, but as I grew up and learned more about art as an artist, and gained friends who were professional 3D artists themselves, I started to question it. Because 3D is very different from 2D, but it's definitely not easier or faster to make. Also, both European and Asian studios kept producing 2D animated movies
The answer was unions. The answer wasn't "this kind of art is cheaper because it's easier to make", it was "this kind of art is cheaper because these artists can't force us to pay them correctly"
posting face on a monday night.
you know who lost succession? jeremy strong. man gave his soul for kendall roy and gave it so beautifully and now he has to take his "i believe in making work where the sense of self and the character is amorphous" ass and go job hunting in a media landscape where the options are MCU hero#154 or olaf from live action frozen.
THE LIGHTHOUSE (2019) dir. Robert Eggers
A leucistic moose filmed by municipal councilmember Hans Nilsson in the Värmland region of Sweden (2017) National Geographic
was drawing the roy siblings and when it got to ken
does anyone know what the first step of unlearning shame is. please say it’s substance abuse
Dominatrix Maîtresse Nuit and submissive, photographed by Lucina Nathanael; more images in the set can be viewed here.
diane ladd in wild at heart (1990) & amanda lepore in pink lipstick (2000)
brandi tv in cotton candy princess after special treats (2018)









