It's been way too long since I drew, idk what proportions are anymore.
I love watching two people who can just fight perfectly together, and was like ‘how would you translate this to D&D?’ This is the first attempt, will probably take some tweaking to make it valuble but not overpowered.
[id: a piece of dnd homebrew of a feat called “Battle Couple.”
Prerequisite: two characters must take this feat at the same time.
You’ve had so much experience fighting side b y side with your companion, it’s like you can guess what they are going to do. As a result you gain the following.
- Your two characters can fight from the same space and gain a +1 to attacks while doing so.
- When you are within 10 feet of your partner and they successfully makes an attack on their turn, you can use your reaction to make an attack against an enemy within range.
- When you are within 10 feet of each other and are both required to make a a saving throw against an area effect, and only one of you passed the other can add the others base modifier being used to their throw in an attempt to pass.]
Atlantis: The Lost Empire 2001, dir. Gary Trousdale, Kirk Wise
Tim Curry candidly reveals an ill-fated affair during the filming of Muppet Treasure Island (1996) with Miss Piggy.
@thefingerfuckingfemalefury oh my god
A DOOMED LOVE AFFAIR
alignment chart of the people in the notes of this post
Rest In Peace, Alex! - Phroyd
Alex Trebek, who became known to generations of television viewers as the quintessential quizmaster, bringing an air of bookish politesse to the garish coliseum of game shows as the longtime host of “Jeopardy!,” died Nov. 8 at 80.
The official “Jeopardy!” Twitter account announced the death without further details.
Mr. Trebek had suffered a series of health reversals in recent years, including two heart attacks and brain surgery, and was diagnosed with pancreatic cancer in 2019. He continued to host new episodes of his show until production was suspended in March because of the coronavirus pandemic, and then filmed socially distanced episodes that began airing Sept. 14.
For more than three decades, Mr. Trebek was a daily presence in millions of households, earning near-rabid loyalty for the intellectual challenge of his show, in which questions were presented as answers and answers were delivered in the form of questions. By the time of his death, “Jeopardy!” was one of the most popular and longest-lasting programs of its kind in TV history.
Mr. Trebek, the self-made son of a hotel chef, had no sequined co-presenter to match Vanna White on host Pat Sajak’s “Wheel of Fortune.” His show neither attracted nor allowed histrionics, no galloping, shrieking contestants such as those summoned to “Come on down!” on “The Price Is Right” with Bob Barker. Even the “Jeopardy!” theme song, one of the most recognizable jingles on television, was restrained in its dainty dings.
There was no “hot seat” like the chair for contestants on “Who Wants to Be a Millionaire?” with Regis Philbin — a show that “Jeopardy!” purists disdained for its elementary subject matter and inflated prize money.
On “Jeopardy!” there were only questions and answers — or rather, answers and then questions — leavened by the briefest of banter before Mr. Trebek directed his three contestants back to business.
He became known, a reporter for the New Republic magazine once observed, for his “crisp enunciation, acrobatic inflections [and] hammy dignity” as he primly — and with precise pronunciation — relayed clues in categories such as “European Cuisine,” “U.S. Geography,” “Ballet and Opera,” “Potent Potables” and “Potpourri.”
“The folding type of this cooling device became accepted in China during the Ming dynasty,” Mr. Trebek might declaim, as competitors raced to buzz in with the reply, “What is a fan?”
“Jeopardy!” was the creation of singer and talk-show host Merv Griffin, whose TV empire also included “Wheel of Fortune” and “Dance Fever.” His wife, Julann Griffin, proposed the show’s conceit. If players provided questions instead of answers, she said, then “Jeopardy!” would be safe from the high-profile cheating scandals that plagued TV quiz shows in the 1950s.
The Griffin brainchild aired on NBC from 1964 to 1975, then returned as “The All New Jeopardy!” from 1978 to 1979, both times with the stately actor Art Fleming as host. Mr. Trebek took over when the show was revived in syndication in 1984, also serving during his first several seasons as producer.
Much like his program, Mr. Trebek indulged in few frills. He favored conservative suits. When he shaved his signature mustache in 2001 — “on a whim,” he said — his viewership erupted in titillation.
The most exuberant flourish about the show might have been the exclamation mark in the title. Mr. Trebek, for his part, emitted few if any exclamations as he led contestants through the first round of clues; then a second, higher-stakes round dubbed “Double Jeopardy!”; and then “Final Jeopardy!,” in which players could wager all or some of their earnings on a single stumper.
“My job,” he told the Associated Press in 2012, “is to provide the atmosphere and assistance to the contestants to get them to perform at their very best. And if I’m successful doing that, I will be perceived as a nice guy and the audience will think of me as being a bit of a star. But not if I try to steal the limelight! The stars of ‘Jeopardy!’ are the material and the contestants.”
(Perhaps the show’s greatest stars were Ken Jennings, who reigned over the grid for 74 shows in 2004, claiming $2.5 million in winnings, and Watson, the IBM computer that defeated Jennings and another champion, Brad Rutter, in 2011.)
Fans who attended tapings of the show received a rare insight into Mr. Trebek’s dry humor when he held forth with them during commercial breaks, cutting up about how he didn’t “like spending time with stupid people,” which resulted in his having “very few friends.” He often regaled the crowd with tales of his DIY home-improvement projects.
He said his breakfast consisted of a Snickers and Diet Pepsi, or a Milky Way and Diet Coke. And he was not always as staid as he might have seemed, once tearing his Achilles’ tendon when he chased a burglar from his hotel room in 2011.
But to most “Jeopardy!” viewers, Mr. Trebek was akin to a neighbor they saw every day without becoming intimately acquainted. In a tribute to Mr. Trebek after his cancer diagnosis was announced, Jennings affectionately described him as “a riddle wrapped in an enigma wrapped in a Perry Ellis suit.” One of the few clues to his past was his slight Canadian accent.
George Alexander Trebek was born in Sudbury, Ontario, on July 22, 1940. His father was a Ukrainian immigrant, and his mother was French Canadian. In a memoir published in July, “The Answer Is . . . Reflections on My Life,” Mr. Trebek described a childhood marked by poverty and illness, including a painful form of rheumatism that he developed after falling into a frozen lake at age 7.
Mr. Trebek said that he considered becoming a priest but did not enjoy his experimentation with a vow of silence. “I was a very good student, but leaned more toward show business than anything else because I had a way of entertaining the class,” he told the Toronto Star. “I wasn’t the class clown, but always prominent — even when I was quiet.”
He said he was nearly expelled from boarding school and then dropped out of a military college after three days because he did not wish to subject himself to a buzz cut.
Mr. Trebek began working at the Canadian Broadcasting Corp. while studying philosophy at the University of Ottawa, where he graduated in 1961. As a broadcaster for radio and television, he delivered coverage in English and French, reported on news, weather and sports, and hosted “Reach for the Top,” a popular teen quiz show.
In 1973, Mr. Trebek came to the United States as host of “The Wizard of Odds,” a short-lived game show created by fellow Canadian Alan Thicke.
“It was canceled on a Friday, and I was disappointed, of course,” Mr. Trebek once said on “The Dan Patrick Show,” a sports talk program. “It was replaced the following Monday by a show called ‘High Rollers,’ which I also hosted. . . . After two and a half years, it was canceled, and it was replaced by another show which I hosted. So I have the either great honor or dubious honor of having replaced myself on three different occasions.”
Mr. Trebek, who became a U.S. citizen in 1998, also hosted shows including “Double Dare,” “The $128,000 Question” and “Battlestars.” He subbed for Chuck Woolery, Sajak’s predecessor on “Wheel of Fortune,” bringing him to the attention of Griffin. For a period Mr. Trebek hosted “Classic Concentration” and “To Tell the Truth” while also presiding over “Jeopardy!,” where he reportedly commanded $10 million a year.
As “Jeopardy!” host, Mr. Trebek participated in national contestant searches and shepherded the first teen, senior and celebrity tournaments. He also contributed clues, drawing from his knowledge in such arcane fields as oil drilling and bullfighting. He personally reviewed all clues before taping a show and claimed that he could answer about 65 percent of them correctly. If he judged one too difficult, he asked writers not to use it.
“I’ll say, ‘Nobody’s going to get this,’ ” he told the New York Times in a 2020 interview. “And they usually take my suggestions, because I view myself as every man.”
By the time Mr. Trebek completed 30 years as host, “Jeopardy!” reached 25 million viewers a week. His Emmys included a lifetime achievement award, and, in 2013, he ranked No. 8 in a Reader’s Digest poll of the most trusted people in America. Jimmy Carter, the highest-ranking president on the list, arrived at No. 24.
A ubiquitous presence in pop culture, Mr. Trebek appeared in the “Got milk?” advertising campaign, in films including “White Men Can’t Jump” (1992) and on television shows including “The Simpsons” and “The X-Files.” In a memorable episode of “Cheers,” Mr. Trebek welcomed as a contestant the postal carrier Cliff Clavin (John Ratzenberger), the sitcom’s most undesirable bachelor, in a round of “Jeopardy!” with categories including “beer,” “mothers and sons” and “celibacy.”
Mr. Trebek was spoofed on “Second City Television,” the Canadian TV sketch show, and “Saturday Night Live,” with comedian Will Ferrell, as his impersonator, barely containing his contempt for dimwitted contestants on “Celebrity Jeopardy!”
“I’ll take ‘Swords’ for $400,” Sean Connery, portrayed by Darrell Hammond, intoned in a Scottish accent when the category of clues was in fact “ ‘S’ Words.”
Mr. Trebek’s first marriage, to Elaine Callei, ended in divorce. In 1990, he married Jean Currivan. A complete list of survivors was not immediately available.
Little changed about “Jeopardy!” as the years wore on for the show, for Mr. Trebek and for fans. Newfangled topics, such as twerking, were occasionally introduced. Over time, contestants revealed themselves to be more familiar with Dan Brown, author of “The Da Vinci Code,” than with the English poet Samuel Taylor Coleridge, the New Republic noted. And Mr. Trebek was called upon to learn to rap to read certain clues.
But mainly the show stayed “comfortable, like an old pair of shoes,” Mr. Trebek once said. In its constancy, it became all the more comforting for the legions of fans who turned to “Jeopardy!” for its promise of clear right and wrong answers in a world where the matter of what is true was increasingly subjected to partisan debate.
“There’s a certain comfort that comes from knowing a fact,” Mr. Trebek told the Times in July. “The sun is up in the sky. There’s nothing you can say that’s going to change that. You can’t say, ‘The sun’s not up there, there’s no sky.’ There is reality, and there’s nothing wrong with accepting reality. It’s when you try to distort reality, to maneuver it into accommodating your particular point of view, your particular bigotry, your particular whatever — that’s when you run into problems.”
a handful of ghouls based off of sprites from this generator, based off of the original set from mossworm !
A remarkable Jacobean re-emergence after 200 years of yellowing varnish Courtesy Philip Mould
PAINT RESTORATION OF MESMERIZING
I saw this on Twitter. He’s using acetone, but a cellulose ether has been added to make it into a gel (probably Klucel—this entire gel mixture is sometimes just called Klucel by restorers, but Klucel is specifically the stuff that makes the gel).
Normally, acetone is too volatile for restoration, but when it’s a gel, it becomes very stable and a) stays on top of the porous surface of the painting, and b) won’t evaporate. So it can eat up the varnish.
It looks scary, but acetone has no effect on oils, and jelly acetone is even less interactive with the surface of the paint or canvas.
Will someone PLEASE clean the mona lisa
For those who are wondering, they cleaned a copy of the Mona Lisa made by one of Da Vinchi’s students, and here’s a side by side comparison:
CLEAN THE FUCKING MONA LISA.
A couple problems with cleaning the Mona Lisa:
The Mona Lisa is a glazed painting.
A Direct Painting is one in which the artist mixes a large amount of paint of the correct value and shade the first time, and applies it to the painting. A Glazed Painting is a painting in which an underpainting is painted, generally in shades of gray or brown, and a allowed to dry, before layers of very thin glaze - a mixture of a tiny bit of pigment and a lot of oil - is applied to the surface. Some artists, such as Leonardo, choose to work this way because it provides an incredible sense of light and illumination (look at how the real Mona Lisa seems to glow).
The Mona Lisa is an incredible work of glazed painting, but that makes it fragile, so fragile that many conservators don’t want to work on it because it’s extremely difficult and a conservation effort go wrong for many many reasons. One of the reasons it could go wrong is that the glazes and the varnish layers are actually a very similar chemical composition, and a conservator could accidentally strip off layers of glaze while removing the varnish.
In fact, in 1809 during its first restoration when they stripped off the varnish, they also stripped off some of the top paint layers, which has caused the painting to look more washed out than Leonardo painted it.
The Mona Lisa also has a frankly ridiculous amount of glaze layers on it, as Leonardo considered it incomplete up until he died, He actually took it with him when he left Italy (fleeing charges of homosexuality), meaning it never even got to the family who had commissioned it, and instead constantly altered it, trying to get it just a touch more perfect every time. That makes it really fragile, with countless layers of very thin paint, many of which have cracked, warped, flaked, or discolored. It’s not just the top layer, its layers and layers of glazing throughout the painting that have slowly discolored or been damaged over time.
Speaking of damage, look at the cracking. That’s called craquelure; it happens with many painting’s (even ones that aren’t painted with this technique) because the paint shrinks as it dries, or the surface it’s painted on warps. Notice that the other painting has very little of it, even though it’s almost the same age.
The reason the Mona Lisa has so much craquelure is because Leonardo was highly experimental, almost to the point of it being his biggest flaw. There were established painting techniques, and then there were Leonardo’s painting techniques. The established painting techniques were created in order to insure longevity and quality, but Leonardo didn’t stick to any of them. This has made his work a ticking time bomb of deterioration.
Don’t believe me, check it out:
This is how most people think The Last Supper looks
But this is actually a copy done by Andrea Solari in 1520.
The actual Last Supper looks like this:
The Last Supper has been painstakingly and teadiously restored, with conservators sometimes working on sections as small as 4 cm a day. To get to it you’ve got to walk through a series of airlocks (AIRLOCKS!?!?!) and they only allow 15 people at a time because the moisture from your breath and your skin particles will damage it. Despite all of the precautions and restoration, it still looks like that.
This is because Leonardo painted the last supper using highly experimental methods. He didn’t use the traditional wet-into-wet method that fresco painters used, and insead painted onto the dry plaster on the wall, meaning the paint did not chemically adhere. Before he even died the painting had already begun to flake. It’s a miracle it’s still there at all.
They’ve done what restoration they can on The Last Supper because the painting will absolutely disappear if they don’t. The Mona Lisa, which is delicate, but much more stable, doesn’t need the same kind of attention. And, like many of his works, is just too delicate to touch, and the risk of doing irreparable damage to it is far too high. The Mona Lisa is insured for something like 800 million dollars, and that’s a lot of money to be ruined by one wrong brush stroke. (fun fact: the most expensive painting ever sold was also a Leonardo, the Salvator Mundi, and it went for 450 million dollars.)
Furthermore, there are probably only 20 or so authenticated Leonardo paintings in the whole world. If you look through the list, most of them aren’t even fully done by him, are disputed, or aren’t even finished. It’s simply too difficult and too risky to restore the Mona Lisa, one of Leonardo’s only finished and mostly intact works, when there’s hardly any more of his paintings to fall back on.
Now the painting you see in the video above is 200 years old, not 600 years old, and I assure you, the conservators decided the risk to restore it was minimal (after extensive research, paint testing, x-raying, gamma radiation, etc.) and that the work they were doing was worth the risk based on the painting’s value.
Conservators make the decision all the time about how much they can do for a painting, because really, they have the ability to completely strip a painting of all varnish and glazes and just repaint the whole thing (which happens to a lot of badly damaged paintings, especially when there’s no way to save them - one of the very small museums in my area recently deaccessioned a Monet because it was barely original, and no one wants to look at a Monet that’s only 20% Monet’s work) - but doing that to the Mona Lisa, removing the artist’s hand from the most famous piece of artwork in history? Hell No.
(also, I’m not a conservator but I’ll be applying to a conservation grad program sometime next year, so sorry if any of my info is at all inaccurate)
I found this really interesting, thanks for sharing.
IF y'all love this shit may I suggest taking a look at https://www.youtube.com/channel/UCvZe6ZCbF9xgbbbdkiodPKQ It’s all he does, and the lengths he goes to to restore some pieces that seems damaged beyond repair is ASTOUNDING!!!
A hero will rise
you said it
RISE! SHINING GUNDAM!
GUNDAM FIGHT ALL SET?
READY!
GOOOOO!
THIS HAND OF MINE GLOWS WITH AN AWESOME POWER…
IT’S BURNING GRIP TELLS ME TO DEFEAT YOU!
HISSATSU!
SHINING! FINGAAAAHHHHHHH
HEAT!
END!
Dammit, I lied. One more Gundam post for today b/c this guy just won the internet for the day…
reblog and make a wish! this was removed from tumbrl due to “violating one or more of Tumblr’s Community Guidelines”, but since my wish came true the first time, I’m putting it back. :)
OH MY FUCKING GOD, IT’S BACK ON MY DASH.
THIS SHIT WORKS OKAY, I AM DEAD SERIOUS.
The last time I saw this on my dash, I didn’t think it would happen, so jokingly I wished I could go to a fun. concert.
AND GUESS WHAT, I WENT TO A FUCKING FUN. CONCERT.
THIS SHIT WORKS, TRY IT.
YOOOOOOO
I SAW THIS ON MY DASH THE OTHER DAY AND THOUGHT “ITS WORTH A TRY” SO I WISHED I COULD GET A 3DS
LITERALLY LIKE 4 DAYS LATER MY DAD SENT ME A PICTURE OF THE 3DS XL HE BOUGHT FOR ME WHILE I WAS AT SCHOOL
IM STILL FREAKING OUT ABOUT THIS
holy fuck, I didn’t expect this to work, I was like psh, whatever it’s just a quick reblog, but I wished my Dad would actually respond back to me AND HE FUCKING DID A FEW DAYS LATER, I GOT A FUCKING TEXT FROM MY DAD TODAY WHO HASN’T SPOKEN OR RESPONDED TO ME IN MONTHS HOLY FUCK WHAT IS THIS MAGIC IT WORKS.
I WANTED TO SEE MY BOYFRIEND AND I DIDN’T THINK I’D GET DAYS OFF BUT THIS WEEKEND I’M HEADING UP THERE??? THIS IS CRAZY SHIT
SO LIKE I JOKINGLY WISHED FOR MY OWN LEN KAGAMINE AND THEN LIKE A WEEK LATER I GOT A LEN NENDOROID??? H ELP
WTF OKAY SO THIS SHOT ACTUALLY WORKS BECAUSE WHEN I WISHED, I HAD WISHED MY CRUSH WOULD LIKE ME BACK AND GUESS WHAT? I HAVE A BOYFRIEND NOW. WHAT THE HELLLLL?????
ok I’ve said this before but IM DOING IT AGAIN THE FIRST TIME I SAW THIS, MY WISH DID COME TRUE SO I REBLOGED AGAIN AND SAID IT IN THE TAGS BUT THEN I WISHED FOR SMTH ELSE AND IT LITERALLY LITERALLY HAPPENED LIKE A COUPLE DAYS LATER WHAT THE HELL SO NOW IM WRITING THIS HERE FOR YOU BC I DONT BELIEVE IN THIS CRAP BUT STILL IT’S AN AWFULLY BIG COINCIDENCE
So last time I reblogged this I met Tom Hiddleston within the month…
so, i saw this and though “it’s worth a try” so i wished to find my dog (who has been lost since december) and guess what? Not even a week and some lady send me a message asking if i was still looking for her and GUESS WHAT??
I’M ???????
SO FUCKING HAPPY WTF ???? ??
Helga deserved more
me, age 6, watching atlantis for the first time











