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Starkid & Tin Can Brothers

@absuuuurdstarkid

Beth | 22 | Blog has devolved into stuff i like
| Nick Lang is a comedy genius in Ani |
Big fan of all the starkid adjacent dogs

Day 1 of ‘watch this old/funny Starkid video’

Let’s start at the beginning:

Features young Nick and Holden, some creative use of a bleeper and the best song you’ll ever here, ‘we don’t wanna be sued’

Enjoy!

As I’ve gained followers since I did these posts this is a PSA that three years ago i posted a starkid bts video/related project every day for 130 days because there are some real gems out there that i felt needed to be shared. They’re all tagged ‘#beth recommends’ so search my blog and enjoy if you have many hours to spare 💙

-Yrs, a fan who used to have far too much spare time and has trawled YouTube so you don’t have to

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just painted an onion on a cutting board and i think it’s the peak of my artistic career

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look at her…

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she gets stronger!

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the full painting is finally complete!

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This is giving me emotions that I myself do not fully understand

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it’s been over a year since i posted this painting- apart from being really honored by all the praise, it’s also been fascinating to see the comments people have made about the emotions it evokes. especially since there’s a bit of a pattern in its interpretation that’s.. completely accurate despite being entirely unintentional.

i made this for a painting class during my junior year of college- i had moved from a dorm building into a house and for the first time i was almost entirely alone. the house wasn’t a home yet, and i was anxiously trying to make it feel more like one (which in my case meant teaching myself to cook as a complete beginner.) after i posted this painting i saw dozens of comments on how the scene so accurately reflects this desperate desire for domesticity, this almost futile attempt at wholesomeness. people i had never spoken to looked at the colors, and the brush strokes, and the unsettling sense of space, and understood that i was doing my best to deal with my loneliness.

i wasn’t thinking about any kind of loneliness while i was making this piece, i was just doing my best to paint a colorful study of an onion on a cutting board in my kitchen.

not sure exactly what that says; something about art being so pure a form of communication that it can’t help but lay your feelings out bare for all to see, regardless of the painter’s intentions. i spent years struggling to find my footing in art, trying to rationalize all my techniques so i could make sure i was effectively saying what i wanted to say, as if i could find a formula for painting. maybe i don’t have to try that hard; maybe it happens automatically. maybe no one has to try that hard.

maybe i’ll make another study of this kitchen- see what the painting will say after a year and a half of filling the room with warmth and laughter and friends with full stomachs.

i guess i wanna say thank you onion painting fans for the encouragement and the insight; you taught me a lot. also if you’re about to let an artist know that their painting looks like a spongebob screencap can you first check the notes to make sure they haven’t already been told by several thousand people👍 sorry for turning the original post into destiel

Ayo Edebiri as SYDNEY ADAMU in The Bear (2022-)

“Edebiri’s inherent contradiction — her humor and the stress of producing it — are present in Sydney. Calo says, “FX really wanted Sydney to be funnier on the page, and we knew that because we had Ayo, we didn’t have to do that.” Sydney would simply be funny because Edebiri was the one playing her, even in the role of kitchen buzzkill, tasked by Carmy to implement a rigid hierarchy she will later help him break ()”