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Initial thoughts/opinions about the bakers, with some facts thrown in. I have more to say about some than others.
Additionally, if you can see if you can donate money to these organizations
Here is another way you can help.
-FemaleWarrior, She/They
As a German this makes me physically uncomfortable to read about, how have so many people not learned from one of the biggest mistakes we’ve ever done? How can this still be happening today?
as a jew, HELP
as a polish person, help x2
As a Jew, an unfriendly reminder that Anne Frank did not die in a gas chamber.
THIS is how she died. This is WHY she died. This is how and why TENS OF THOUSANDS LIKE HER died.
Get your asses on those phones.
The concentration camps were there under Obama and remain there under Biden.
The US strive to top the Third Reich in terms of mass atrocities against humanity.
A little infographic on relationships I wanted to make because I’ve seen some misconceptions out there! Had a lot of fun making it! Hope yall enjoy.
Super cool project! If you want to give something meaningfull this christmas this is a good idea! And you can also ask for a christmas gift if you are a trans kid or youth in need
This Pride, don’t forget about us
ID: “This Pride remember to respect all trans people : Trans women who don’t shave with a drawing of a woman whit a yellow and pink beard, trans men who don’t bind, masculine trans women and feminine trans men with a drawing of a trans woman with short pink hair wearing a yellow baseball T-shirt holding hands with a trans man with a yellow crop top and short curly blue hair, fat trans people with the drawing of a fat trans woman with short white hair, dark skin and a pink cropped top, disabled trans people with a drawing of a wheelchair and a walking cane in the color of the trans flag, neurodivergent trans people with the symbol of the autistic community, trans people who are sex worker with a drawing of blue bra and pink underwear, poor trans people who can’t afford transition, trans people who aren’t out yet with a drawing of a closed door, trans people who don’t plan on transitioning, black trans people with a black fist holding a trans flag, and any trans people who isn’t white with multiple hands of different skin tones, muslim trans people with a drawing of someone wearing a hijab in the color of the trans flag, jewish trans people with a drawing of someone wearing a white shirt and a kippah in the color of the trans flag, non binary people even those who don’t identify as trans with the non binary flag, those whose identity you might not understand with the genderfluid flag, the agender flag, the demi gender flag and the genderqueer flag, trans people who don’t pass and don’t want to with a drawing of a trans woman with a beard and dark skin raising her fist, every pronouns with dialog box in which are different sets of pronouns, trans people of every identity with the gay flag, the lesbian flag, the ace flag, the bi flag, the pan flag and the aro flag, every trans person is beautiful and deserving of so much love so don’t forget the T.” End ID
P.S. : can someone tell me if I did the image description right cuz I have no idea
Throughout the 15 workshops I joined in college and grad school, I encountered two types of writing rules.
First, there were the best-practice guidelines we’ve all heard, like “show don’t tell.” And then there were workshop rules, which the professor put in place not because they’re universal, but because they help you grow within the context of the workshop.
My college’s intro writing course had 5 such rules:
When I first saw the rules, I was baffled. They felt weirdly specific, and a bit unfair. But when our professor, Vinny, explained their purpose (and assured us he only wanted us to follow the rules during this intro workshop, not the others to come), I realized what I could learn from them.
Writers need to be able to craft round characters, with clear arcs. While you can hone those skills writing any type of story, it can be more difficult when juggling fantastical elements, because it’s easy to get caught up in the world, or the magic, or the technology, and to make that the focus instead of the characters. So Vinny encouraged us to exclude such elements for the time being, to keep us fully focused on developing strong, dynamic characters.
Weapons have a place in many stories, but when writers include a gun, they often use it to escalate the plot outside of the realm of personal experience and into what Vinny called “Hollywood experience.” He wanted us to learn how to draw from our own observations and perceptions of life, rather than the unrealistic action, violence, and drama we’d seen in movies, so he made this rule to keep us better grounded in our own experiences.
When trying to depict sadness, writers often default to making characters cry. While there’s nothing inherently wrong with that, tears are just one way to show grief, and they aren’t always the most subtle or emotionally compelling. That’s why Vinny challenged us to find other ways to convey sadness — through little gestures, strained words, fragile interactions, and more. It was difficult, but opened us up to depicting whole new gradients of grief and pain.
This is the only one of the rules I’d say is generally universal. Meaning “God from the machine,” deus ex machina is a plot device where a character’s seemingly insurmountable problem is abruptly resolved by an outside force, rather than their own efforts. These endings are bad for various reasons, but Vinny discouraged them because he wanted us to understand how important it was for our characters to confront their struggle and its consequences.
Death is inherently dramatic and can be used to good effect, but many writers use death as a crutch to create drama and impact. Writers should be able to craft engaging, meaningful stories, even without killing off their characters, so this rule challenged us to find other methods of giving weight to our stories (such as through internal conflict).
First things first, I’ll say it again: apart from #4 (deus ex machina), these rules were never meant to be universally applied. Instead, their purpose was to create temporary barriers and challenges to help us develop key skills and write in new, unfamiliar ways.
For me, the experience was invaluable. I liked the way the rules challenged and stretched my abilities, driving me to write stories I’d have never otherwise attempted. They made me more flexible as a writer, and while I don’t follow the rules anymore (I LOVE me some fantasy), I’ll always be thankful for how they shaped my writing.
Give some of these rules a shot! Follow them temporarily while writing 2-4 short stories — but remember to always keep their purpose in mind, because the rules themselves will only help if you understand what they’re trying to achieve.
Write with purpose, and you’ll always be growing.
— — —
For more tips on how to craft meaning, build character-driven plots, and grow as a writer, follow my blog.
THIS IS MARRIAGE!!
Thats right!
Permission to be a bad ass. Nod.
He looks back at the guy like, “SEE THAT? SHE SAID YES. YOU’RE SO FUCKED.”
Like, guys. Sparta was so kick ASS sometimes when it came to women. Spartan women were given these small knives so that if their husbands came home and tried to hit them or assault them, they had a weapon within reach. That weapon was for CUTTING THEIR HUSBANDS’ FUCKING FACES so that when he went out in public everyone would know he was an asshole, abusing jerkface and they would publicly shame him.
I DID NOT KNOW THAT THAT IS GREAT
LET’S JUST TALK ABOUT SPARTAN WOMEN FOR A SECOND.
In Sparta, women could own land and were considered citizens. THAT IS A HUGE BIG FUCKING DEAL. Why? Because that was RARE AS FUCK and there are lots of places TODAY where women don’t even get that much.
Divorce was totally fine, and a woman could expect to keep her own wealth and get custody of the kids because paternal lineage wasn’t very important. And it didn’t make her a pariah! She could totally remarry, no big deal at all.
Spartan women participated in some fuckin’ badass sporting events, too. And because they were expected to be as physically fit as the Spartan menfolk (who all had to serve compulsory military duties, btw, and couldn’t marry until they finished them at thirty) they didn’t have time for lots of swishy dresses. So they wore notoriously short skirts. According to some accounts, their thighs were visible at all times. HOLY SHIT.
Also, In Sparta men only got their names on their graves if they died in battle. And women? Women only got their names on their graves if they died in childbirth. THE SPARTANS COMPARED CHILDBIRTH TO FUCKING BATTLE AND IT WAS VIEWED AS A GODDAMN BADASS AND HONORABLE WAY TO GO OUT.
FUCKING SPARTAN WOMEN. THIS DUDE HAD FUCKIN’ BETTER MAKE SURE SHE’S COOL WITH WHATEVER HE’S DOING, IF HE KNOWS WHAT’S FUCKIN’ GOOD FOR HIM.
^^ I throughly enjoyed the history lesson dashed with the colorful adjectives.
I mean, he knew she was Cersei… lol
And the women were trained the exact same way as men were. As children they were equals ; they were not allowed to wear clothing until a certain age and at that point they were sent away to a training camp until they were 18. It was only the men who were sent into the wilderness for an extra two years to ensure their strength for battle.
Plus the women could marry whomever they pleased and the men weren’t allowed to live with the women in their house until she said so. And they were tough in Sparta but also all about family. To have male offspring was good luck, to have female offspring was an honour.
This part of the movie was true; King Leonidas really did kill a man because he insulted his wife and he always ensured that he had his wife’s approval. And while Leonidas was away in battle she did rule Sparta on her own.
Sparta knew what was up.
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The idea that housecats are baby-talking at humans when they meow is based on a misunderstanding.
Yes, it’s true that, amongst themselves, adult housecats generally only vocalise to communicate with kittens, but the particular set of vocalisations that adult cats use to communicate with humans is distinct from, and largely non-overlapping with, the set of vocalisations that they use to communicate with kittens.
Your average adult housecat has anywhere from twenty to fifty distinct vocalisations that are basically only used to communicate with humans.
Cats meowing at humans is less baby-talk and more your cat learning a whole second language.