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Alain Delon sur le tournage du film ’Les Amours Célèbres’ réalisé par Michel Boisrond à Paris, France

“I think that’s the reason we’re such good friends, because we remember each other from when we were kids. Things that happened when we were kids that no one else knows about but us. It’s in our heads. That’s how we know they really happened.”

Mikey and Nicky (1976) dir. Elaine May

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Congratulations PARASITE / (2019) dir. BONG JOON-HO on 6 nominations and winning 4 Academy Awards at the 92nd Annual Academy Awards!
  • Best Original Screenplay · Bong Joon-ho, Han Jin-won (winner)
  • Best Picture · Bong Joon-ho, Kwak Sin-ae (winner)
  • Best Director · Bong Joon-ho (winner)
  • Best Foreign Language Film (winner)
  • Best Production Design · Lee Ha-Jun, Won-Woo Cho (nominee)
  • Best Film Editing · Yang Jin-mo (nominee)
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Anne Teresa De Keersmaeker, “Come Out” from Fase: Four movements to the Music of Steve Reich, 1982.

Photos: Herman Sorgeloos

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Leonard Cohen with his lover and muse Marianne and friends George Johnston and Charmian Clift [in Hydra, Greece], Photograph by James Burke, source.

A 10-minute walk from the sea, up several flights of steps and through winding alleys, the three-storey whitewashed home is now used by [Leonard Cohen’s] children. Cohen hadn’t visited for 15-odd years but his son, Adam Cohen, recently recorded his own album here. It’s empty at the moment, while a young couple who came to pay their respects are sitting on a low wall next to it, reading his poetry aloud.

Greece is a good place to look at the moon, isn’t it? You can read by moonlight You can read on the terrace You can see a face As you saw it when you were young”

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Bruno Ganz, Wim Wenders and Dennis Hopper during the filming of Der amerikanische Freund in 1977. Photos by Caterine Milinaire.

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He had a rare, enormous gift of concentration. In art, in general, concentration is a very serious thing. True concentration…when your comprehension is very deep. Very few people can do it. Only great artists.

Footage of Andrei Tarkovsky in 1972, from an interview with Eduard Artemyev. (x)