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53rdCenturyHero

@53rdcenturyhero / 53rdcenturyhero.tumblr.com

. . . also available in HUMAN. Fandom fossil.
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mimisempai

On the road to Season 3 - Day 116

Monthly reminder that Michael Sheen is 100% responsible for our obsession with that hand on the thin dark duke...

Master post : here

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archaeren

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

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vinceaddams

Hey.

Hey.

You don't need to use a safety pin to thread elastic through that channel.

There's a tool for that, called a bodkin, which works better than a safety pin. There's even a variety of different kinds.

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heyimdove

tw: rape and the Neil Gaiman allegations

Before you get mad at me, really, listen to the podcast, all four episodes, yourself. Please.

Iโ€™m a rape survivor and when the allegations dropped about Neil, my heart broke and my brain did a little bit too. I believed the victims.

But I am really glad I still listened to the podcast, and I emphatically urge you all to listen to the podcast (or a bootleg bc the people behind it are disgusting terfs). Listen to it for yourself and see if you agree with the headline the podcast crew wanted you to accept without question. Listen to the alleged victims speak on it themselvesโ€”- because non-consensual sexual contact IS NOT the same as consensual contact someone feels weird about later. Again. Listen to what the victims say THEMSELVES, both to interviewer and in private messages with Neil, about the nature of their relationships. There is a whole portion where one of the women assures Neil in messages that their encounters were consensual. The same woman sends multiple messages to him, offering further sexual encounters with him, gushing about the sex they had, so on, so on.

To me, at this moment, it really seems like consensual experiences are being conflated with rape as a hit job on a famous supporter of trans people, by terf journalists. I have been raped and sexually assaulted, and I have had consensual sexual encounters that left me feeling gross later (impact play? No thanks!). I may dwell on all of them from time to time, but I would never equate the impact play to sexual assault because I consented to it.

In fact, it actually makes me furious that people are now going to hear this, know about this, and come to think this is just another reason to NOT believe women. I think reasonable people will hear the podcast and see it for what it is- a hit job. And genuine victims of rape will have that much harder of a time being heard and believed. Especially when going up against men of power.

Please listen to the podcast, HEAR THE ALLEGED VICTIMS DIRECTLY. I bet your feelings will change.

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nonlaregina

Me: OK, I'm tired. I can't stay here on Tumblr any longer looking at sketches or drawings of these two idiots kissing. I have a life. So it's late, I think I'll go to bed.

Also me at 0:45: Oh, I have seen this so many times. One more.

*by kloekap

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Are people forgetting that GO is not written by ONE PERSON BUT TWO. Itโ€™s mostly Terry Pratchettโ€™s work. If you want to keep investing in GO, do it in support of him, whoโ€™s literal dying wish was to see it made into cinema.

Keep loving Good Omens for those like Terry, Michael Sheen, David Tennant, Jon Hamm, Douglas Mackinnon, and everyone else who helped bring it to life.

The show is a COLLABORATIVE effort. If you no longer feel you can support Gaiman, thatโ€™s valid. But donโ€™t disregard the others in the production who did nothing wrong.

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aroxfan
A Study In Pink [Sherlock] : what I retained

John: life is shit
Psy: ok
John: war
Psy: ok thank u now pay me
*some war nightmares and a gun later, in a park*
John: *life is shit face*
Mike: hey im the fat dude remember
John: hey life is shit, also war
Mike: cool, lemme introduce you to my sociopath gay friend who is not my friend because i dissappear from the whole serie after I make you two fall in love forever
John: what
Mike: eheh
*in a room with a dead body, a sociopath and a rejected girl loving dead bodies and sociopaths*
Mike: yo
Sherlock: *gay look towards the new pretty soldier* im interested but not showing it cause im a queen
John: here take my phone and all my clothes if you need
Sherlock: oW
Sherlock: afghanistan or Iraq
Sherlock: also Molly lol you ugly
John: * .....has stop working....*
Mike: eheh
Sherlock: i like cute blond army soldiers lets live together and do everything together from now
John: sounds good i dont find this creepy at all
Sherlock: *winks*
John:โ™กoโ™ก
Mike: eheh
*new home*
Sherlock: call me by my first name but you can call me how you want i dont care. love me please
Mrs.Hudson: look at my gay baby boys
John: no
Sherlock: thank you
John: what a shit decoration taste
John: also you're pretty but you're website is shit
Sherlock: this was rude but you're cute
Sherlock: wanna see a corpse
John: wow so romantic im coming
*around a corpse*
Sherlock: deductions deductions deductions
John: how marvelous
John: take me
Lestrade: im out
Donovan: the psycho is a bitch
John: no you
*somewhere we dont care in london*
Mycroft: im the master of cameras
John: Ridiculous. I wanna find my new boyfriend
Mycroft: also the master of mysterious cabs
John: ok
John: hey you're a girl so im flirting with you because im not gay and im not into the cheekbones guy
Anthea: do i look like i give a shit
John: *entering another dark place* ridiculous.
Mycroft: i wanna scare you
John: ridiculous
Mycroft: look at my pretty umbrella
John: i just wanna go home you weirdo
Mycroft: i know everything about you
John: lol big coat man already did that im not impressed anymore
John: also war
Sherlock: *texting his new boyfriend*
John: gotta go, bye bitches
John: jusg taking my gun on my way
Anthea: do I look like I give a shit
*with pretty boyfriend*
Sherlock: lol nothing just wanted to see you
John: i find this perfectly normal
Sherlock: text a serial killer please
John: okay
John: wait wha-
Sherlock: you're better looking than my skull friend
Sherlock: date?
John: YES
John: I mean no because im not gay but YES
*during the not gay date*
Angelo: you cute and gay
Sherlock: thank you
John: no
Sherlock: eat
John: ok
Angelo: here some gay candles
John: no
Sherlock: thank you
John: you single?
Sherlock: this is literally a date
John: no
Sherlock: i dont like girls
John: cool
John: I keep that information
John: for no gay reason
John: *bi lipslicking*
Sherlock: RUN
John: WHEREVER YOU GO
Sherlock: lol it was a test, means you dont need your cane
John: what cane?
Sherlock: why are there idiots in our flat
Anderson: *idiots stuff*
Sherlock: *clash*
John: dats my boy
Sherlock: I solved the case
Cabbie: cool now come so i can kill you
Sherlock: no
Cabbie: but it's fun
Sherlock: ok
John: why the hell nobody noticed that the super annoying good looking detective left
Anderson: he is a psycho
John: oh you're the boyfriend of the bitch you bitch
*somewhere lost and dark that we can easily find with a gps*
Sherlock: im smarter
Cabbie: im smarter
Sherlock: this is a fake gun
Cabbie: you're smarter
Sherlock: but im playing your game anyway because my life is boring and death is fun
Cabbie: *gets shot*
Sherlock: oh no but this is not fun
Sherlock: how do i know if im the smarter now
Dying cabbie: moriarty
Sherlock: lets go for two seasons then
Sherlock: means 5 more episodes lol
*among useless policemen and police cars doing beep beep*
Lestrade: put the blanket on
Sherlock: I dont need a blanket dad i worked hard dad
Lestrade: who shot
Sherlock: my deduction skills tell me it's a cute blond army doctor but ive no idea who
John: *is here and good looking but still no gay*
Sherlock: oops
Lestrade: can you repeat everything because I'm cute and nice but not very smart
Sherlock: nope
Sherlock: but im putting the blanket on, look dad
Lestrade: it's all fine then
Sherlock: *throws the blanket away to look good in front of cute blond army doctor*
John: look at my innocent face
Sherlock: this shot was quite badass
John: okay it was me
Sherlock: hot
John: I know right
Mycroft: and now do i scare you
John: youve got a serious problem
Sherlock: stop playing with my date you little shit bro im the queen
John: okay weird fam
John: you idiot
Sherlock: ok but you're so cute when you say that
Sherlock: take me
John: what
Sherlock: another not gay date?
John: yes yes yes yes
John: with candles
Mycroft: ok i ship them
Anthean: do I look like I give a shit again

That's the official script. Yep.

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heohl-art

I'M SO โœจPROUDโœจ OF THIS ONE!๐Ÿ˜ญ๐Ÿฉท

โ€ข My jolly demon bold โ€ข

[Mermaid!Aziraphale x Pirate!Crowley]

(fully inspired by Pirates of the Caribbean 4, mermaid scene: best scene everโœจ)

It's like AM 2:30 and I'm so tired, but also so DAMN proud of how well this turned out๐Ÿ˜ญ I finally get how to draw water at night!!

Bye, I'm going to sleep๐ŸŒ›

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I didnโ€™t want to disrupt the post about hostile architecture I saw because itโ€™s true that the main target is homeless people but I did want to mention that this architecture also hurts people who arenโ€™t skinny. I want to preface this all by saying I am in no way trying to minimize how this impacts people experiencing homelessness I am just trying to add on to the discussion of how these are bad.

You think that someone who canโ€™t fit into those weird little yellow seats is going to feel comfortable? No. It will only make them feel bad or excluded.

Look at this shit. Itโ€™s not good or nice.

It only adds to the ways fat people are made feel unwelcome and though we already needed to tear this shit down because it makes life a million times worse for people experiencing homelessness and so this isnโ€™t saying this is why you should tear it down. It is saying that our society is fatphobic and that sucks.

This isnโ€™t a side effect, hostile architecture is designed to drive EVERYONE whoโ€™s โ€œundesirableโ€ from public spaces. Homeless people are the biggest targets but also disabled people, fat people, elderly people, etc. Other things, like anti-โ€œloiteringโ€ measures and increased presence of police and security, drive out even more people, especially people of color and teenagers.

You arenโ€™t disrupting or derailing discussions by talking about your experiences, we NEED to talk about the ways that different kinds of people are declared โ€œunwantedโ€ and pushed out of society.

Yeah, we no longer have โ€œugly lawsโ€ on paper, but in practice and architecture, we still absolutely do. If anything, weโ€™ve gotten worse and more hostile towards โ€œuglyโ€ (unhoused, disabled, fat, etc) people in the past ten years- and this is exacerbated in the USA especially by the way communities are built to be car-dependent and segregated by class and race.

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dreamdust

My headcanon is that medieval Crowley has three roles. This is the famous Black Knight, Lady Crowley and the robber Black Snake. Robber is famous for creating a reputation for himself by never showing himself to anyone, simply because Crowley wanted to spend a couple of years as a snake)

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๐“๐จ๐ฆ ๐‡๐ข๐๐๐ฅ๐ž๐ฌ๐ญ๐จ๐งโ™ก๏ธŽ