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Internet Film School

@2nd-rate-film-school / 2nd-rate-film-school.tumblr.com

Filmmaking and writing tips and tricks from a screenwriter & script analyst. | Downloadable scripts, templates, and other materials available in the Resource Drive

the rubber duck

For anyone curious what they mean by the rubber duck, rubber duck debugging is a tactic used by programmers to figure out bugs in the code. To do it, they explain the code, verbally, line by line, to the rubber duck until they find it. 

It’s also very useful for writers, and I’ve used it multiple times with rubber ducks, stuffed animals, and my friends.

One of the best dance routines I’ve ever watched.

The Nicholas Brothers

I believe these gentlemen are scientifically classified as a liquid.

Diagnosis: sick liquid fire

Didn’t they use these dudes to help animate some of the dancing in Betty Boop?

Correct!

Even more, they utilized Cab Calloway (the band leader) and used the same rotoscoped piece of him dancing in almost 20 of their shorts!

Amazing

Tap is such an exciting form of dance. 

1. That saxophone player who kept leaning out of the way lol

2. These guys must have had thighs of steel!

I’ve watched this like a thousand times and I’m so glad it popped up again

UNREHEARSED WHAT IN THE

HOW THE HELL?

How? Well, it helps that they were actual brothers, their father was in Vaudeville, and they’d been dancing together since they were almost bebbies:

Here’s a clip of them from seven years earlier:

We’ve made it!! Congratulations to everyone who completed the screenwriting challenge! You now have your very own first draft of a feature film!

Thank you to everyone who participated, submitters and non-submitters alike. You all put in a lot of time and effort and it paid off. I'm grateful to have had the opportunity to read your scripts and can’t wait to see where these projects go. While this challenge was a lot of work, it was well worth it.

Hope to see you all back here for next year’s challenge!

Best,

Jules

We’ve made it to the final week! You all are so close to finishing your scripts and have officially made it over the second act hump. Keep up the good work and don’t forget to get that feedback!

I find the third act easier to write than the second, as it’s a culmination of everything you’ve been building toward. However, the third act isn’t without its challenges. Going into the third act, you’ve set up the climax, the most intense emotional and/or physical part of your story. The stakes and obstacles should be at their highest.

The resolution should tie up the main plot line and potentially tie up some subplots as well. Ambiguous endings are also great, but there still needs to be a moment of finality, even if there’s a question at the end. Think of Lost in Translation (minor spoilers ahead): Bob and Charlotte embrace, Bob whispers something, and they go their separate ways. It’s a final moment with questions still posed.

By next week, Aug. 18, 11:59pm (PST), complete and submit the following:

  • You’re completed script! For a 120 page feature, your third act should be about 30 pages (about 23 for a 90 page feature)
  • Send at least one act your script to at least 2 people and ask for feedback. Submit marked up version of at least one act of your script.

Resources for this week:

Happy Writing!

Jules

Friendly reminder that GIMP does pretty much everything Photoshop does, and it’s 100% free. Fuck DRM and the license culture, we have plenty of open source options available to us as a consumer.

  • Lightworks is a freeware video editor on par with Premiere
  • Blender is an excellent freeware 3D renderer,possibly better than After Effects
  • Lightzone to replace Lightroom
  • Inkscape to replace Illustratr
  • Audacity to replace Audition (I also received a free version of Pro Tools with my Scarlett Solo audio interface)

If Adobe is going to be greedy shitheads, then fuck ‘em. Don’t use their stuff. Freeware can be just as good, if not better, than Adobe CC.

reblog to save a digital arts major

Reblog to save an artist.

Congrats to everyone who’s made it this far! You’re halfway there. The 2nd act is what constitutes the majority of your film. It’s twice as long as the other two acts, starting after your 1st act turning point and your protagonist will go on a journey that will become more and more difficult until they reach the “all hope is lost” moment: the 2nd act turning point.

For this week, you’ll be finishing up the second act, stopping at your second act turning point. The second act turning point is not the “final showdown” but the point where your protagonist is at their lowest and they have either failed or succeeded in their initial goal (Think of Miguel and Hector in the cenote in Coco. Miguel found his great grandfather - his initial goal - but it’s not who he thought and now he has a new goal: get Hector’s photo from Ernesto.)

As always, do not procrastinate. I always find the part between the midpoint and the second act turning point to be the most difficult

By next week, Aug. 12, 11:59pm (PST), complete and submit the following:

  • Second half of Act 2 (roughly 30 pages for a 120 page feature)

By Aug. 19th, 11:59pm (PST), complete and submit the following:

  • Send at least one act your script to at least 2 people and ask for feedback. I can count as one of the two. I recommend sending your script to more than 2 people, in case people don’t respond.
  • Submit a marked up version of one act as proof you got feedback. Those who got feedback from me do not need to send my markups. If you get feedback on discord, screenshot it or @me so I see it.

Resources for this week:

Happy Writing!

Jules

Week 5: Act 2

You’ve written your first act! Congratulations!! Now that you’ve gotten over the challenge of the blank page, it’s time to get your story moving!

The 2nd act is what constitutes the majority of your film. It’s twice as long as the other two acts, starting after your 1st act turning point and your protagonist will go on a journey that will become more and more difficult until they reach the “all hope is lost” moment: the 2nd act turning point.

For this week, you’ll just be tackling the first half of the second act, stopping at your midpoint. Your midpoint should be a major event that twists the story in a new direction, but it’s crucial that your characters are still pursuing the end goal (which they will either succeed or fail to achieve by the 2nd act turning point).

Do not procrastinate. You’ve completed your first 30 pages and know how long it takes. The second act is almost always harder to write than the first. Give yourself time during the week so you don’t feel rushed and you can promote creativity.

By next week, Aug. 4, 11:59pm (PST), complete and submit the following:

  • First half of Act 2 (roughly 30 pages for a 120 page feature)

By Aug. 11th, 11:59pm (PST), complete and submit the following:

  • Send at least one act your script to at least 2 people and ask for feedback. I can count as one of the two. I recommend sending your script to more than 2 people, in case people don’t respond.
  • Submit a marked up version of one act as proof you got feedback. Those who got feedback from me do not need to send my markups. If you get feedback on discord, screenshot it or @me so I see it.

Resources for this week:

Happy Writing!

Jules