水の中の8月 (有)ファザーSCI 監督:石井聰亙
Kiyoshi Kurosawa, au dos des images (2018), Alain Bergala / Jean Pierre Lemosin
Moriizumi Takehito, from Spring has come
photo from eminovsky on twitter
Giving depressed failure vibes today
the vibes are rotten but love will come
Franz Kafka, Sketches from around the time of The Trial
“Please burn every bit of it,” he wrote
i think there’s divinity in gross and ugly things. i think the radical love and acceptance of what is weird and nasty is angelic and i think there is something holy about indulging in the neglected/looked down on/outcast/unacceptable parts of this world. you should let yourself be weird
‘TREE OF LIGHT 54′ Tatyana Murray Glass, Plexi, Led Lights, Wood; REFRACTED LIGHT 39 1.2H x 19 3/4L x 5 1/4D inches
big fan of stories that are like fate is just the propaganda that allows the powerful to maintain control of the oppressed but also fate is just your childhood trauma driving you to recreate the same dysfunctional cycles over and over again but also fate is not an illusion fate is a real force that you live with every day and there are real consequences for defying it but also fate is just your father trying to tell you he knows you better than you know yourself. and he's wrong
Shin Sato — Moonlight Field (mineral pigments, gelatin, gold leaf, on panel, 2008)
Perfect skin doesn’t matter brand names don’t matter grind culture doesn’t matter all that’s important is having a hobby you love and learning to cook vegetables in tasty ways
