even though it’s called bipolar disorder, we don’t just experience two emotions. we experience depression (sometimes severe), (hypo)mania, apathy, anger (sometimes extreme), we dissociate, we shut down, we feel numb, we feel anxious or panicked…. It’s not a two-way street. stop stereotyping.
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For the love of all that is good in this world turn the sound up
SLYTHERIN: “The trouble with getting your hopes too far up is: it’s a long way down.” –Nicola Yoon (The Sun is Also A Star)
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a waitress could slit my throat and I’d still tip 15% i dont know how her day’s been yknow?
i hear your responses and i just wanna say obviously i usually tip at least 20 like im not an animal. but to be completely fair she did kill me
@idasjunnesson
u know when ur growing out of phases and mindsets but u haven’t found where exactly ur shift in identity is going yet? that’s tonight’s mood
the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA
That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body.
OKAY BUT HOLD ON THOUGH.
I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.
Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.
Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.
And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.
The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.
Daaaamn, Tony. That’s fucking deep, my guy
I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.
not to sound like a golden retriever on main but the feeling when someone praises me for something i did? indescribable
Do not let them consume you. They don’t define who you are.
It’s so frightening how people read my manic periods as happy and healthy. I might look like I’m doing good now, but check back in next week when I’m bedridden and despairing.
as you get older, you realize that you’re not always right and there’s so many things you could’ve handled better, so many situations where you could’ve been kinder and all you can really do is forgive yourself and let your mistakes make you a better person.
