What if writers had a much smarter and different way of insulting others?

“Your life has barely any plot development!”

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“We rely upon the poets, the philosophers, and the playwrights to articulate what most of us can only feel, in joy or sorrow. They illuminate the thoughts for which we only grope; they give us the strength and balm we cannot find in ourselves. Whenever I feel my courage wavering, I rush to them. They give me the wisdom of acceptance, the will and resilience to push on.”

—Helen Hayes

“I want you to think of me like an endangered species - it's fine to look at me from far away, but be careful because I may bite if you come near and talk to me or touch me.”

—Haruki Murakami, in his first public appearance in Japan in 18 years. 

“Before you begin to write a sentence, imagine the scene you want to paint with your words. Imagine that you are the character and feel what the character feels. Smell what the character smells, and hear with that character’s ears. For an instant, before you begin to write, see and feel what you want the reader to see and feel.”

—Othello Bach

Things A Scene Needs

Each character in a scene needs a goal. Obviously the main character’s goal is the most important, but every character should be aiming for something, and those goals should be acted on and in doing so affect one another.

This doesn’t just refer to the protagonist/antagonist relationship, it should be true of all characters in a scene.

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“Memories warm you up from the inside. But they also tear you apart.”

—Haruki Murakami, Kafka on the Shore

In the end, there isn’t a right way to write.

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