“The other thing is, I like to throw clichés in. I think when a cliché comes after something so odd as, you know, this idea that a bear hunter has gone out and enraged a bear and the wife is terrified that the claws will tear through her home, and that kind of thing—what's scarier, the bear, or the bear hunter returning? An image like that is very specific to that song. You're not gonna hear that image in a Celine Dion song. But the clichés that come after—she's all right, it's all right, baby it's all right, that kind of thing—you will hear that in a Celine Dion song. To say to your lover, "it's all right" is actually the most intense and real thing you could say to this person. I think very specific images and often very tense, perilous images can somehow [redeem the cliché].”