Karkat's Quotes and Insults Masterpost

Yeeeeaaaah, in the last month or so I went through most of Karkat’s logs, collecting various insults and other quotes from him. Mostly for people to use as inspiration for their own Karkat insults, whether it be fore fanfics or roleplaying, or for anyone who just wants to laugh at some of the hilarious things he ends up saying.

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“You cannot separate metaphor from reality. Metaphor is part of reality. Metaphor is an exploration of the nature of reality.”

—John Green

“For some stories, it’s easy. The moral of ‘The Three Bears,’ for instance, is 'Never break into someone else’s house.’ The moral of ‘Snow White,’ is ‘Never eat apples.’ The moral of World War I is 'Never assassinate Archduke Ferdinand.'”

—Lemony Snicket | The Wide Window

“I want to hear a poem where ideas kiss similes so deeply that metaphors get jealous, where the subject matters so much that adjectives start holding pro-noun rallies at city hall.”

—Steve Colman, I Want To Hear A Poem

“The sea refreshes our imagination because it does not make us think of human life; yet it rejoices the soul, because, like the soul, it is an infinite and impotent striving, a strength that is ceaselessly broken by falls, an eternal and exquisite lament. The sea thus enchants us like music, which, unlike language, never bears the traces of things, never tells us anything about human beings, but imitates the stirrings of the soul. Sweeping up with the waves of those movements, plunging back with them, the heart thus forgets its own failures and finds solace in an intimate harmony between its own sadness and the sea’s sadness, which merges the sea’s destiny with the destinies of all things.”

—Marcel Proust, Regrets, Reveries The Color of Time

5 Tips for Creating Great Metaphors & Similes

Aaaah, metaphors: they can be a writer’s best friend, or worst enemy (see what I did there?). When done well, they can add a whole other dimension to your writing. But you can’t necessarily just compare sadness to road kill and be on your merry way. Metaphor creation is a honed writing skill.

Before we hop to the 5 tips, let’s learn some terminology with the help of our buddy John Green, and our favorite metaphor from Looking for Alaska:

“So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.”

The best definition of a metaphor that I could come up with based on others I read was “a comparison that shows how two mostly dissimilar things are alike in a contextually important way”. So though people are not drops of water who fall from the sky, we learn that Miles feels “subdued” compared to Alaska, because we know how drizzle relates to a hurricane.

Metaphors have two parts: a tenor and a vehicle. The tenor is the actual thing being described—in the above quote, people, Miles, and Alaska are tenors. The vehicle is what the tenors are being compared to: rain, drizzle, and a hurricane, respectively.

Okay! Now that we’ve got that down, let’s get this show on the road:

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“An image — as opposed to a symbol — is indefinite in meaning. One cannot speak of the infinite world by applying tools that are definite and finite. We can analyse the formula that constitutes a symbol, while metaphor is a being-within-itself, it’s a monomial. It falls apart at any attempt of touching it. ”

—Andrei Tarkovsky +

“Metaphors work a lot better when you don't draw attention to the fact that they're metaphors.”

—Elliott Smith

“F. Scott said That unrequited love will Tear you up on the inside 'Til there's close to nothing left So, don't wait And god don't pine 'Cause in the end It's just a distant green light F. Scott said”

—Adam Dubberly, Books Say
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