Make bad art.
Neil Gaiman has released a book of his great commencement address, Make Good Art.
When things get tough, this is what you should do: Make good art. I’m serious. Husband runs off with a politician — make good art. Leg crushed and then eaten by a mutated boa constrictor — make good art. IRS on your trail — make good art. Cat exploded — make good art. Someone on the Internet thinks what you’re doing is stupid or evil or it’s all been done before — make good art. Probably things will work out somehow, eventually time will take the sting away, and that doesn’t even matter. Do what only you can do best: Make good art. Make it on the bad days, make it on the good days, too.
I love Gaiman’s message, but I also want to make a plug for something else: when the going gets rough, make bad art, too.
When 9/11 and Katrina hit and she lost a bunch of her close friends, Lynda Barry got really depressed, and all she could do is doodle:
I found myself compelled, like this weird, shameful compulsion to draw cute animals. That was all I could stand to draw. You know, just cry and draw cute animals…dancing dogs with crowns on, you know? And, like, really friendly ducks. But I found this monkey, this meditating monkey, and I found that once - when I drew that monkey, it’s not that it fixed the problem. But it did shift it a little bit, or provide me some kind of relief. And that’s when I started to think, maybe that’s what images do, because I believe in all my - with all my heart they have an absolute biological function…
“Good” can be a stifling word, a word that makes you hesitate and stare at a blank page and second-guess yourself and throw stuff in the trash. What’s important is to get your hands moving and let the images come. Whether it’s good or bad is beside the point. Make art.
“When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again.”
—Lynda Barry, my hero“When you start to think of the arts as not this thing that is going to get you somewhere, in terms of becoming an artist or becoming famous, but rather a way of making being in the world not just bearable but fascinating -- then it start to get interesting. ”
—Lynda Barry adds to history’s finest definitions of art.
“If you can stand to wait 24 hours before you decide the fate of what you have written - either good or bad - you're more likely to see that invisible thing that is invisible for the first few days in any new writing. We just can't know what all is in a sentence until there are several sentences to follow it. Pages of writing need more pages in order to be known, chapters need more chapters.”
—Lynda Barry“By the 6th grade I stopped doing ordinary things in front of people. It had been ordinary to sing, kids are singing all the time when they are little, but then something happens. It's not that we stop singing. I still sang. I just made sure I was alone when I did it. And I made sure I never did it accidentally. That thing we call 'bursting into song.' I believe this happens to most of us. We are still singing, but secretly and all alone. ”
—Lynda Barry, What It Is
“Something seems to happen at about adolescence where the thing that we call the arts – so, let's talk about a drawing – it's a piece of paper is a place for an experience for a kid. When they're drawing, they have a thing that they do when they approach a piece of paper that's very different from when an adult approaches a piece of paper to make a picture ... There's this point when that piece of paper, which was a place for an experience, turns into a thing that's either a good or a bad picture. And so many people tell me stories where they can remember exactly when that happened.”
—Celebrated cartoonist and reconstructionist Lynda Barry considers the point at which many people give up on the arts as their inborn creativity is stifled. From an NPR conversation about her unorthodox course on drawing, The Unthinkable Mind, and her new book, The Freddie Stories.
Complement with Sir Ken Robinson on how schools kill creativity.
Storytelling
Belle & Sebastian
There are certain children who are told they are too sensitive, and there are certain adults who believe sensitivity is a problem that can be fixed in the way that crooked teeth can be fixed and made straight. And when these two come together you get a fairytale, a kind of story with hopelessness in it.
I believe there is something in these old stories that does what singing does to words. They have transformational capabilities, in the way melody can transform mood.
They can’t transform your actual situation, but they can transform your experience of it. We don’t create a fantasy world to escape reality, we create it to be able to stay. I believe we have always done this, used images to stand and understand what otherwise would be intolerable.
Lynda Barry in What Is
Song: “Storytelling” by Belle & Sebastian
