“Fantasy is not the opposite of reality: it is what plugs the void in our being so that the set of fictions we call reality are able to emerge. The Real is rather the primordial wound we incurred by our fall from the pre-Oedipal Eden, the gash in our being where we were torn loose from Nature, and from which desire flows unstaunchably. Though we repress this trauma, it persists within us as the hard core of the self. Something is missing inside us which makes us what we are, a muteness which resists being signified but which shows up negatively as the outer limits of our discourse, the point at which our representations crumble and fail.”

—Terry Eagleton, Figures of Dissent: Critical Essays on Fish, Spivak, Zizek and Others. 

“Certain American uses of deconstruction, Derrida has observed, work to ensure 'an institutional closure' which serves the dominant political and economic interests of American society. Derrida is clearly out to do more than develop new techniques of reading: deconstruction is for him an ultimately political practice, an attempt to dismantle the logic by which a particular system of thought, and behind that a whole system of political structures and social institutions, maintains its force. He is not seeking, absurdly, to deny the existence of relatively determinate truths, meanings, identities, intentions, historical continuities; he is seeking rather to see such things as the effects of a wider and deeper history of language, of the unconscious, of social institutions and practices.”

—Terry Eagleton, Literary Theory, An Introduction

“Jesus, unlike most responsible American citizens, appears to do no work, and is accused of being a glutton and a drunkard. He is presented as homeless, propertyless, celibate, peripatetic, socially marginal, disdainful of kinsfolk, without a trade, a friend of outcasts and pariahs, averse to material possessions, without fear for his own safety, careless about purity regulations, critical of traditional authority, a thorn in the side of the Establishment, and a scourge of the rich and powerful. Though he was no revolutionary in the modern sense of the term, he has something of the lifestyle of one. He sounds like a cross between a hippie and a guerilla fighter. He respects the Sabbath not because it means going to church but because it represents a temporary escape from the burden of labor. The Sabbath is about resting, not religion. One of the best reasons for being a Christian, as for being a socialist, is that you don’t like having to work, and reject the fearful idolatry of it so rife in countries like the United States. Truly civilized societies do not hold predawn power breakfasts (John 21). ”

—Terry Eagleton

“Woman is the opposite, the 'other' of man: she is non-man, defective man, assigned a chiefly negative value in relation to the male first principle. But equally man is what he is only by virtue of ceaselessly shutting out this other or opposite, defining himself in antithesis to it, and his whole identity is therefore caught up and put at risk in the very gesture by which he seeks to assert his unique, autonomous existence. Woman is not just an other in the sense of something beyond his ken, but an other intimately related to him as the image of what he is not, and therefore as an essential reminder of what he is. Man therefore needs this other even as he spurns it, is constrained to give a positive identity to what he regards as no-thing. Not only is his own being parasitically dependent upon the woman, and upon the act of excluding and subordinating her, but one reason why such exclusion is necessary is because she may not be quite so other after all. Perhaps she stands as a sign of something in man himself which he needs to repress, expel beyond his own being, relegate to a securely alien region beyond his own definitive limits. Perhaps what is outside is also somehow inside, what is alien also intimate — so that man needs to police the absolute frontier between the two realms as vigilantly as he does just because it may always be transgressed, has always been transgressed already, and is much less absolute than it appears.”

—Terry Eagleton, Literary Theory, An Introduction
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