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Cultural Anthropology will go Open Access in 2014

“The Society for Cultural Anthropology (a section of the American Anthropological Association) is excited to announce a groundbreaking publishing initiative. With the support of the AAA, the influential journal of the SCA, Cultural Anthropology, will become available open access, freely available to everyone in the world.”

department of anthropology at the university of tumblr

would like to start a department of anthropology and create high paying tenured positions for all my fellow anthro related tumblrs. please sign up below and/or list your dream job.

My eternal conflict studying cultural anthropology:

I am either thinking “Aren’t people amazing?”

Or “Ugh why are people so awful?”

Is it just me?

Cultural anthropology is important and practical

In regards to people thinking anthropology is totally useless let me tell you something. I just finished my degree in anthropology. I am currently training to be a TESOL teacher, that is, Teaching English to Students of Other Languages. The vast majority of the students that I will be working with during my student teaching and during my career are from immigrant or refugee families. 

The field of TESOL is not entirely that old. Before programs were implemented in US schools, support for (non-native) English Language Learners (aka ELLs) was not that great and in some respects programs still have a lot of areas it needs to improve in. That’s a long story short.

Anyways, part of the program requires that future teachers be educated in a variety of areas including psychology and linguistics. However, ELLs come from different cultural backgrounds and their status as immigrants, refugees, and/or first and second generation Americans means that they face some unique challenges. For this reason, future teachers are also required to take courses that will teach them how to recognize these additional challenges and identify unique behaviors and cultural practices these children exhibit. Why? - because things like this happen:

Teacher A notices that student A is not doing something right in class, so they reprimand the student. Student A smiles at teacher A. Thinking that the student is mocking them, teacher A begins to shout at the student. Student A is nervous but continues to smile. Teacher B who has been trained as a TESOL teacher notices this and quickly explains to teacher A that the student understands what they were doing wasn’t right, but smiling to someone who is superior to them is a sign of respect in their culture. 

This is based on a real incident relayed to me by another TESOL teacher. Miscommunication due to cultural difference happens often in the classroom between uninformed teachers and students. This can have negative consequences on the student and hinder success in school.

There are a variety of other factors teachers need to understand when it comes to ELLs. One is recognizing the differences between being a student with a (learning) disability and being an ELL student. Some of the factors that contribute to differences between ELLs’ experiences in school and other students are, but not limited to the following:

  • Background (escaping military regimes, extreme poverty, warfare)
  • Irregular access to education (these students are known as SIFEs - Students with Interrupted Formal Education)
  • Group vs. Individual mentalities upheld by native culture (aka their C1 - “culture 1”)
  • Different cultural expectations - ex. schooling is not an immediate concern because it does not immediately benefit the family economically
  • Acculturation, culture shock - adapting from C1 (native) to C2 (American culture)
  • Linguistic differences between L1 (native language) and L2 (English)
  • Possible Limited English Proficiency (L2) as well as Limited Proficiency in their Native Language (L1)
  • Non-verbal differences (proxemics/sociolinguistics)
  • Interaction patterns and learning/teaching differences (in methodology)
  • Discrimination unique to their status as refugee/immigrant students
  • Different perceptual categorization (ex. colors, numbers, etc.)
  • Orthographic (writing) differences - for example, some of the students coming to us do not have a written language, it is only spoken. 

All of these require interventions and accommodations that will aid students in getting through these challenges to achieve success. Ultimately, there are a lot of odds stacked against these students and these students are at high risk. This is why it requires a lot of training on the teachers’, counselors’, etc. part to provide these interventions/accommodations, which in essence means a well rounded education involving education in linguistic and cultural anthropology.

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Hey anthro students, enthusiasts, and lovers!

If there is anything I have learned about the anthropology community on tumblr it’s that everyone is so nice! And on top of that all of the blogs are so interesting and informative. So here are a few of my favorites, I have many so if I forgot you I am sorry! If you run an anthropology themed tumblr please re-blog with your URL so other anthropologists (myself included) can check you out!

http://humanisticscience.tumblr.com/

http://sanitka.tumblr.com/

http://dead-men-talking.tumblr.com/

http://ohsoanthropological.tumblr.com/

http://lostinhistory.tumblr.com/

http://noellejt.tumblr.com/

http://zomganthro.tumblr.com/

go go go

“To Dance Again!”: Affect, Genre, and the HARRY POTTER Franchise

judgmentalobserver.com

One way that AVPM creates an intimate relationship between fan and text is by transforming the multibillion dollar Harry Potter transmedia franchise—the ultimate form of mass culture–back into folk culture. Whereas folk art is an expression of the community who is also its audience, mass art is disseminated to its audience already made, articulating its values for them. However, as so many fan studies scholars have noted, fan fiction allows fans to convert mass culture back into folk culture. I would add that by explicitly relying on the syntax and semantics of the musical, AVPM is even more adept at creating the sense that mass art is folk art. Jane Feuer argues that: “In basing its value system on community, the producing and consuming functions served by the passage of musical entertainment from folk to popular to mass status are rejoined through the genre’s rhetoric” (3).

Neat paper situating A Very Potter Musical within the history of folk culture and musical theatre.  She covers the connection between music and affect, community, amateurism, and compares, rather gorgeously, diegetic audiences in movie musicals to the audience in AVPM’s youtube vids:

For example, film musicals often offer up images of the diegetic audience to compensate for the “lost liveness” of the stage, serving as a serving as a stand in for the film audience’s subjectivity (27). Many Hollywood musicals include a diegetic audience that cues the non-diegetic audience in about how to feel about a performance—if they clap and cheer, the performance was successful. If they sit silently in their seats, the performance was a bust. A similar effect is created when watching the streaming video of the live stage performance of AVPM.

This last is particularly fun to apply to Glee, and not just Glee’s fuckton (actual academic jargon) of in-narrative audiences, from the prep school girls in “Animal” to the NYADA students in “Bring Him Home”, but the peripherals such as the concert movie and that “Gleek of the Week” thing they do following every show.  Creator-controlled audience reactions vs. the folk-culture, read-write, real-time chaos of Twitter and Tumblr.

Plus, if you’re into both Glee and Starkid, it’s pretty fun to watch the clips she’s pulled of moptop!Criss and Joe Walker in tap shoes.

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