“Afghanistan, Albania, Algeria, Australia, Austria, Azerbaijan, Belgium, Bosnia-Herzegovina, Canada, Croatia, Cyprus, the Czech Republic, Denmark, Djibouti, Egypt, Ethiopia, Finland, Gambia, Georgia, Germany, Greece, Hong Kong, Iceland, Indonesia, Iran, Ireland, Italy, Jordan, Kenya, Libya, Lithuania, Macedonia, Malawi, Malaysia, Mauritania, Morocco, Pakistan, Poland, Portugal, Romania, Saudi Arabia, Somalia, South Africa, Spain, Sri Lanka, Sweden, Syria, Thailand, Turkey, United Arab Emirates, United Kingdom, Uzbekistan, Yemen, and Zimbabwe.”
—The 54 foreign governments that helped the CIA torture, detain, and transport suspects in the years following 9/11, according to this detailed report.
“My reputation preceded me, and a rumor got started that I was a CIA hitman.”
This letter about prison life (PDF) by John Kiriakou, who’s serving 30 months in the federal pen for disclosing the name of a covert CIA agent to a journalist, makes for fascinating reading. Kiriakou also helped blow the whistle on the agency’s use of waterboarding.
Modern Art was CIA 'Weapon'
independent.co.ukFor decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.