How To Write About Africa

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“Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans.”

Why Africa's International Image Is Unfair

Viewpoint by Binyavanga Wainaina:

Let us imagine that Africa was really like it is shown in the international media.

Africa would be a country. Its largest province would be Somalia.

Bono, Angelina Jolie and Madonna would be joint presidents, appointed by the United Nations.

European aid workers would run the Foreign Affairs Office, gap year students from the UK the Ministry of Health and the Ministry of Culture would be run by the makers of the Kony2012 videos.

‘Wholesome and ethnic’

Actual Africans would live inside villages designed by economist Jeffrey Sachs.

Those villagers would wear wholesome hand-made ethnic clothing, dance to wholesome ethnic music and during the day they would grow food communally and engage in things called income-generating activities.

For our own protection, American peacekeepers and Nato planes would surround the villages - making hearts and minds happy and safe.

We would give birth to only one baby per couple - this way we would not overwhelm poor, suffering Europeans with our desire to travel outside our villages and participate fully in a dynamic world.

We would not be allowed to do business with the Chinese and we would not be allowed to do business with the country formerly known as Gaddafi’s Libya.

Africa would discover the child in itself, and stop trying to mess around and be a part of the rest of the world.

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How to Write about Africa by Binyavanga Wainaina, GRANTA 92.

A classic on maintaining colonial representations:

“Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress.

In your text, treat Africa as if it were one country. It is hot and dusty with rolling grasslands and huge herds of animals and tall, thin people who are starving. Or it is hot and steamy with very short people who eat primates. Don’t get bogged down with precise descriptions. Africa is big: fifty-four countries, 900 million people who are too busy starving and dying and warring and emigrating to read your book. The continent is full of deserts, jungles, highlands, savannahs and many other things, but your reader doesn’t care about all that, so keep your descriptions romantic and evocative and unparticular.”

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“I decide to spend some days travelling around, to avoid my parents, to follow a road and think about things other than what is wrong with my life. What a wonderful thing, I think, if it was possible to spend my life inhabiting the shapes and sounds and patterns of other people. ”

Binyavanga Wainaina | One Day I Will Write About This Place (2011)

extract here

Saw him read from his memoir at the Farafina Workshop closing event in Lagos’ Eko Hotel on Saturday night. He is hilarious and has a way of seeing the world that’s so thrilling and strange that it makes you want to climb into his skin. Spending time reading his beautiful writing is the next best thing.

“Novelists, NGO workers, rock musicians, conservationists, students, and travel writers track down my email, asking: Would you please comment on my homework assignment / pamphlet / short story / funding proposal / haiku / adopted child / photograph of genuine African mother-in-law? All of the people who do this are white. Nobody from China asks, nobody from Cuba, nobody black, blackish, brown, beige, coffee, cappuccino, mulatte. I wrote “How to Write about Africa” as a piss-job, a venting of steam; it was never supposed to see the light of day. Now people write to ask me for permission to write about Africa. They want me to tell them what I think, how they did. Be frank, they say, be candid. Tell it like it is. I have considered investing in a rubber stamp. I have imagined myself standing at the virtual borders of Africa, a black minuteman with a rubber stamp, processing applications — where YES means “Pass go, pay one hundred dollars,” and NO means “Tie ’em up and deport ’em.” It’s almost a sexual thing. They come crawling out of the unlikeliest places, looking to be whipped. I am bad, Master Binya, beat me. Oh! Beat me harder. Oo! They seem quite disappointed when I don’t. Once in a while I do, and it feels both good and bad, like too much wasabi.”

How to Write About Africa II: The Revenge Binyavanga Wainaina

How to Write about Africa

granta.com

In your text, treat Africa as if it were one country. It is hot and dusty with rolling grasslands and huge herds of animals and tall, thin people who are starving. Or it is hot and steamy with very short people who eat primates. Don’t get bogged down with precise descriptions. Africa is big: fifty-four countries, 900 million people who are too busy starving and dying and warring and emigrating to read your book.

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