“When a Native woman suffers abuse, this abuse is an attack on her identity as a woman and an attack on her identity as a Native. The issues of colonial, race, and gender oppression cannot be separated. This fact explains why in my experience as a rape crisis counselor, every Native survivor I ever counseled said to me at one point, “I wish I was no longer Indian.”—Andrea Smith, in Conquest: Sexual Violence and American Indian Genocide
Happy commemoration of that one time when a European guy screwed up his directions, found a land with people living on it, "discovered" it, and established a systematic genocide of native peoples that continues to decimate their culture.
Y’know, Columbus Day.
"History in < 100 Words"
Learning Objective(s): Don’t always trust artists renditions of historical events! (and this does not mean that I am discounting the talent of the artists or the beauty of their paintings)
I am here to clear up a few misconceptions of the event!
The Boston Tea Party - December 16, 1773
1. The ships were not actually docked in the harbor like this picture depicts, the colonists had to use boats to get out to the ships.
2. There were no crowds! There were about 3,000 British troops in Boston at the time,the colonists would not have wanted to draw attention to the illegal actions they were going to take by inviting people to cheer them on.
3. The colonists did not dress up as Indians to disguise themselves, they dressed up as Indians to set themselves apart from the British people whom they were in conflict with.
"How to Write the Great American Indian Novel" by Sherman Alexie
All of the Indians must have tragic features: tragic noses, eyes, and arms.
Their hands and fingers must be tragic when they reach for tragic food.
The hero must be a half-breed, half white and half Indian, preferably
from a horse culture. He should often weep alone. That is mandatory.
If the hero is an Indian woman, she is beautiful. She must be slender
and in love with a white man. But if she loves an Indian man
then he must be a half-breed, preferably from a horse culture.
If the Indian woman loves a white man, then he has to be so white
that we can see the blue veins running through his skin like rivers.
When the Indian woman steps out of her dress, the white man gasps
at the endless beauty of her brown skin. She should be compared to nature:
brown hills, mountains, fertile valleys, dewy grass, wind, and clear water.
If she is compared to murky water, however, then she must have a secret.
Indians always have secrets, which are carefully and slowly revealed.
Yet Indian secrets can be disclosed suddenly, like a storm.
Indian men, of course, are storms. The should destroy the lives
of any white women who choose to love them. All white women love
Indian men. That is always the case. White women feign disgust
at the savage in blue jeans and T-shirt, but secretly lust after him.
White women dream about half-breed Indian men from horse cultures.
Indian men are horses, smelling wild and gamey. When the Indian man
unbuttons his pants, the white woman should think of topsoil.
There must be one murder, one suicide, one attempted rape.
Alcohol should be consumed. Cars must be driven at high speeds.
Indians must see visions. White people can have the same visions
if they are in love with Indians. If a white person loves an Indian
then the white person is Indian by proximity. White people must carry
an Indian deep inside themselves. Those interior Indians are half-breed
and obviously from horse cultures. If the interior Indian is male
then he must be a warrior, especially if he is inside a white man.
If the interior Indian is female, then she must be a healer, especially if she is inside
a white woman. Sometimes there are complications.
An Indian man can be hidden inside a white woman. An Indian woman
can be hidden inside a white man. In these rare instances,
everybody is a half-breed struggling to learn more about his or her horse culture.
There must be redemption, of course, and sins must be forgiven.
For this, we need children. A white child and an Indian child, gender
not important, should express deep affection in a childlike way.
In the Great American Indian novel, when it is finally written,
all of the white people will be Indians and all of the Indians will be ghosts.