tightness of ideology unravelling

In 1988, after several years of tense relations, Abramović and Ulay decided to make a spiritual journey which would end their relationship. Each of them walked the Great Wall of China, starting from the two opposite ends and meeting in the middle. As Abramović described it: “That walk became a complete personal drama. Ulay started from the Gobi Desert and I from the Yellow Sea. After each of us walked 2500 km, we met in the middle and said good-bye.”

Abramović conceived this walk in a dream, and it provided what she thought was an appropriate, romantic ending to a relationship full of mysticism, energy and attraction. She later described the process: “We needed a certain form of ending, after this huge distance walking towards each other. It is very human. It is in a way more dramatic, more like a film ending … Because in the end you are really alone, whatever you do.”

 

“My mother never kissed me or told me she loved me, because she didnt want to spoil me, and now I have to do so much to deserve attention. You have to get past private suffering and translate it to something universal, and then you detach from it. You come from your own story, and in the end it becomes everyone else's. That is why it is such a good thing to do.”

—Marina Abramovic

“What I learned was that... if you leave it up to the audience, they can kill you... I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.”

— Marina Abramović recounting her performance Rhythm  0, 1974
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