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“Director Tim Burton and star Johnny Depp are making a feature film version of the classic 1960s gothic TV soap opera Dark Shadows, and producer Graham King now confirms that the film will shoot in the fall, with Depp to play broody vampire Barnabas Collins.” —ScifiWire
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Celebrities
Around Halloween each year, Forbes magazine releases its list of the highest-earning dead celebrities. The 2009 version is expected around Halloween. I had a chance to review the 2008 list of highest-earning dead celebrities while writing an article on the highest earning dead artists. (You can read that here.) Most of the names on the Forbes list won’t be a surprise: Elvis, Marilyn Monroe, Andy Warhol. Michael Jackson will probably make his debut on the list this year.
I noticed some much-loved figures of entertainment were missing from this list of high-earning dead celebrities. Granted…these entertainers may not have enjoyed the success of John Lennon or Paul Newman, these five figures will live forever in the hearts of many. Why aren’t they on the list? Here are some possible reasons: bad management, enjoyed their best days before lucrative syndication deals and made movies before the rise of the movie aftermarket (DVDs, play-on-demand and even television). All of them and most of their work would still be protected by original copyright laws, which gives a dead celebrity’s estate control and income for 70 years after the celebrity’s death. (These laws are now changing and I think eventually the estate will have control forever.)
1. John Wayne
Can you imagine how many times “True Grit” has been shown? Somehow, his greatest classics ended up in the $5 Walmart bins. In 1999, an end-of-the-century poll by the American Film Institute rated Wayne as No. 13 among the top 100 movie stars of all time. Wayne played the lead in almost 150 movies. Why isn’t he on this list? Wayne was a great actor, but he wasn’t always a good businessman. He became an actor in the early days of the entertainment world, when movies were called motion pictures. I doubt he realized the enormous influence his career would have on the field or the potential for after-life earnings. Wayne was a vocal supporter of the Vietnam War and spoke out frequently in favor of conservative and sometimes unpopular views. That could have influenced the marketing of his last efforts. Wayne died in 1979. (I bought my dad a John Wayne calendar this year for $9.99…wonder if he made any money off of that?)
2. Don Knotts
Back in 2000, Don Knotts’ character Barney Fife, the bumbling deputy on “The Andy Griffith Show’ back in the 1960s, was named the second most memorable character in television history by T.V. Guide. And with good reason…Barney Fife’s comic timing and sheer physical acts make that show hilarious. Knotts won five Emmys for the role. Even though the show was in the top ten every year it was on the air, no one could have participated the life it would have once canceled. In 2000, a Nielson survey showed that five million people watch the show everyday. Most county fairs in the South feature their own “Barney Fife” imitator. And the show is one of the hottest adult shows when it comes to merchandising, including Barney bobbleheads. But Knotts’ estate doesn’t reap any benefits from most of these. The show was filmed prior to standard syndication agreements.
3. Abraham Lincoln
I hope no one thinks I’m being disrespectful by calling Abraham Lincoln a celebrity…but he certainly has been this year. President Obama has made much ado about his respect for Lincoln as a leader and historian Doris Kearns Goodwin is still counting the cash from her bestselling biography “Team of Rivals.” 2009 marked the 200th anniversary of Lincoln’s birth and cities from his tiny birthplace of Hodgenville, Kentucky, right up to D.C. have racked in the tourism dollars from scholars and families wanting to be part of the party. Now, imagine if every fourth grader had to pay a royalty each time “The Gettysburg Address” was recited. He’d make a billion if he just got $1 from every Illinois license plate that says “Land of Lincoln.” Agree with me, now?
4.Hank Williams
More than anything, Hank Williams’ income was limited by the far too few years he was on Earth, only 30. Williams did in that short time take a regional style of music and make it national. He made a few records and landed some songs on the charts like “I’m So Lonesome I Can Cry” and “Hey Good-Lookin’.” Every Hank Williams song has been covered by at least a dozen singers from all genres but none of the covers even come close. If Hank had been given a few more years and maybe Col Tom Parker as a manager (he’s the guy that made Elvis famous), he might be vying for one of the top spots.
5. Anna Nicole Smith
Why does she deserve to be on this list? A noun and a name: lawsuit litigation, J. Howard Marshall. -
if i had ridiculous amounts of money
I would seriously just drop out of uni and go and live la vie bohème. I know that is completely hypocritical (because by definition, living the bohemian life means living with scarcely any money), but it would be very awesome. I would buy a super cool loft in NYC somewhere (with at least one interior brick wall, because I love interior brick walls) and then just be creative with endless resources. I would make films, write stories, learn to write music and then write songs, paint, photograph and spend my time however I wanted to spend it. I would buy pretty things, pretty clothes, pretty shoes, pretty jewellery; fairy lights, dreamcatchers, paintings, mirrors, furniture. I would have at least one room of wall to wall bookshelves and fill them with the books I’ve loved, books I’ve been meaning to read, books every bookshelf should really have, and then the odd book that just looks pretty. I would have a record player and steal all Dad’s old Beatles records, Elton John records, Bowie records… all his records really. And add a few of my own. I’d have a grand piano and a few guitars, and a library dedicated to sheet music. I’d have a mini-cinema and the films I’ve loved, films that have touched me or inspired me, films that are pretty to watch, films to make me laugh, films to make me cry, films that everyone should watch at least once in their lives. I’d go to Broadway shows whenever I felt like it, drink at Sardi’s, and buy a 1960’s Mustang convertible to Troubadour across the country with Ashley (who I’d fly over to either room with me or have an apartment in the same building :P). I’d lie on the roof or in Central Park under the stars, or reading in the sun, and I’d be in absolute bliss.
Of course, this is just my daydreamings, and highly unlikely to happen. But it would be amazing. And I bet a lot of fun.
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Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony.
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All time fave item…
Warhol: The Biography by Victor Bockris is an amazing book that follows the eccentric life and the personality of the iconic Andy Warhol. Andy Warhol shook the art world in the 1960s when he introduced his series of works at Eleanor Ward’s Stable Gallery in November, 1962. It was the debut of the art movement - Pop Art.
His most famous works include Campbell’s Soup, Marilyn Diptych, Brillo, and a series of underground films made in the infamous silver factory - The Factory.Why I Love Warhol: The Biography by Victor Bockris:
I’ve always been fascinated by Andy Warhol and his art work. I loved that he was unique and cooky and thought outside the box. Many people and authors have criticized Warhol for this, this book celebrates it. -
HIGH SCHOOL (FREDERICK WISEMAN, 1968)
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VIVRE SA VIE: FILM EN DOUZE TABLEAUX (JEAN-LUC GODARD, 1962)
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CONTEMPT (JEAN-LUC GODARD, 1963)
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UNE FEMME MARIÉE (JEAN-LUC GODARD, 1964)
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SYMPATHY FOR THE DEVIL (JEAN-LUC GODARD, 1968)
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This stuff happened-12/6/09-Chris
A proposed law will require 50% of all French companies’ boards to be women within five years. Skeptics are worried the bill will force many companies to split women in half to meet the quota.
Former Illionois Governor Rob Blagojevich will receive $75 to debate a Columbia College professor on the cultural merits of the Elvis Presley film “Viva Las Vegas”. Blagojevich was not invited for his extensive knowledge of Elvis Presley, but rather for his expertise on the corruption of 1960’s Las Vegas.
Democrats and Republicans have released a new bill that would require advertisers to adopt technology that adjusts commercial sound levels so they’re not louder than the TV program they precede. “What’s that? Sorry, we can’t hear you,” said advertisers.
Old people are protesting the bill, claiming it will cut down their exercise time during commercials. “You mean I won’t have to turn down my ears? Rubbish!”
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The British actor Colin Firth at lunch was just what you might imagine from his movies: articulate, thoughtful, reserved, dryly funny. He wore no shabby-chic items of clothing, exhibited no narcissistic flourishes, made no precious culinary demands and did not look aggrieved when asked, as everyone always asks, about Mr. Darcy, the role in “Pride and Prejudice” that made him famous in Britain all the way back in 1995.
He has an understated way of putting things. Asked about his trim physique, he attributed his newfound interest in the gym to the image-conscious exhortations of Tom Ford, who directed him in (and wrote the screenplay for) the forthcoming film “A Single Man.”
“He told me I looked good, but I’d look better if I had a personal trainer,” Mr. Firth explained.
Perhaps the conversation went a bit differently. “I told him he was fat,” Mr. Ford recalled later.
But Mr. Ford’s forthright Americanness and Mr. Firth’s roundabout Englishness proved a happy marriage in the movie, which will open in limited release on Friday. “A Single Man” is the first foray into film for Mr. Ford, the fashion designer, men’s wear mogul and sometime model. It is also a breakthrough for Mr. Firth, whose best qualities as an actor — subtlety, precision, the ability to convey emotion by seeming to withhold it — have the chance to flourish in his portrayal of a gay British professor in California in the early 1960s crippled by grief over his lover’s death.
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hmm
The girl’s name Amber \a- mber\ is pronounced AM-ber. Derived via Old French and Latin from Arabic “ambar”. Amber is the English name for a semiprecious gem made from fossilized tree resin, and is also used to describe the gem’s golden color. In Hindi, the name is derived from Sanskrit, meaning “the sky”. Amber became popular in the 1960s due to the Kathleen Winsor novel and film, “Forever Amber”. Model Amber Valletta.
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Christmas List
To send out to everyone, finally! Consists of a lot of separate wishlists Just cause that was easiest.. rather than putting different links or just names of things I want.
-B&H Photo list(Photo stuff): http://www.bhphotovideo.com/wl/26B5CF3A59
-Urban Outfitters list: http://www.urbanoutfitters.com/urban/use r/wishlistview.jsp?giftList=gl169098254
-Lomography Wishlist(Photo stuff): http://usa.shop.lomography.com/wishlist/shared/ index/code/047660825b8e4c1477243b80565ddc7f/
-Polaroid 600 Film
-Money!
-3KCM Shirt (small) http://www.threadless.com/product/1960/Three_Keyboard_Cat_Moon
-410 BC Sweatshirt: http://410bc.bigcartel.com/product/hook-line-sinker-pullover-crew-girls
-8x10, 5x7, wallet size picture frames (black, white, dark wood)
-tights (brown, black, navy, white)
-giftcards! (Urban Outfitters, Gap, B&H, american apparel, target, macys, Cost Plus, hollister, Abercrombie, forever 21, etc)
- Money!
-Lavendar Scented and flavored things
-etc…. i dont know!
***(if anyone is considering getting me the fuji instax camera&film, get it on bhphotovideo.com because it is the cheapest there)(above in my wishlist from b&h)
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SLIGHTLY OFF THE GROUND - 2009/2010 BRIEF
‘I BEGAN TO LIKE NEW YORK, THE RACY, ADVENTUROUS FEEL OF IT AT NIGHT AND THE SATISFACTION THAT THE CONSTANT FLICKER OF MEN AND WOMEN AND MACHINES GIVES TO THE RESTLESS EYE.’
F. SCOTT FITZGERALD, THE GREAT GATSBY
GATSBY, THE SURVEYOR, ALWAYS FELT LIKE A SPECTATOR RATHER THAN AN ACTIVE PARTICIPANT. HIS OBSERVATIONS DURING THE GREAT DEPRESSION WERE AKIN TO EDWARD HOPPER’S PAINTING NIGHTHALKS, SOLITARY YET OLFACTORY.
YOU TOO WILL ACT AS SURVEYORS BUT UNLIKE GATSBY OR HOPPER YOU WILL INTERVENE IN THE SPACES YOU DOCUMENT, YOUR PRESENCE BEING THE FIRST TENTATIVE STEP TO DEVELOPING A PROJECT FOR THE COMING YEAR.
YOU WILL CHOOSE A SITE OF CONSTRUCTION IN AND AROUND SOHO AS A STARTING POINT. SEVERAL EXIST, ONE ON THE CORNER OF CHARING CROSS ROAD AND OXFORD STREET AND ANOTHER BEING A GAPING HOLE CAUGHT BETWEEN AIR STREET, BREWER STREET AND GLASSHOUSE STREET. BOTH WERE THE SITES OF OLD THEATRES AND ARE NOW BEGINNING A PERFORMANCE OF THEIR VERY OWN. THEY OFFER A WEALTH OF OPPORTUNITY, NOT SIMPLY THROUGH THEIR REDEVELOPMENT BUT THROUGH THE CHANGE IN PERSPECTIVE THEY GIVE THE VERTICAL LANDSCAPE. FROM HERE YOU ARE TO WALK AWAY FROM THEM AS SIMPLE CONSTRUCTION SITES AND IMAGINE THEM AS STAGE SETS THAT YOU BEGIN TO DRESS. YOU WILL BE PHYSICAL WITH YOUR INTERVENTIONS BUT TO BEGIN WITH YOU ARE TO BE QUITE ILLUSIONARY. YOU MAY WISH TO ADD OR EXPAND ON THE PHYSICAL PERIMETERS OF WHAT YOU DISCOVER OR, ALTERNITIVELY, YOU MAY SIMPLY WISH TO AUGMENT YOUR VISUAL EXPERIENCE DESCRIBING A STATE OF FLUX OR AN IMPOSSIBLE RATE OF CHANGE AS SEEN FROM STREET LEVEL OR BELOW THE GROUND WITHIN ‘BASEMENT’ AND ‘SUBWAY’.
AS WE SURYEY, WE NOTE THE STRANGE AND MUNDANE AS MAGNIFICANT AND MARVELOUS. WE DO THIS BYEXAGGERATING THEIR PLACE IN THE REAL WORLD, BY WAY OF AN EXPRESSION, AN EXPANSION OR AN OVERLY ATTENTIVE GAZE.
THIS COULD BE DONE BY THE USE OF A RED VELVET CURTAIN HANGING SLIGHTLY OFF THE GROUND AS IF IT WERE IN A DAVID LYNCH FILM OR AS A WINDOWS REFLECTION SEEN AS IF IT WERE A PAINTING BY CY TWOMBLY (SNOW, c.1960, SAUL LEITER). THESE RATHER ABSTRACT MOMENTS ARE TO BE TREATED AS YOUR LOCATIONAL INFORMATION. THEY ARE THE TAPESTRY FROM WHICH YOU RECORD THE SPACE BETWEEN YOU AND THE GROUND PLAIN ABOVE/ BELOW. YOU MAY TAKE A RATHER REACTIONARY STANCE AND RECORD THINGS FROM THE PERSPECTIVE OF A SOCIAL AGITATOR OR SIMPLY BECOME OBSESSED WITH THE CURIOSITIES FOUND ABANDONED AND LEFT UNNOTICED, PICKING OUT ODDITIES TO NOT ONLY UNDERLINE A ROUTE THROUGH BUT ALSO YOUR SENSE OF HUMOUR.
THE INFORMATION YOU CHOOSE TO DOCUMENT DEPENDS UPON YOU.
HOWEVER, THIS YEARS WORK IS NOT SIMPLY AN EXERCISE IN BEING OBSERVATIONAL.
YOU ARE EXPECTED TO INVOLVE YOURSELF AND BE PROPOSITIONAL. PUT SIMPLY, YOU ARE TO PROPOSE PROJECTS WITH AN ARCHITECTURAL IMPLICATION AND A SENSE OF YOUR ENGAGEMENT IN THE WORK NOT JUST RECORDINGS OF WHAT YOU SEE AROUND YOU.
ONE OF THE THEMES OF THIS YEAR WILL BE LIVING ARCHITECTURE OF WHICH THERE IS A WEALTH OF REFERENCE AND YOU WILL BE EXPOSED TO THESE THROUGH ALL M.ARCH TUTORS. ULTIMATLEY IT IS UP TO YOU TO QUESTION WHAT LIVING ARCHITECTURE MEANS TO YOU AND WHAT IT IS IN RELATION TO YOUR PROJECTS.
DOCUMENTATION
YOU MUST ALL CREATE BLOGS IN WHICH TO PROVE YOUR DOCUMENTATION AND TEST OUT IDEAS BOTH WRITTEN AND VISUAL. THIS WILL BE AN INVALUABLE AID WHEN IT COMES TO PUTTING TOGETHER YOUR WRITTEN THESIS REPORT.
BLOGS NEED TO BE VISIBLE BY THE END OF THE FIRST STUDIO WEEK.
INITIAL GROUP MEETING
22TH OCTOBER 2009 - M.ARCH STUDIO (TO BE CONFIRMED)
BIOGRAPHY
STUART MUNRO graduated from the Bartlett with distinction and is currently a graphic designer/ photographer and is published internationally and widely. He has previously worked for Vaughan Oliver, v23 (4ad; Pixies, TV on the Radio, V&A) and David Connor Design (Vivienne Westwood, Anish Kapoor).
Stuart runs design workshops in London and Norway at AHO; Oslo School of Architecture. He has also participated in a workshop-series run by the design collective Tomato in both Yokohama and Sapporo, Japan and frequently travels to Tokyo.
http://www.foldie.net
http://www.foldie.co.uk
http://foldie.tumblr.com
http://ihardlyknowher.com/stuartmunro/bigSTUART MUNRO M.ARCH 2009 - 2010
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From Gucci to his own clothing line to the film industry,
A Single Man is based on the Christopher Isherwoodnovel of the same name and stars Colin Firth as the protagonist George Falconer, a gay British college professor living in Southern California in the 1960s.
So what’s next? a recording contract?
Sarcasm aside, Hollywood buzz shows an Academy nomination for Colin Firth.
Watchathink?
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We lose good artists to the past all the time, because their work was ephemeral, or difficult, or fashion wasn’t on their side. The performance artist Stuart Sherman, who died of AIDS in 2001, was a candidate for disappearance on all three counts. But thanks to two exceptional exhibitions, one at the New York University 80WSE gallery, the other at Participant Inc., an alternative space on the Lower East Side, he’s back in a big way, big at least for him.
Sherman’s signature pieces, which he called “spectacles,” were evanescent and minute. They featured just one performer, himself, and were initially presented in his downtown Manhattan apartment for friends and in city parks for passers-by.
His stage was a small folding table; his props everyday items: a pen, a light bulb, eyeglasses, a roll of tape, toys. The performance consisted of him rapidly, usually soundlessly, always precisely arranging and rearranging the objects, putting one on top of another, taping some down, tossing some away, creating the equivalent of still lifes seen in a flipbook.
Each spectacle lasted just a few minutes. Even later pieces on a larger scale, using several performers, were disconcertingly succinct. An adaptation of Sophocles’ “Oedipus” came in under half an hour; he did a 20-minute “Hamlet,” a 5-minute “Faust.” In the solo performance his demeanor was always the same: dressed in plain dark clothes, focused intently on the table in front of him, he looked at once geeky and Olympian, a combination of obsessive kid and master magician.
Anyone expecting traditional rabbit-out-of-a-hat tricks, though, would be disappointed. The spectacle itself — the materials he used and the wit, speed and rhythm of their manipulation — was the trick, the magic. If you didn’t get it, you didn’t. If you did, you wanted more.
More is what you’ll find in “Beginningless Thought/Endless Seeing: The Works of Stuart Sherman” at New York University. All aspects of his creativity, as a performer, writer, reader, filmmaker, sculptor and draftsman, are touched on in the show, which has been organized with immense tact and care by three of Sherman’s friends and collaborators, John Hagan, Yolanda Hawkins and John Matturri.
Sherman was born in 1945 in Providence, R.I., and even when very young he read voraciously and had a yen for performing. Asked in a 1980s interview about the sources of his art — and there were many, from gadget demonstrations on 1950s television to the Judson Dance Theater and Fluxus art in the 1960s — he said: “I’m influenced the most by myself as a child. I don’t feel so very different from when I was 5.”
After graduating from Antioch College in Ohio, he came to New York City in the late 1960s. At the time he thought of himself primarily as a writer, then as a visual artist; samples of his chance-generated poetry and diagrammatic drawings are in the show.
But in New York he ended up immersing himself in the world of experimental theater, working with two men, the writer-director Richard Foreman and the actor-director Charles Ludlam, then in the early stages of influential careers.
In the mid-1970s Sherman introduced his spectacles, documenting them on video. Several videos are in the exhibition and they bear repeated viewing. What at first looks like improvisation turns out to be tightly scripted. Patterns of movement have the rhythms and rhyme schemes of poetic structure.
Apparently random objects begin to suggest psychological narratives about confusion, self-destruction and self-definition.
Sherman experienced bouts of paralyzing depression, which brought on profound inertia. Task-oriented performance was, he found, a way to circumvent it. It was also a way for him to engage with people immediately but indirectly. For him performing for an audience was a way of hiding in plain sight, a way to express himself indirectly, even invisibly.
“I don’t think of making pieces,” Sherman once wrote. “It’s what I do, but it’s the result of developing strategies for personal salvation, for escape from the intolerable, from certain existential cul-de-sacs.”
With time he expanded his performance in scale and extended it into films, all short, some with sound. Several were “portraits” of fellow writers and performers like George Ashley, Stefan Brecht, Edwin Denby, Bérénice Reynaud, Black-Eyed Susan and Scotty Snyder. The likenesses are whimsical and oblique, studies in how the subconscious processes our perceptions of others. The act of thinking, rather than the completed thought, was always Sherman’s subject.
Although he received steady, if bare-bones, institutional support in the form of awards and grants, Sherman’s work was increasingly out of step with the New York art world of his day. Even in the 1970s, when he introduced his spectacles, another avant-gardist, Robert Wilson, was gaining wide attention for producing traditional spectacles, performances that lasted many hours. One of them, “Einstein on the Beach,” became an opera with a score by Philip Glass and was performed at the Met.
By the 1980s small and ephemeral were out.
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13 Scariest Women in Film
1. Norman Bates’ Mother in Psycho (1960)No actress plays Norman’s mother in the Alfred Hitchcock masterpiece Psycho — but she’s still the film’s scariest character, whether being impersonated by her son (the titular “psycho”) or showing up as a corpse in one of cinema’s best “gotcha!” moments.
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Across The Universe.
A love story set against the backdrop of the 1960s amid the turbulent years of anti-war protest, mind exploration and rock ‘n roll, the film moves from the dockyards of Liverpool to the creative psychedelia of Greenwich Village, from the riot-torn streets of Detroit to the killing fields of Vietnam. The star-crossed lovers, Jude (Jim Sturgess) and Lucy (Evan Rachel Wood), along with a small group of friends and musicians, are swept up into the emerging anti-war and counterculture movements, with “Dr. Robert” (Bono) and “Mr. Kite” (Eddie Izzard) as their guides. Tumultuous forces outside their control ultimately tear the young lovers apart, forcing Jude and Lucy – against all odds – to find their own way back to each other.
hari tu ah,lepas balik dari keje,trus ah balik umah
tak lepak mcm slalu dah.penat sgt rasanya
tapi bila sampai rumah,takleh tido plak. hampehjadah dia.
pehtu on ah tv. mule2 tgk ah citer action ape tah.
pastu tukar channel hbo. skali kuar cter nih.
egt mule2 tak best. skali perghh. hahahaha.
best la muvee ni. bagus2. bagus2. five*
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Pôster de filme - The Sinister Urge (1960)
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DAVID AND LISA (FRANK PERRY, 1962)
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old movies and new thoughts
I really think the movie industry has gone down hill. I mean come on, in a world where twilight is number one…it’s hard to argue with my statement.
I absolutely adore movies from the 1960’s and the 1950’s. They were so classic and funny. plus the female heroines were always so ideal. I’ve always wanted to be Audrey Hepburn with a dash of Grace Kelly and a bit of Ann Margaret. And don’t even get me started on Alfred Hitchcock.
Don’t even get me started on the eighties. Thank you John Hughes. I love all of his films especially Sixteen Candles, The Breakfast Club, and Pretty in Pink. and i’ll always have a special place in my heart for another brat pack movie - St. Elmo’s Fire. Then there is Star Wars, my favorite thing ever. George Lucas is the best of the best. Then there’s the age of Woody Allen. Although fairly recent…Mr. Allen can sure make movies.
So here is my opinion of the best films ever made:
1. West Side Story
2. Breakfast at Tiffany’s
3. Some Like It Hot
4. To Kill A Mockingbird
5. The Wizard of Oz
6. The Great Gasby
7. Pretty in Pink
8. Rear Window
9. Annie Hall
10. Beauty and the Beast
11. Rebel Without a Cause
12. Miracle on 34th Street
13. Carnal Knowledge
14. St. Elmo’s Fire
15. Match Point
16. Roman Holiday
17. The Birds
18. Wait Until Dark
19. Stars Wars: The Empire Strikes Back
20. The Cabinet of Dr. Caligari
