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“Chuck, are you about disarming a nuclear bomb using fruit juice?"

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“… Okay, do it”. 

So at first I wasn't sure

About Castiel. I mean, I see him on my dash all the time and how him and Dean are like the most shipped people ever, and how he’s amazing and everyone wants him to come back or stay or whatever.

Well, I’m not caught up to the series yet, but up until this point, I didn’t find him that great.. I mean, his voice is really deep and he’s super mysterious and he turns up out of nowhere, just standing there in his suit and shit, but I was not yet impressed by his character. To me, he was just there.

Until I watched The Monster at the End of this Book.

“Dean, I can’t help you, but let me make sure you understand why I can’t help you…”

Fucking. Yes.

That moment, and that moment precisely, was when I accepted his character, fully embraced him, and loved him.

Castiel, I approve.

…..they literally cut out blaine’s part.

not cool glee

When Dean and Castiel are talking about the archangels and Castiel is being all sneaky; that whole scene makes me very happy.

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LOOK AT ME, I’M CASTIEL, ANGEL OF THE LORD, BEING A SNEAKY FUCKER, TRYIN’ TO HELP MY HUMAN BF.

I swear, if there was a little smirk, I would’ve died.

Dean has that delicious little sway in his shoulders going on when he gets closer to Castiel, that look in his eyes when he’s interested and Castiel is there, all smarmy in the most delicious way and I just want to push their heads together and make them kiss.

This is what happens when there are too many wonderful Stana caps from 1 episode to choose 1 wallpaper for the week...

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“It’s visceral and immediate and completely unscored but also, THIS SHOW IS CALLED GLEE, SO IT’S MAYBE ALL A BIT MUCH. I don’t want my caps lock rage to belie how strong some of the performances are here, especially from some of the newer kids — it’s the acting and not the writing that keeps the episode away from complete melodrama. And there’s no departure (not even a commercial break) from the gravity and terror of the situation. No one cracks a joke or bursts into song, which is impressive given Glee’s track record. But the depths of the emotional manipulation are unforgivable, even putting aside the fact that the ten gut-wrenching minutes are followed by literally everything being fine/never mind, guys. Sam gets wrestled to the ground for trying to leave to save Brittany, but then Mr. Schue (for unknown reasons) goes to save her later anyway! Confrontation and rescue! The manipulation is so ingrained in the episode that the cynical part of me wants to believe that the preshow disclaimer about violent content was less a genuine warning and more a way of building suspense at the outset — after all, there wasn’t a similar warning before Karofsky’s equally graphic suicide attempt last season. (Also, not for nothing, but if you’re really trying to be realistic, don’t have everyone decide that the threat has passed and burst into group hugging as soon as some random, disembodied voice yells “All clear!”)”

—Lauren Hoffman (Vulture Review of 04x18)

heroinslow replied: Gi Parise just said there was no message from Blaine, so the person who said that probably was confused.

Oh yes, I see it, thank you! Yes, they probably mixed up the scene when he speaks about his parents. Weird that he had none though. Thanks! :D

The awkward moment when you go into a comic store and find out there's a whole comic series about your life.

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