We are Drift compatible.

I also have this headcanon that when Raleigh saw Newt’s tattoos, he thought they were memorial tattoos at first. He’s all soft voiced and kind when he asks if it’s a tattoo of Yamarashi - he and Yancy took out Yamarashi, but that doesn’t mean there weren’t casualties. Raleigh saw the destruction first hand and knows that they couldn’t have saved everybody (and you know the guilt eats him up inside, especially after Yancy’s death, because that’s one more failure). So he’s reaching out - I’m sorry for your loss, I know how you must feel, I was there, but at least we got the bastard.

And then Newt is so casual about it. Twenty-five hundred tons of awesome. And Raleigh sees that his sympathy is misplaced. That this guy is so far from getting it, he might as well be on another planet. Or more specifically, from the safe zone for the rich and powerful (because how else would he end up being so blase about the giant monsters who’ve been attacking the most populous region of the world for over a decade?). And Raleigh is already done with this privileged man-child.

Q: We are stuck in a movie phase where our heroes are accidental heroes, or heroes by destiny and not through any quality they possess.

del Toro: [Pacific Rim] is old fashioned.

Q: This is definitely old fashioned. Can you talk about that, the kind of heroism you wanted to have in this movie?

del Toro: I really wanted it to be a very complicated movie that played very simple. I wanted to make an adventure movie where the sentiments of the characters are there, but they’re not the main obstacle to overcome. I told Charlie Hunnam when he came on, ‘I know actors like complex characters, but Raleigh has very few moving parts.’ He’s really a guy who wants to do good, he’s just afraid to trust someone else and have them die on him because he’ll feel it, like he did when his brother went. You better put spoilers here! But I said, that’s him. When he finds somebody he trusts he’s ready to be good. He’s not Hamlet, wondering if he can do it. I said to Rinko, ‘The two characters need to trust each other.’ You literally see Rinko lose her heart when she’s a child - she has a red object - and then the blue memory stains her hair. She’s carrying it with her. Then when they come together they become one inside the robot.

It’s a simple, earnest heroism. It’s not jingoistic, it’s not ideological, it’s purely humanistic. It’s about the world saving the world. I really needed characters who have good cores. Even the asshole in the movie, the guy you’re meant to hate, he’s a good guy.

—  Badass Interview: Guillermo del Toro gets Spoilery on Pacific Rim (x)