weird-world

anonymous asked:

Ooh ooh I have a question related to your fic! Is Asami's habit of picking up a pen when she's thinking something that you deliberately put in? Because I love you if you did. *koff*also when are ginni and asami gonna kiss*koff*

Yup! Wow, didn’t think anyone would notice. I also kept in her canon-explicit ticks like curling her hand into a fist (or stopping herself from doing so…see when Varrick pops up on her and Mako), hand on the hip, etc. I need to make her lean on more shit though. She leans a lot.

Are they? Asami’s fairly contemplative. The ending of the last chapter is unlikely to go unaddressed in her thoughts.

5

Hermie Hopperhead’ story is that Hermie, the Ginger kid with Dreadlocks, falls into a Trash Can and goes to this weird world. In this world, all the enemies (which there are a ton of) are based off of garbage, but alive.

So here we have enemies like a Shampoo bottle and a desk fan.

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Castle of Good Hope

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anonymous asked:

For someone who has played only the first dark souls and absolutely adores it, would you recommend dark souls 2 or bloodborne? Pros/cons of both?

Dark Souls II: 

Pros: Build variety, Best boss fight in the series (Ivory King), Great characters

Cons: Half assed world building, weird level design, no patches


Bloodborne: 

Pros: Immersive, Great Lore, More like Dark Souls, Guns, Combat

Cons: Lack of build variety, Chalice Dungeons, Frenzy, You can tell content was cut.

Anyone who loves mad max fury road should consider watching the anime Kino’s Journey. 

They both give me the same feel, though granted MM is the action version and KJ is the philosophical one. 

Both take place in a weird-ass post apocalyptic world and star a main character  who is merely along for the narrative of someone else. In every episode Kino ends up experiencing someone else’s story- kind of like dr who if the doctor really didn’t give a shit and didn’t feel inclined to stick his nose in and make himself the centre of everything.

Plus Kino is an awesome gender queer character that has mad gun skills and chats about philosophy with their sentient motorbike and you should totally just watch KJ for them.

Yeah, go watch Kino’s Journey

okay maybe this is just me but like when you’re deep inside of a good book but forced to put it down for a bit does the outside world seem weird and soft and like you find yourself thinking in the author’s voice and even after you’re done with the book there’s like this “book hangover” where you’re still in the writer’s world and seeing the characters and hearing the narrator and stuff feels… different ….

by-the-strictures asked:

Ten reacts to: Rose singing loudly in the shower!

I’d rather be single than waste my time on somebody who’s not gonna take me seriously. I’d rather be watching other couples be happy than be in a relationship where I’m gonna be miserable. I’d rather feel lonely than feel alone even if I’m with somebody. I’d rather wait until someone comes along & genuinely wants to be with me, than rush into something with someone who just want to play games with me. Fuck all that nonsense. Too many people just wanna ‘have fun’ nowadays, which is fine cause at our age, I don’t blame you, it’s normal. But don’t do it at my expense & hurt me while you’re at it.
—  anonymous

THE CASTING/PLOT

THE DEDICATED TUMBLR

PART ONE: OF VISIONS AND FIRE
PART TWO: IMPERMANENT LEGACIES
PART THREE: A CALL TO ACTION
PART FOUR: SOCIETAS DRACONIS
PART FIVE: WARDS AND WINGS
PART SIX: MESSENGERS
PART SEVEN: UNPAID BALANCES
PART EIGHT: MEDICINE
PART NINE: PIT STOP
PART TEN: SPIRIT WALKING
PART ELEVEN: PRESENT AND PAST TENSE
PART TWELVE: NOT A BOOK BUT A MAP
PART THIRTEEN: WORST CASE SCENARIO
PART FOURTEEN: HONOR GUARD
PART FIFTEEN: NIGHT BEFORE THE BORDER
PART SIXTEEN: RECONNOITER
PART SEVENTEEN: BABA GLORY
PART EIGHTEEN: EL PASTOR
PART NINETEEN: AURAS AND BARGAINS
PART TWENTY: BIDING TIME
PART TWENTY-ONE: LA ISLA DE LAS MUNECAS
PART TWENTY-TWO: PART OF A WHOLE
PART TWENTY-THREE: THE STRANGER BY THE TREES
PART TWENTY-FOUR: CHASING RABBITS
PART TWENTY-FIVE: COMPROMISING
PART TWENTY-SIX: TELENOVELAS AND MYTHICAL MAN-EATERS
PART TWENTY-SEVEN: CONDUIT
PART TWENTY-EIGHT: CAPTAIN EDEM NWOSU
PART TWENTY-NINE: MARKED
PART THIRTY: THE AKODESSEWA FETISH MARKET
PART THIRTY-ONE: BLOOD IS A UNIVERSAL CURRENCY
PART THIRTY-TWO: SHOCK TREATMENTS
PART THIRTY-THREE: DEFECTIONS AND DIAGNOSIS
PART THIRTY-FOUR: FAMILY IS WHAT YOU MAKE OF IT
PART THIRTY-FIVE: RADAR
PART THIRTY-SIX: THE SAINT
PART THIRTY-SEVEN: MADMAN MICHEL
PART THIRTY-EIGHT: BETTER NOT TO LEAVE BREADCRUMBS
PART THIRTY-NINE: BIG CITIES; SMALL COUNTRIES
PART FORTY: SEE NO EVIL, HEAR NO EVIL, SPEAK NO EVIL
PART FORTY-ONE: NOTRE DAME
PART FORTY-TWO: TUNNEL MUSIC
PART FORTY-THREE: APEX THEORY
PART FORTY-FOUR: THE FRENCH UNDERGROUND
PART FORTY-FIVE: DANS LES CATACOMBES DE PARIS
PART FORTY-SIX: RESPONSIBILITY
PART FORTY-SEVEN: THE PYRE
PART FORTY-EIGHT: POWERS OF PERSUASION
PART FORTY-NINE: COMPARTMENTALIZING
PART FIFTY: GEARING UP
PART FIFTY-ONE: BOND BETWEEN SIBLINGS / FATHER FIGURE
PART FIFTY-TWO: JOSEFOV
PART FIFTY-THREE: FOOTPRINTS
PART FIFTY-FOUR: IMPOSSIBLE DREAMS / ROOTLESS
PART FIFTY-FIVE: WAITING FOR THE RIGHT TIME
PART FIFTY-SIX: DIVINE INTERVENTION
PART FIFTY-SEVEN: THE OLD JEWISH CEMETERY
PART FIFTY-EIGHT: CLASSIFIED
PART FIFTY-NINE: THE SLEEPWALKER
PART SIXTY: THE GOLEM OF PRAGUE
PART SIXTY-ONE: NO REGRETS
PART SIXTY-TWO: A STORY FOR SCHEHERAZADE
PART SIXTY-THREE: THE BLIND
PART SIXTY-FOUR: THE PRESTWICK CURSE
PART SIXTY-FIVE: PAINT