Wakizashi Sword

  • Measurements: overall length 22 inches; blade length 14 3/4 inches

The sword has a slightly wavy temper line, and a silver collar with gilt reinforcement panels. It features a moko pattern tsuba with raised floral and insect designs made from gold and green stone.

The hilt is adorned with a turtle shell veneer, with gilt insects on the fuchi, gold accented broomstick and fly menuki, and a pair of serrated gold panels securing the kashira, which is decorated with a bronze bodied, golden eyed frog perched on a green leaf.

The sword has a dark brown lacquered scabbard, adorned with white moths, gold accented insect themed fittings, a black suspension cord and a kogatana with 5 symbol signature on the blade and a scene of birds in flight over a body of water on the grip.

Source: Copyright © 2014 Rock Island Auctions


We have just partnered with a forge in Longquan (known for making the best swords) to bring their products to the US market. If anyone needs custom-made Katana or Chinese swords you are welcome to send us a message.

There’s a bunch of custom options available so you can make your own unique sword. These are all fully functional and battle ready, not replicas, and they are completely handmade from the ground up. Here are just a few that we are offering at the moment

Please note you must be 18 years or older to purchase one and some countries have restrictions on swords. Eligible countries are United States, Canada, United Kingdom, France, Italy, Germany, Singapore, Australia.

what if  i just walked around with a sword on my back

hear me out:the mindset when you see someone with a gun, and you also have a gun is “yeah, that guy has a gun, but i also have gun so all i gotta do is catch him off guard and win”

but if you have a sword on your back and someone wants to kill you, they’ll think “what the fuck that dude is just walking around with a goddamn sword, he must know how to use that shit im outta here”

Watch on howtofightwrite.tumblr.com

Explaining sword terminology: Longsword, greatsword, arming sword, broadsword? via Skallagrim

Anatomy of the Rapier

There are a lot of things that could be said and mentioned here, the rapier being quite a complex weapon, but this short and quick presentation should do. 

A rapier is a long, straight-bladed cut-and-thrust single-handed sword optimized for the thrust and featuring a guard that affords good protection to the hand; the rapier sees its apogee between the last third of the Sixteenth Century and the end of the Seventeenth.

The rapier anatomy of the rapier is broken into two distinct parts: The blade, and the guard.

  • Anatomy of the Blade

The blade of the rapier describes the long sharpened piece of metal which all the other parts surround or attach.

  • Tang

At the base of the rapier blade is the tang, which is a long tongue of metal that descends into the guard and ends at the pommel which is screwed onto threading or attached more permanently through [peening] or welding.

  • Ricasso

The unsharpened section of the blade beginning immediately after the tang. When placing a guard onto the blade, the crossbar block slides over the tang and then rests against the ricasso, preventing it from sliding further down the blade. The ricasso can extend from the crossbar block to the outer sweepings or guard shell (meaning the sharpened or more tapered edge of the blade begins immediately after the guard) or further down the length of the blade. The edges of the blade at the ricasso are square/flat.

  • Blade

The sharpened part of the blade is generally what is referred to when speaking of the ‘blade’. This part begins after the ricasso and is the part of the sword used for striking and defending.

  • Edge

The edge of the blade is oriented with the crossbar of the guard and aligns with the knuckle of the hand when holding the sword so that the knuckles lead the edge. On a rapier there are two edges that you can identify when it is held: the true edge (on the same side as your knuckles) and the false edge (on the same side as the base of your thumb).

  • Point

The part of the blade opposite the tang and pommel that is used for penetrating the opponent.

  • Strong

The lower half of the exposed rapier blade, generally used for defense. In Italian the Forte.

  • Weak

The upper half of the exposed rapier blade, generally used for offense (cutting and thrusting). In Italian the Debole.

  • Anatomy of the Guard

The guard of the rapier is the part that protects the sword hand of the wielder.

  • Pommel

A counter weight at the base of the blade, just behind the guard.

  • Turk’s Head

A spacer between the counter weight and handle.

  • Handle

The part of the rapier that you hold. Handles can be made of wood, wood wrapped in wire, wood wrapped in leather, and some other materials. Some handles are shaped to provide comfortable grooves for your fingers or provide other handling or comfort characteristics.

  • Crossbar Block

The crossbar block or alternatively the quillion block is a piece of metal that mounts to the blade just above.

  • Crossbar

The crossbar or quillions are a rod that extend perpendicular to the blade, on either side, and are used for protecting the hand, binding blades, and deflecting the sword of the opponent.

  • Sweepings

The rings and other rods that make up the guard and protect the hand.

  • Knuckle Guard

Sometimes referred to as the knuckle bow, the knuckle guard is a bar or bars of metal that extend down in front of the sword hand, protecting the knuckles. The knuckle guard can be used to identify the true edge of the sword.

  • Cup

The cup or shell is a solid plate of dished metal that surrounds the hand, typically in place of the sweepings, but sometimes in combination on some guards.

Source: Copyright © 2014 Western Martial Arts Wikia

anonymous said:

Do you know what would be an appropriate sort of sword for a smallish teenage girl? She hasn't used a sword before (she will be taught) and she doesn't have any sword specific strength built up, but she's grown up doing farm work and can shoot a fairly heavy bow. For that matter, do you know anything about bow weights? (sorry if these are stupid questions)

Well, here’s the thing about swords (and all weapons, really), wielding them isn’t about strength. It’s a fallacy perpetrated by games like D&D, where the combat stats are governed by strength and some historians confusing the gilded twenty pound parade swords for actual combat weapons. But don’t take just my word for it, here’s the awesome Scholagladitoria talking about misconceptions and stereotypes regarding both bow and the sword in fiction. (Also the difference between a war bow and the hunting bow, plus some talk about draw weight.)

The average longsword will weigh between four and six pounds. So, saying your character has to worry about sword weight is like you saying you can’t pick up a chair or your laptop. A backpack laden with binders and books can run up to around around 15 to 20 pounds, what you carry/carried to school every day on your back is heavier than a sword. It really doesn’t take much strength to lift them. (Yes, even a Claymore.)

Now, what gets most people in trouble when they have no experience and try to lift a blade is balance issues. Swords are awkward. A major part of the training is molding the body to compensate for the different balance. This is learning the positions, grips, footwork, stances, and striking patterns; developing muscular endurance and flexibility in the core, the upper, and lower body, along with strengthening the hands, wrists, and ankles.

Remember, the point of training is developing the muscles and building endurance. As you can see in this lovely chart, the way those muscles are developed through different kinds of activity will change the physical appearance of the body. As scholagladitoria says in his video above, your farm girl is used to wielding a hunting bow, not a war bow so it’s unlikely she’ll have large, strong muscles in the back and shoulders necessary to handle the 50 to 60 pounds of draw weight and wield it effectively (never mind aiming). You do need heavier arrows with larger metal tips to take on armored opponents and a stronger bow than a hunting bow to get the speed/momentum necessary to puncture and penetrate the armor.

Fighting with a sword isn’t about swinging it as hard as you can. Using a any sword requires precision and control, the ability to generate, balance, and control your momentum. The longsword in particular because is usually used with two hands is a good example of this. The second hand handles the rotation of the blade, creating more power, while the other hand guides it. What she’s going to need to build (and what her training master will require from her) is endurance. Beyond just learning how to wield the sword, she’ll also learn how to stand, how to breathe, exercises to develop balance, mental exercises to develop hand and eye coordination, and others in a similar vein. If she has the option, she’ll train on multiple different kinds of terrain. Not just fighting, but running, exercising, and practicing her footwork. Fighting on sand, in water, on mud are useful for teaching her all the different ways she’ll have to adjust herself and how different surfaces can tire you faster.

So, which sword should she use?

The one which is most common and makes the most sense for her social class, aka the one she has easiest access to. If you’re basing your setting somewhere similar to Medieval Europe or using characters who are European influenced, I suggest sticking with European weapons. You can’t really drop a katana into the Middle Ages and expect it to make sense (or be automatically awesome).

The arming sword, the sword and buckler were common self-defense weapons of the peasantry or the Non-Nobility but, really, pick a period in history and research both it and the weapon before making your decision. Not all swords make sense in all periods (though the longsword was a staple in Europe for hundreds of years). The kind of opponents your character is facing will do more to decide what she carries than personal preference. It’s important to assess what your options are, so you can choose what you like and what fits her best while also staying true and respecting the weapon’s history (both cultural and martial).

Links! (A jumping off point for your research needs.)

Scholagladitoria on bullshit perceptions of “manliness” and “unmanliness” of the longsword and the rapier (aka why you shouldn’t just go with the rapier/smallsword, because general perceptions says it’s “more feminine/girly”/lighter/easier), this video, where he discusses the evolution of the sword and different kinds of swords in European history, this video where he talks about the historical position of arming sword/sword and buckler versus the longsword. Actually, just go through his YouTube portfolio if you’re doing anything regarding European/Medieval weaponry and want to better understand it’s historical applications connotations and how some of it has been reflected in media. His breakdowns of different movie fight scenes is interesting and worth looking at for comparing the difference between Hollywood presentation and Historical accuracy.

ARMA instructor John Clements demos engages and disarms, here is the ARMA website with tons of videos talking about the historical ways of wielding Medieval and Renaissance weapons. It’s mostly the long sword, but there’s a lot of good stuff there.

This training montage with Anthony Hopkins and Antonio Banderes from the Mask of Zorro might help when figuring out training sequences. However, be warned, the movie switches between the foil and the sabre at random. (The sabre is generally regarded as the most visually entertaining of the three European fencing blades (foil, epee, sabre) because of the larger movements and circular patterns.)

Wikitenaur is a great place to go to look at different historical fighting manuals. However, I don’t recommend it as a starting entry point until you familiarize yourself with the time period. I really suggest starting with Scholagladitoria’s videos and working your way down. When you’re ready to start going in depth, here’s where you can go to read translations of instruction manuals written by the historical Masters.


Watch on art-of-swords.tumblr.com

Inside the World of Longsword Fighting

Longsword enthusiasts are resurrecting ancient sword technique as a modern, organized sport, with timed bouts and complex rules.

Source: Copyright © 2014 New York Times