While the Hotel Columbia has been abandoned for over a decade, one would hardly know this to look at it - many rooms look more or less like this, somewhat disheveled, but hardly in the state of advanced decay that most of the buildings I study are. Still, as can be inferred from the red carpeting and the bathroom design pictured here, it has been much longer than a decade since anything was done to update the decor… Sadly, while the Columbia is certainly in salvageable condition, the Korean investment conglomerate that owns it wants it as a tax shelter and nothing more - there are currently no plans to save the building, and soon enough, water damage will make rehabilitation prohibitively expensive.
PEP (Persons of Exceptional Prominence) Spot Light: Lieutenant (JG) Harriet Pickens (1909-1969) & Ensign Frances Wills (1916-1998)
In honor of African American Women’s History Month, we are highlighting the first two African American women who were commissioned as officers in the US Navy. Lieutenant Pickens and Ensign Wills were commissioned in the United States Navy on December 21, 1944.
Lieutenant Harriet Pickens, a public health administrator with a master’s degree in Political Science from Columbia University, was the daughter of William Pickens, one of the founders of the NAACP. Prior to her military service, Harriet was the Executive Secretary of the Harlem Tuberculosis and Health Committee of the New York Tuberculosis and Health Association. In addition to this position, she was a supervisor of recreation programs in the New Deal’s WPA (Works Project Administration).
Ensign Frances Wills was a native of Philadelphia and graduate of Hunter College. While Frances pursued her MA in Social Work at the University of Pittsburgh, she worked with famed African American poet, Langston Hughes. She worked in an adoption agency, placing children in adoptive homes. Her experiences as a pioneering naval officer led Frances to eventually write the book Navy Blue and Other Colors under her married name, Frances Wills Thorpe.
Obviously, these were two accomplished and well educated women, highly qualified to serve their country as military officers in time of war. It was only their race that stood in their way and the remarkable pair would help to tear that barrier down. They were sworn in as apprentice seamen in the US Navy in November 1944.
After receiving their commissions a month later, both Harriet and Frances serviced at the Hunter Naval Training Station in Bronx, NY, the main training facility for enlisted WAVES (Women Accepted for Volunteer Emergency Service) recruits. Harriet Pickens led physical training sessions up until her death in 1969 at the age of 60. Frances Wills taught naval history and administered classification tests. She died in 1998.
Lieutenant Pickens’ and Ensign Wills’ military files are two of the records in our PEPs (Persons of Exceptional Prominence) collection at the National Archives at St. Louis. Due to the high volume of attention and research on their military career, Lieutenant Pickens and Ensign Wills’ record was placed in the PEP collection and digitally copied. The Preservation Programs at St. Louis treats and stabilizes PEP records by placing the documents in polyester film sleeves, removing fasteners and staples and undertaking any required repair actions that will extend the life of the documents. An entire record is then scanned and placed on DVDs so researchers can access exact replicas, thus preventing damage to the original documents.
We are proud to highlight the lives and achievements of these two courageous women who in the face of segregation and hatred overcame and changed the face of the United States Navy forever.
Archivists and conservators both know all too well. Numerous methods of tape manufacture and composition lead to an infinite ways to degrade items, yet the worst is that classic, yellow, creeping, oozing, oily, incredibly sticky mess.
Full treatment can be lengthy and difficult. So what can NARA do when a record needs to be accessed right away, but there are a number of pages firmly stuck together? Cellulose powder to the rescue! Once the pages are carefully separated and the tape carriers are removed, cellulose powder (AKA Ashless powder) can be used to remove the adhesive. The loose fibers that make up cellulose powder are soft and stick to the adhesive once in contact with it. With careful handling, the powder picks up the adhesive, allowing removal of the adhesive layer from the page. Although this treatment does not reverse the damage to the page from the degraded tape, the pages are free and usable!
This is the parlor in Quarters D of Admiral’s Row, a series of Second Empire mansions located on the southwest corner of the Brooklyn Navy Yard. Unfortunately, scenes like this were used to condemn the century-and-a-half-year-old mansions; they were supposedly evidence of the unsalvageability of the buildings. But on closer inspection - yes, the paint is peeling, the plaster is falling - but two separate architectural firms declared 9 of the 11 mansions to be sound, level, and plumb. Once again, the City of New York found an excuse to do away with historic structures in order to help out a developer. This should come as a surprise to exactly nobody.
To celebrate the 80th anniversary of the creation of the National Archives, staff from around the country submitted contemporary photographs of their workplace and people to show what we look like in 2014 for anyone interested now and in the future.
Mickey Ebert, Education Specialist; and Chris Magee, Archivist; practice “NARA and National Symbols,” a distance learning puppet show for kindergarteners with Hairy History and War Eagle, puppet at the Interactive Distance Learning Lab at the National Archives at Kansas City. Photographer: Jessica Hopkins. Source: US National Archives and Records Administration.
Audrey Amidon showing a close-up of acetate film in an advanced state of vinegar syndrome in the Motion Picture Preservation Lab at the National Archives at College Park. The film base has shrunk more than the emulsion causing the wrinkly surface you see here. Photographer: Richard Schneider. Source: US National Archives and Records Administration.
Brad Brooks, Brian Swidal, Laurice Clark, and Amy Bunk hanging up the seal of the National Archives at the Office of the Federal Registrar. Photographer: Jim Hemphil. Source: US National Archives and Records Administration.
Devon McKeown cleaning archival records at the National Archives at Chicago. Photographer: Mary Ann Zulevic. Source: US National Archives and Records Administration.
Ancestry.com contractor digitizes Los Angeles Naturalization Petitions at the National Archives at Riverside. Photographer: Joseph S. Peñaranda. Source: US National Archives and Records Administration.
National Public Radio is partnering with us to preserve the audio heritage of the network’s earliest days. Here, Joseph Mills surveys the bank of Studer reel-to-reel machines that will digitize Susan Stamberg and Carl Kasell.
The two Civil War battlefields sites near Lostwithiel are the first additions to the Register of Battlefields. The Lostwithiel Campaign was the culmination of a long-running conflict enacted in Devon and Cornwall between the Parliamentarian force led by the Earl of Essex and the Royalists led by King Charles I. The battles which took place were among the worst defeats suffered by a Parliamentarian army during the War, and among the Royalists’ greatest successes.
Originally constructed as a multipurpose theatre in Holyoke, MA, which featured a mix of vaudeville performances and silent films, the Victory Theatre opened its doors in 1919. It received its name from the recent victory in the First World War, and the eagle medallion at the center of the proscenium is a nod to this. The Victory Symphony Orchestra accompanied both the live shows and films from a pit in front of the shallow stage; a pipe organ was used during matinee showings. Sadly, the Victory went the way of many large-scale theatres in America - the decline of vaudeville and the rise of the multiplex led to its eventual abandonment. Thankfully, funds have been secured and the Victory is currently being renovated into a community performing arts space.