Farming Cuba — A new model for cities and countries facing threats to food security brought on by the end of cheap oil
Following the collapse of the Soviet Union in the early 1990s, Cuba found itself solely responsible for feeding a nation that had grown dependent on imports and trade subsidies. Citizens began growing their own organic produce anywhere they could find space, on rooftops, balconies, vacant lots, and even school playgrounds. By 1998 there were more than 8,000 urban farms in Havana producing nearly half of the country’s vegetables. What began as a grassroots initiative had, in less than a decade, grown into the largest sustainable agriculture initiative ever undertaken, making Cuba the world leader in urban farming. Learn more in Farming Cuba: Urban Agriculture from the Ground Up, by Carey Clouse, available now from PAPress.
The Frank House by Andrew Geller (1958, Fire Island). It’s pet name was ‘The Cube’ - a beach house fit for man and beast. From Beach Houses (2003) by Alastair Gordon, paperback edition coming soon from PAPress.
…Gnatowski showed me her fabric collection, stored in a set of suitcases. “I got the cases because they are Amelia Earhart—a really strange brand name. It is a success story but at the same time ended so tragically,” she said. She spotted an item and held it up—a multicolored shawl made by her grandmother from spare yarn.
The Belfield Avenue project in Philadelphia, by Onion Flats. Each townhouse has a 5-kilowatt array, which is often enough to provide an energy surplus and to feed back to the power grid, bringing the project to net zero.
From The Greenest Home: Superinsulated and Passive House Design, available from PAPress here.
Great article over at Metropolis Mag by Alexandra Lange: “Why Charles Moore (Still) Matters”. The Moonraker Athletic Center (above), completed by MLTW/Moore-Turnbull in 1966, was as much landscape as architecture, protecting the pool from sea breezes and containing small, skylit changing rooms. Barbara Stauffacher Solomon painted highly influential supergraphics inside the Swim Club, further altering perceptions of its small scale. Moore is one of the architects profiled in The Sea Ranch, a new revised edition was released in 2013.
In 1971, Marguerite Hart, the first children’s librarian at the Troy Public Library, contacted a number of public figures asking them to write about the importance of libraries and about their experiences of reading. This was author E. B. White’s response.
Robert Dawson (The Public Library) receives Guggenheim Award
The response to our new book The Public Library has been nothing short of ecstatic. We couldn’t be more proud of the book and its author Robert Dawson, who we are thrilled to report, was just awarded a John Simon Guggenheim Fellowship. Dawson was also just interviewed by Scott Simon on NPR Weekend Edition and the book is popping up everywhere.
Casa Alta presents the breathtaking results of a nearly three-decade-long labor of love—an abandoned courtyard house in a small Andalusian village in Southern Spain, restored and renovated by Victor Carrasco and Elizabeth McMillan. Stunning photographs by acclaimed photographer Richard Barnes capture the lived-in details of the house, part sanctuary and part labyrinth, from vibrant tiles and textiles to calming plants and pools. Book design by 2013 AIGA medalistLucille Tenazas.
Elegantissima: The Exhibit opened this Wednesday, September 10th at the Art Directors Club. The show was designed by Kevin O’Callaghan and displays four decades of Louise Fili’s work, all set within beautifully crafted and themed room environments.
What significance do these garments have for Andy Spade (top), David Carr (middle), and Rosanne Cash (bottom)? Find out in Worn Stories, a collection of sartorial memoirs (by Emily Spivack), published by PAPress.