¿Cuánto tiempo hace que no pienso en otra cosa que en ti, imbécil, que te intercalas entre las líneas del libro que leo, dentro de la música que oigo, en el interior de los objetos que miro? No me parece posible que el revestimiento de mi esqueleto sea igual al tuyo.
—  Fragmento de Carta perdida en un cajón, Silvina Ocampo

El corazón que ríe

tu vida es tu vida
no dejes que sea apaleada hasta una sumisión húmeda
estate alerta.
hay salidas.
hay una luz en alguna parte.
puede que no sea mucha luz pero
golpea la oscuridad.
estate alerta.
los dioses te van a ofrecer oportunidades.
no podés vencer a la muerte pero
podés vencer a la muerte en vida, a veces.
y cuanto más aprendas a hacerlo,
más luz va a haber.
tu vida es tu vida.
conocéla mientras aún la tengas.
sos una maravilla
los dioses esperan para deleitarse
con vos.

Charles Bukowski

Like stories.

Because stories are important.

People think that stories are shaped by people. In fact, it’s the other way around.

Stories exist independently of their players. If you know that, the knowledge is power.

Stories, great flapping ribbons of shaped space-time, have been blowing and uncoiling around the universe since the beginning of time. And they have evolved. The weakest have died and the strongest have survived and they have grown fat on the retelling … stories, twisting and blowing through the darkness.

And their very existence overlays a faint but insistent pattern on the chaos that is history. Stories etch grooves deep enough for people to follow in the same way that water follows certain paths down a mountainside. And every time fresh actors tread the path of the story, the groove runs deeper.

This is called the theory of narrative causality and it means that a story, once started, takes a shape. It picks up all the vibrations of all the other workings of that story that have ever been.

This is why history keeps on repeating all the time.

So a thousand heroes have stolen fire from the gods.

A thousand wolves have eaten grandmother, a thousand princesses have been kissed. A million unknowing actors have moved, unknowing, through the pathways of story.

It is now impossible for the third and youngest son of any king, if he should embark on a quest which has so far claimed his older brothers, not to succeed.

Stories don’t care who takes part in them. All that matters is that the story gets told, that the story repeats. Or, if you prefer to think of it like this: stories are a parasitical life form, warping lives in the service only of the story itself.*

It takes a special kind of person to fight back, and become the bicarbonate of history.

* And people are wrong about urban myths. Logic and reason say that these are fictional creations, retold again and again by people who are hungry for evidence of weird coincidence, natural justice and so on. They aren’t. They keep on happening all the time, everywhere, as the stories bounce back and forth across the universe. At any one time hundreds of dead grandmothers are being whisked away on the roof-racks of stolen cars and loyal alsatians are choking on the fingers of midnight burglars. And they’re not confined to any one world. Hundreds of female Mercurian jivpts turn four tiny eyes on their rescuers and say, ‘My brood-husband will be livid - it was his travel module.’ Urban myths are alive.

—  Witches Abroad, Terry Pratchett

After all, the closest thing we have to LACUNA INC. is to block the other from facebook, twitter, skype, mail. Remove all photos, burn the letters, get lost in the crowds, change streets, bars, places and beg that none says their name. Or at least, not to breakdown when some memory sneaks between the middle of the midday traffic. 

Brenda Obregon