What was the most beautiful thing Morrissey ever said to you?
His songs that he sang whilst I was on the other side of the glass. Those moments were transcending in the true sense of the word. When you have such an intense relationship and you are impressed with each other and reliant on each other and when it’s set to music and poetic, it’s like a deluxe version of a conversation. All those amazing songs he sang for the first time facing me. That’s an incredible memory for me.

What was the most hurtful thing Morrissey ever said to you?
"I really don’t like those shoes." Obviously, he was wrong.

I hate most people. And I don’t want to, it’s an awful way to be. But the human race gives me no comfort. I find myself turning to books and films for comfort still. It’s repulsive, because one’s life consists of people, not things.
—  Morrissey, June 14 (1986)

Erin Donovan, IsItReallySoStrange? August 10, 2006.

Is it Really So Strange? examines the enormous popularity of the 80s Manchester pop band the Smiths (and its massively charismatic and mysterious lead singer, Morrissey) with young Hispanic and Latino kids in East Los Angeles. It sounds incredibly niche but director William Jones transcends the “hey, look at my t-shirt collection” consumerist bent that stains fandom to show how these kids have used the lyrics and persona of Morrissey to carve out an identity for themselves in a place that nearly condemns all of their religious, cultural, sexual and personal expressions.
One of the most fascinating sections of the film starts when the subjects begin to account their fan-geekery exchanges such as fainting at a brief touch of Morrissey’s hand at a concert, stalking him at his home, tattooing his autograph on their bodies and tough guys (“greasers”) breaking down into tears at tribute band Sweet & Tender Hooligans’ concerts. But when pressed almost every fan interviewed in the film insists they would probably not enjoy spending any length of time with the man outside of his performances, citing his narcissism, cynicism and possible racism as factors that would shatter the image they hold of him and that, ultimately, it’s the music, not the personalities, that saves lives.
The film was recorded with a one-chip camera and with many of the interviews recorded only using the local mic, but Is It Really So Strange? remains a great story, told in perhaps the only way it could: low-fi.