“I’m sad because of that situation between Lou and Peter but I saw this coming miles away. They met, fell in love very quickly and very deeply and got married but neither of them have never felt themselves completely comfortable as part of each other’s life. They can’t get life together because neither of them is ready to give up what is important to them. Lou does want to live at Heartland because her other family is there but Heartland seems to be the last Place where Peter wants to live.”


Reasons why you should watch the Fast & Furious movies!

It’s NOT just “fast cars” and “scantily-clad girls”

If you want more in-depth view of diversity and strong female character presence in this franchise, check out my two posts below:

And make sure to go watch the movies! GO!

And watch all the behind the scenes, watch how they make the movies, listen to the director/writer commentaries!

BONUS! Even the directors are diverse in race

  • Rob Cohen - white - Fast 1
  • John Singleton - african american - Fast 2
  • Justin Lin - asian - Fast 3,4,5,6
  • James Wan - asian - Fast 7

This franchise is proof that action films can just as easily give great representation and focus on character relationships!

Take this quote from Justin Lin, director of Fast 3,4,5,6

"We can go around the world and do these crazy stunts and scope and everything but ultimately it’s to service the journey home"

Or the quote from Chris Morgan, writer of Fast 3,4,5,6,7

"The overriding theme of this franchise has always been about family - when it really comes down to is the people around you, and it is the place that you call home" 

And even despite the tragic passing of founding member Paul Walker, the cast and crew behind the franchise is determined to continue the films not only in his honor because of his passion for the franchise but also because they know how important representation and diversity is for future generations - as actor Tyrese Gibson puts it:

There’s no way [Paul] would want the franchise to shut down because the movie is successful for a reason. If you all could just show up and look at somebody in the movie that you identify with then the global impact of the movie must continue on behalf of the franchise”

“I really hope that the writers don’t make Lou and Scott get back together… I kinda like Lou and Peter. Despite Peter acting like a total jerk right now. Both of them need to talk and figure things out, and start over again. They’re already started a family, and it wouldn’t be fair to both Katie and Georgie if Lou and Peter separate”


         She had fallen behind [in 1949] with not only her rent but also payments on her car. But the chance to up her income came via photographer Tom Kelley who’d been asking her to pose nude for several months. Threatened with repossession of her car, she called his number and on 27 May arrived at Kelley’s studio at 736 North Seward Avenue, to pose nude for a calendar distributed by John Baumgarth. To add a touch of respectability to the proceedings, Marilyn requested that Kelley’s partner Natalie Grasko be in attendance. She explained that she had agreed to pose nude because she was flat broke and felt a debt of gratitude to him for his kindness to her, a complete stranger, on the day her car broke down.
       ’Begin the Beguine' played on the turntable as Marilyn reclined on a red-velvet blanket; she was paid $50 for her efforts. Years later she described the experience as, 'Very simple… And drafty!', and although the photos are tame compared to modern standards, she was so anxious not to be recognized that she signed the release 'Mona Monroe'.
     Within days of meeting DiMaggio [Joe, in March 1952], rumours that Marilyn had once posed naked were impossible to deny when a calendar featuring the nude photos started to appear throughout the country. Marilyn had been forewarned of this by a man in the street who approached her clutching one: ‘This ought to be worth quite a bit of money to you. Suppose I showed it around town?' Marilyn refused to be drawn: 'Mister. I’d just adore for you to show it around Hollywood- would you like me to also autograph it for you?
    Her studio went in a frenzy, with executives demanding first she lie, then say nothing. Ultimately, a prepared statement allowed Marilyn to explain her version of events- she’d been broke and needed money for her rent. She played the sympathy card and was not only forgiven but also loved for her honesty and candour. Once it was clear that the photos would not negatively affect her career, she became quite proud of them. Mayor Johnny Grant, who delivered her a calendar, confirms this: ‘She… was happy to receive it. She had just gotten out of the shower and the only thing she was wearing was a towel- on her head! When she opened the door, she half way hid behind it, exposing almost the same scene I had just seen on the calendar.’
Tom Kelley later said that Marilyn had some role in the photos’ notoriety, since she had given numerous autographed calendars as gifts. Nonetheless, in December 1952, she tried to stop them being used on ashtrays, glasses and cocktail trays: ‘I don’t know exactly what rights I have, but it seems to me I should have some say in the way my own picture is used.’

FromMarilyn Monroe: Private and Undisclosed by Michelle Morgan


"Because in the end, when you lose somebody, every candle, every prayer is not going to make up for the fact that the only thing you have left is a hole in your life where that somebody that you cared about used to be."

  — Damon Salvatore [The Vampire Diaries]